Radha And Krishna (1959 Film)
Radha-Krishna (IAST , sa, राधा कृष्ण) are collectively known within Hinduism as the combined forms of feminine as well as the masculine realities of God. Krishna and Radha are the primeval forms of God and his pleasure potency (Hladini Shakti), respectively, in several Vaishnavite schools of thought. In Krishnaite traditions of Vaishnavism, Krishna is referred to as '' Svayam Bhagavan'' and Radha is illustrated as the primeval potency of the three main potencies of God, ''Hladini (immense spiritual bliss), Sandhini (eternality) and Samvit (existential consciousness)'' of which Radha is an embodiment of the feeling of love towards the almighty Lord Krishna (''Hladini''). With Krishna, Radha is acknowledged as the Supreme Goddess. It is said that Krishna is only satiated by devotional service in loving servitude and Radha is the personification of devotional service to the supreme lord. Various devotees worship her with the understanding of her merciful natur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jhulan Purnima
Jhulan Purnima or Jhulan Yatra is a Hindu festival and is dedicated to Hindu god Radha Krishna. It is celebrated in the month of Shraavana, which usually falls in the period of July-August. This festival is known for its spectacular display of decorated swings, songs and dance. It is a joyful festival which celebrates the amour of divine couple Radha and Krishna along with the romantic fervor of the rainy season in India. Origin Jhulan Yatra has been inspired from the swing pastimes of Krishna and his consort Radha during their romance in the idyllic pastoral groves of Vrindavan, where the divine lovers along with their cowherd friends and gopis took part in joyful swinging in the cool monsoon season. These pastimes are mentioned in literature such as the Bhagavata Purana, the Harivamsa, and the Gita Govinda, and the metaphor of the swing of the monsoon or 'Sawan Ke Jhuley' have since been used by poets and songwriters to describe the romantic feeling that permeates the rain ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gita Govinda
The ''Gita Govinda'' ( sa, गीत गोविन्दम्; ) is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called ''Prabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ''Ashtapadis''. It is mentioned that Radha is greater than Krishna. The text also elaborates the eight moods of Heroine, the ''Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Summary The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it. Chapters # ''Sāmoda ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chaitanya Charitamrita
The ''Chaitanya Charitamrita'' (; bn, চৈতন্যচরিতামৃত, Côitônyôcôritamṛtô), composed by Krishnadasa Kaviraja in 1557, is written in Bengali with a great number of Sanskrit verses in its devotional, poetic construction, including '' Shikshashtakam''. It is one of the primary biographies detailing the life and teachings of Caitanya Mahāprabhu, the founder of Gaudiya Vaishnavism. The stories of Chaitanya's life are mixed with philosophical conversations detailing the process of Bhakti yoga, with special attention given to congregational chanting of Krishna's names and the Hare Krishna mantra. Contents The Chaitanya Caritamrta is divided into three sections: Adi-lila, Madhya-lila and Antya-lila. Each section refers to a particular phase in Chaitanya Mahaprabhu's life: Adi-lila The Adi-lila explains Chaitanya's unique theological identity (Krishna in the mood of Radharani—a combined avatar), his lineage, his closest childhood companions and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brahma Samhita
The ''Brahma Samhita'' () is a Sanskrit ''Pancharatra'' text, composed of verses of prayer spoken by Brahma glorifying the Lord Vishnu, as well as his avatars such as Krishna, at the beginning of creation. It is revered within Gaudiya Vaishnavism, whose 16th-century founder, Chaitanya Mahaprabhu (1486–1534), rediscovered a part of the work, the 62 verses of chapter five, which had previously been lost for a few centuries, at the Adikesava Perumal Temple, Kanyakumari in South India. Mitsunori Matsubara, in his ''Pañcarātra Saṁhitās and Early Vaisṇava Theology'' dates the text at c. 1300 CE. The text contains a highly esoteric description of Krishna in His abode, Goloka. In 1970, George Harrison produced a modern recording of these prayers performed by devotees of the Radha Krsna Temple in London. Titled "Govinda", the song took its title from the main chorus line of the prayer ''"govindam ādi-puruṣam tam ahaṁ bhajāmi"'', meaning "I worship Govinda, the primeval Lord" ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gopala Tapani Upanishad
The ''Gopala Tapani Upanishad'' () is a Sanskrit text, and one of the later Upanishads attached to the Atharvaveda. The Gopāla-Tāpanī is one of the four ''Tāpinī'' Upanishads (''Nṛsiṁha'', ''Rāma'', ''Tripurā,'' and ''Gopāla''). This Vaishnava Upanishad belongs to the Tandya school of the Atharvaveda. Like the Gopala-Tapani Upanishad is an anthology of texts that must have pre-existed as separate texts, and were edited into a larger text by one or more ancient Indian scholars. The precise chronology of Gopala-Tapani Upanishad is uncertain, and it is variously dated to have been composed by the 8th to 6th century BCE in India.Steven Rosen (2006), Essential Hinduism, Praeger, , page 218 It is one of the largest Upanishadic compilations, and has eight Prapathakas (literally lectures, chapters), each with many volumes, and each volume contains many verses.Vol II, pp. 809-888. He has translated the Rāma Pūrva and Uttara-tāpinī and the Nṛsiṁha Pūrva and Uttara-t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Naradiya Purana
The ''Naradiya Purana'' ( sa, नारदीय पुराण, ) or ''Narada Purana'' ( sa, नारद पुराण), are two Vaishnavism texts written in Sanskrit language. One of the text is termed as the Major Purana, also called Mahapurana while the other is termed as a Minor Purana (''Upapurana''), also referred as ''Brihannaradiya Purana.'' Unlike most Puranas that are encyclopedic, the Brihannaradiya text is focussed almost entirely on Vishnu worship, while the Naradiya text is a compilation of 41 chapters (20%) on Vishnu Worship and rest of the chapters (80%) cover a wide range of topics including a large compilation of ''Mahatmya'' (travel guides) to temples and places along river Ganga and neighbouring regions. The ''Naradiya Purana'' is notable for dedicating eighteen chapters on other Puranas, one entire chapter summarizing each major Purana. It is also notable for its verses extolling Buddha in chapter 1.2. History Manuscripts of nearly all the Major ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Devi-Bhagavata Purana
The Devi Bhagavata Purana ( sa, देवी भागवतपुराणम्, '), also known as the Srimad Devi Bhagavatam, Srimad Bhagavatam, Bhagavata Purana or simply ''Devi Bhagavatam'', is one of the eighteen Mahapuranas of Hinduism. Composed in Sanskrit by Veda Vyasa. The text is considered as a major purana for Devi worshippers. It promotes '' bhakti'' (devotion) towards Mahadevi, integrating themes from the Shaktadvaitavada tradition (syncretism of Samkhya and Advaita Vedanta. literally, the path of nondualistic Shakti). The purana consists of twelve cantos (sections) with 318 chapters. Along with '' Devi Mahatmya'', it is one of the most important works in Shaktism, a tradition within Hinduism that reveres Devi or Shakti (Goddess) as the primordial creator of the universe and the Brahman (ultimate truth and reality). It celebrates the divine feminine as the origin of all existence, the creator, the preserver and the destroyer of everything, as well as the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Skanda Purana
The ''Skanda Purana'' (IAST: Skanda Purāṇa) is the largest ''Puranas#Mahapuranas, Mukyapurana'', a genre of eighteen Hindu religious texts. The text contains over 81,000 verses, and is of Kaumaram, Kaumara literature, titled after Kartikeya, Skanda, a son of Shiva and Parvati, who is also known as Murugan. While the text is named after Skanda, he does not feature either more or less prominently in this text than in other Shiva-related Puranas. The text has been an important historical record and influence on the Hindu traditions related to the war-god Skanda. The earliest text titled ''Skanda Purana'' likely existed by the 8th century CE, but the ''Skanda Purana'' that has survived into the modern era exists in many versions. It is considered as a living text, which has been widely edited, over many centuries, creating numerous variants. The common elements in the variant editions encyclopedically cover cosmogony, mythology, genealogy, dharma, festivals, gemology, temples, g ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shiva Purana
The ''Shiva Purana'' is one of eighteen major texts of the ''Purana'' genre of Sanskrit texts in Hinduism, and part of the Shaivism literature corpus. It primarily revolves around the Hindu god Shiva and goddess Parvati, but references and reveres all gods. The ''Shiva Purana'' asserts that it once consisted of 100,000 verses set out in twelve Samhitas (Books), however the Purana adds that it was abridged by Sage Vyasa before being taught to Romaharshana. The surviving manuscripts exist in many different versions and content, with one major version with seven books (traced to South India), another with six books, while the third version traced to the medieval Bengal region of the Indian subcontinent with no books but two large sections called ''Purva-Khanda'' (Previous Section) and ''Uttara-Khanda'' (Later Section). The two versions that include books, title some of the books same and others differently. The Shiva Purana, like other Puranas in Hindu literature, was likely a liv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Padma Purana
The ''Padma Purana'' ( sa, पद्मपुराण or पाद्मपुराण, or ) is one of the eighteen Major Puranas, a genre of texts in Hinduism. It is an encyclopedic text, named after the lotus in which creator god Brahma appeared, and includes large sections dedicated to Vishnu, as well as significant sections on Shiva and Shakti. The manuscripts of Padma Purana have survived into the modern era in numerous versions, of which two are major and significantly different, one traced to eastern and the other to western regions of India. It is one of the voluminous text, claiming to have 55,000 verses, with the actual surviving manuscripts showing about 50,000. The style of composition and textual arrangement suggest that it is likely a compilation of different parts written in different era by different authors. The text includes sections on cosmology, mythology, genealogy, geography, rivers and seasons, temples and pilgrimage to numerous sites in India – ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brahmavaivarta Purana
The ''Brahmavaivarta Purana'' ( sa, ब्रह्मवैवर्त पुराण; ) is a voluminous Sanskrit text and a major Purana (''Maha-purana'') of Hinduism. It is an important Vaishnavism text. This Purana majorly centers around the Hindu deities Radha and Krishna. Although a version may have existed in late 1st millennium CE, its extant version was likely composed in the Bengal region of Indian subcontinent. Later, it was likely revised somewhere in South India. Numerous versions of this Purana exist and are claimed to be the part of manuscripts of the ''Brahmavaivarta Purana'' or the ''Brahmakaivarta Purana''. The text is notable for identifying Krishna as the supreme reality and asserting that all gods such as Vishnu, Shiva, Brahma, Ganesha are one and the same and in fact, all are the incarnations of Krishna. Goddesses like Radha, Durga, Lakshmi, Saraswati and Savitri are asserted to be equivalent and are mentioned as the incarnations of Prakruti in this ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |