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Querolus
''Querolus'' (''The Complainer'') or ''Aulularia'' (''The Pot'') is an anonymous Latin comedy from late antiquity, the only Latin drama to survive from this period and the only ancient Latin comedy outside the works of Plautus and Terence. Title and origins In his prologue to the spectators the author first says ''Aululariam hodie sumus acturi'' (‘We are going to perform the ''Aulularia'' today’), then offers a choice of title: ''Querolus an Aulularia haec dicatur fabula, vestrum hinc iudicium, vestra erit sententia'' (‘Whether this play is called ''Querolus'' or ''Aulularia'' will be your judgement, your decision’). The archetype of the surviving manuscripts seem to have had the title ''Aulularia'', along with a false attribution to Plautus, who had also written an ''Aulularia''. Modern scholars generally use the title ''Querolus'' to avoid confusion with Plautus’ ''Aulularia''. Date and place of composition are uncertain. Mention of lawlessness ''ad Ligerem'' (‘by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lex Convivalis
The ''Lex convivalis'', also known as the ''Decretum parasiticum'', is a humorous Latin text from late antiquity. Only a fragment of this work survives, transmitted at the end of the ''Querolus ''Querolus'' (''The Complainer'') or ''Aulularia'' (''The Pot'') is an anonymous Latin comedy from late antiquity, the only Latin drama to survive from this period and the only ancient Latin comedy outside the works of Plautus and Terence. Title ...''. Some editors include it in the text of that work, either at the end, as transmitted, or transposed to an earlier point in the last scene. The difference between the metrical character of the two works is against this: the ''Lex convivalis'' has metrical clausulae typical of late Latin prose rhythm, while the ''Querolus'' has endings that resemble Plautine verse.R. Jakobi, ''Gnomon'' 73, 2001, 407. The text sets out the rights of a parasite (a hanger-on) for injuries sustained at a feast, humorously phrased in the formal language of Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulularia
''Aulularia'' is a Latin play by the early Roman playwright Titus Maccius Plautus. The title literally means ''The Little Pot'', but some translators provide ''The Pot of Gold'', and the plot revolves around a literal pot of gold which the miserly protagonist, Euclio, guards zealously. The play's ending does not survive, though there are indications of how the plot is resolved in later summaries and a few fragments of dialogue. One scholar, R. L. Hunter, writes of this play: "The ''Aulularia'' has always been one of the most popular and most studied of Pļautus' plays, both because of its intrinsic interest and quality and also because of its later influence in the European dramatic tradition." Plot summary ''Lar Familiaris'', the household deity of Euclio, an old man with a marriageable daughter named Phaedria, begins the play with a prologue about how he allowed Euclio to discover a pot of gold buried in his house. Euclio is then shown almost maniacally guarding his gold from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Love Peacock
Thomas Love Peacock (18 October 1785 – 23 January 1866) was an English novelist, poet, and official of the East India Company. He was a close friend of Percy Bysshe Shelley and they influenced each other's work. Peacock wrote satirical novels, each with the same basic setting: characters at a table discussing and criticising the philosophical opinions of the day. Background and education Peacock was born in Weymouth, Dorset, the son of Samuel Peacock and his wife Sarah Love, daughter of Thomas Love, a retired master of a man-of-war in the Royal Navy. His father was a glass merchant in London, partner of a Mr Pellatt, presumed to be Apsley Pellatt (1763–1826).Richard Garnett Introduction for the edition of Thomas Love Peacock's novels published by J. M. Dent & Co. in 1891 Peacock went with his mother to live with her family at Chertsey in 1791 and in 1792 went to a school run by Joseph Harris Wicks at Englefield Green where he stayed for six and a half years. Peacock's fat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Antiquity
Late antiquity is the time of transition from classical antiquity to the Middle Ages, generally spanning the 3rd–7th century in Europe and adjacent areas bordering the Mediterranean Basin. The popularization of this periodization in English has generally been credited to historian Peter Brown, after the publication of his seminal work '' The World of Late Antiquity'' (1971). Precise boundaries for the period are a continuing matter of debate, but Brown proposes a period between the 3rd and 8th centuries AD. Generally, it can be thought of as from the end of the Roman Empire's Crisis of the Third Century (235–284) to the early Muslim conquests (622–750), or as roughly contemporary with the Sasanian Empire (224–651). In the West its end was earlier, with the start of the Early Middle Ages typically placed in the 6th century, or earlier on the edges of the Western Roman Empire. The Roman Empire underwent considerable social, cultural and organizational changes starting wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plautus
Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the names "Maccius" (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terence
Publius Terentius Afer (; – ), better known in English as Terence (), was a Roman African playwright during the Roman Republic. His comedies were performed for the first time around 166–160 BC. Terentius Lucanus, a Roman senator, brought Terence to Rome as a slave, educated him and later on, impressed by his abilities, freed him. It is thought that Terence abruptly died, around the age of 25, likely in Greece or on his way back to Rome, due to shipwreck or disease. DEAD LINK He was supposedly on his way to explore and find inspiration for his comedies. His plays were heavily used to learn to speak and write in Latin during the Middle Ages and Renaissance Period, and in some instances were imitated by William Shakespeare. One famous quotation by Terence reads: "''Homo sum, humani nihil a me alienum puto''", or "I am human, and I think nothing human is alien to me." This appeared in his play ''Heauton Timorumenos''. Biography Terence's date of birth is disputed; Aelius ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bagaudae
Bagaudae (also spelled bacaudae) were groups of peasant insurgents in the later Roman Empire who arose during the Crisis of the Third Century, and persisted until the very end of the Western Empire, particularly in the less-Romanised areas of Gallia and Hispania, where they were "exposed to the depredations of the late Roman state, and the great landowners and clerics who were its servants". The invasions, military anarchy, and disorders of the third century provided a chaotic and ongoing degradation of the regional power structure within a declining Empire into which the ''bagaudae'' achieved some temporary and scattered successes, under the leadership of members of the underclass as well as former members of local ruling elites. Etymology The name probably means "fighters" in Gaulish. C.E.V. Nixon assesses the ''bagaudae'', from the official Imperial viewpoint, as "bands of brigands who roamed the countryside looting and pillaging". J.C.S. Léon interprets the most compl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rutilius Claudius Namatianus
Rutilius Claudius Namatianus (fl. 5th century) was a Roman Imperial poet, best known for his Latin poem, ''De reditu suo'', in elegiac metre, describing a coastal voyage from Rome to Gaul in 416. The poem was in two books; the exordium of the first and the greater part of the second have been lost. What remains consists of about seven hundred lines. Whether Rutilius had converted to Christianity (the state church of the Roman Empire during his time) has been a matter of scholarly debate, but in the early 21st century, editors of his work concluded that he had not. Alan Cameron, a leading scholar of Late Antiquity, agrees that he "probably" remained unconverted from Rome's traditional religious practices, but that his hostility was not to Christianity as it was practiced by the vast majority of citizens of the Empire, but rather against the total renunciation of public life advocated by the ascetics. Life Origins Rutilius was a native of southern Gaul (Toulouse or perhaps Poit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vir Illustris
The title ''vir illustris'' ('illustrious man') is used as a formal indication of standing in late antiquity to describe the highest ranks within the senates of Rome and Constantinople. All senators had the title ''vir clarissimus'' ('very famous man'); but from the mid fourth century onwards, ''vir illustris'' and ''vir spectabilis'' ('admirable man', a lower rank than ''illustris'') were used to distinguish holders of high office. History Origins The custom of Roman senators of late antiquity appending the title of ''vir clarissimus'' to their names developed gradually over the first two centuries. During the fourth century, the senatorial order greatly increased in number, so that the title became more common and new titles were devised to distinguish senators of a higher dignity, namely ''vir spectabilis'' and ''vir illustris''. The first instance of ''vir illustris'' occurred in AD 354 with its use by the '' Praefectus praetorio''. For some decades it was used inconsistent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochaic Septenarius
In ancient Greek literature, ancient Greek and Latin literature, the trochaic septenarius or trochaic tetrameter catalectic is one of two major forms of poetic metre based on the trochee as its dominant rhythmic unit, the other being much rarer trochaic octonarius. It is used in drama and less often in poetry. Together with the Iambic trimeter#Latin iambic senarius, iambic senarius, it is one of the two most commonly used metres of Latin comedy. It has a long history dating back to the 7th century BC. The term septenarius is mostly used for the form of the metre which is used in Roman drama, especially the comedies of Plautus and Terence. This consists of a line of fifteen elements, usually divided into two hemistichs of 8 and 7 elements. Any element except the last two could be resolution (meter), resolved, i.e. divided into two short syllables. The basic pattern of the line was as follows: , – x – x , – x – x , , – x – x , – u – , Here – stands for a long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lares
Lares ( , ; archaic , singular ''Lar'') were guardian deities in ancient Roman religion. Their origin is uncertain; they may have been hero-ancestors, guardians of the hearth, fields, boundaries, or fruitfulness, or an amalgam of these. Lares were believed to observe, protect, and influence all that happened within the boundaries of their location or function. The statues of domestic Lares were placed at the table during family meals; their presence, cult, and blessing seem to have been required at all important family events. Roman writers sometimes identify or conflate them with ancestor-deities, domestic Penates, and the hearth. Because of these associations, Lares are sometimes categorised as household gods, but some had much broader domains. Roadways, seaways, agriculture, livestock, towns, cities, the state, and its military were all under the protection of their particular Lar or Lares. Those who protected local neighbourhoods ('' vici'') were housed in the crossroad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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