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Trochaic Septenarius
In ancient Greek literature, ancient Greek and Latin literature, the trochaic septenarius or trochaic tetrameter catalectic is one of two major forms of poetic metre based on the trochee as its dominant rhythmic unit, the other being much rarer trochaic octonarius. It is used in drama and less often in poetry. Together with the Iambic trimeter#Latin iambic senarius, iambic senarius, it is one of the two most commonly used metres of Latin comedy. It has a long history dating back to the 7th century BC. The term septenarius is mostly used for the form of the metre which is used in Roman drama, especially the comedies of Plautus and Terence. This consists of a line of fifteen elements, usually divided into two hemistichs of 8 and 7 elements. Any element except the last two could be resolution (meter), resolved, i.e. divided into two short syllables. The basic pattern of the line was as follows: , – x – x , – x – x , , – x – x , – u – , Here – stands for a long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Literature
Ancient Greek literature is literature written in the Ancient Greek language from the earliest texts until the time of the Byzantine Empire. The earliest surviving works of ancient Greek literature, dating back to the early Archaic period, are the two epic poems the ''Iliad'' and the ''Odyssey'', set in an idealized archaic past today identified as having some relation to the Mycenaean era. These two epics, along with the Homeric Hymns and the two poems of Hesiod, ''Theogony'' and ''Works and Days'', constituted the major foundations of the Greek literary tradition that would continue into the Classical, Hellenistic, and Roman periods. The lyric poets Sappho, Alcaeus, and Pindar were highly influential during the early development of the Greek poetic tradition. Aeschylus is the earliest Greek tragic playwright for whom any plays have survived complete. Sophocles is famous for his tragedies about Oedipus, particularly ''Oedipus the King'' and ''Antigone''. Euripides is known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcus Terentius Varro
Marcus Terentius Varro (; 116–27 BC) was a Roman polymath and a prolific author. He is regarded as ancient Rome's greatest scholar, and was described by Petrarch as "the third great light of Rome" (after Vergil and Cicero). He is sometimes called Varro Reatinus to distinguish him from his younger contemporary Varro Atacinus. Biography Varro was born in or near Reate (now Rieti) to a family thought to be of equestrian rank, and always remained close to his roots in the area, owning a large farm in the Reatine plain, reported as near Lago di Ripasottile, until his old age. He supported Pompey, reaching the office of praetor, after having been tribune of the people, ''quaestor'' and ''curule aedile''. It is probable that Varro was discontented with the course on which Pompey entered when the First Triumvirate was formed, and he may thus have lost his chance of rising to the consulate. He actually ridiculed the coalition in a work entitled the ''Three-Headed Monster'' ( in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliteration (Latin)
The term alliteration was invented by the Italian humanist Giovanni Pontano (1426–1503), in his dialogue ''Actius'', to describe the practice common in Virgil, Lucretius, and other Roman writers of beginning words or syllables with the same consonant or vowel. He gives examples such as "the rocks were resounding with the salt-water" or "he recognised his friend Anchises" or "defended by a great force of men". Pontano also used the term alliteration to refer to repetition of letters in medial positions. Among other kinds, he mentions the frequent case when the last syllable of a word begins with the same consonant as the first syllable of the next word, as in "the rigid breastplate made of bronze" (Virgil). Since "x" is pronounced s the phrase "the rocks were resounding with sea water" (Virgil) can also be considered an example of this kind. Alliteration was a prominent feature of Latin literature (in contrast to Greek), especially in poetry in the 3rd to 1st centuries BC, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ennius
Quintus Ennius (; c. 239 – c. 169 BC) was a writer and poet who lived during the Roman Republic. He is often considered the father of Roman poetry. He was born in the small town of Rudiae, located near modern Lecce, Apulia, (Ancient Calabria, today Salento), a town founded by the Messapians, and could speak Greek as well as Latin and Oscan (his native language). Although only fragments of his works survive, his influence in Latin literature was significant, particularly in his use of Greek literary models. Biography Very little is reliably known about the life of Ennius. His contemporaries hardly mentioned him and much that is related about him could have been embroidered from references to himself in his now fragmentary writings. Some lines of the ''Annales'', as well as ancient testimonies, for example, suggest that Ennius opened his epic with a recollection of a dream in which the ancient epic-writer Homer informed him that his spirit had been reborn into Ennius. It is true ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnaeus Naevius
Gnaeus Naevius (; c. 270 – c. 201 BC) was a Roman epic poet and dramatist of the Old Latin period. He had a notable literary career at Rome until his satiric comments delivered in comedy angered the Metellus family, one of whom was consul. After a sojourn in prison he recanted and was set free by the tribunes (who had the tribunician power, in essence the power of habeas corpus). After a second offense he was exiled to Tunisia, where he wrote his own epitaph and committed suicide. His comedies were in the genre of Palliata Comoedia, an adaptation of Greek New Comedy. A soldier in the Punic Wars, he was highly patriotic, inventing a new genre called '' Praetextae Fabulae'', an extension of tragedy to Roman national figures or incidents, named after the ''Toga praetexta'' worn by high officials. Of his writings there survive only fragments of several poems preserved in the citations of late ancient grammarians (Charisius, Aelius Donatus, Sextus Pompeius Festus, Aulus Gellius, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Livius Andronicus
Lucius Livius Andronicus (; el, Λούκιος Λίβιος Ανδρόνικος; c. 284 – c. 204 BC) was a Greco-Roman dramatist and epic poet of the Old Latin period during the Roman Republic. He began as an educator in the service of a noble family by translating Greek works into Latin, including Homer's ''Odyssey''. The works were meant, at first, as educational devices for the school in which he founded. He also wrote works for the stage—both tragedies and comedies—which are regarded as the first dramatic works written in the Latin language. His comedies were based on Greek New Comedy and featured characters in Greek costume. Thus, the Romans referred to this new genre by the term comoedia palliata (fabula palliata). The Roman biographer Suetonius later coined the term "half-Greek" of Livius and Ennius (referring to their genre, not their ethnic backgrounds). The genre was imitated by the next dramatists to follow in Andronicus' footsteps and on that account he is r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Birds (play)
''The Birds'' ( grc-gre, Ὄρνιθες, Órnithes) is a comedy by the Ancient Greek playwright Aristophanes. It was performed in 414 BC at the City Dionysia in Athens where it won second place. It has been acclaimed by modern critics as a perfectly realized fantasy remarkable for its mimicry of birds and for the gaiety of its songs. Unlike the author's other early plays, it includes no direct mention of the Peloponnesian War and there are few references to Athenian politics, and yet it was staged not long after the commencement of the Sicilian Expedition, an ambitious military campaign that greatly increased Athenian commitment to the war effort. In spite of that, the play has many indirect references to Athenian political and social life. It is the longest of Aristophanes's surviving plays and yet it is a fairly conventional example of Old Comedy. The plot of the play revolves around Pisthetaerus, an Athenian who convinces the birds to create a great city in the sky, and thus r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Knights
''The Knights'' ( grc, Ἱππεῖς ''Hippeîs''; Attic: ) was the fourth play written by Aristophanes, who is considered the master of an ancient form of drama known as Old Comedy. The play is a satire on the social and political life of classical Athens during the Peloponnesian War, and in this respect it is typical of all the dramatist's early plays. It is unique, however, in the relatively small number of its characters, and this was due to its vitriolic preoccupation with one man, the pro-war populist Cleon. Cleon had prosecuted Aristophanes for slandering the polis with an earlier play, ''The Babylonians'' (426 BC), for which the young dramatist had promised revenge in ''The Acharnians'' (425 BC), and it was in ''The Knights'' (424 BC) that his revenge was exacted. ''The Knights'' won first prize at the Lenaia festival when it was produced in 424 BC. Plot ''The Knights'' is a satire on political and social life in 5th-century BC Athens. The characters are drawn from real ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states. Demes as simple subdivisions of land in the countryside seem to have existed in the 6th century BC and ear ... Kydathenaion ( la, Cydathenaeum), was a comedy, comic playwright or comedy-writer of Classical Athens, ancient Athens and a poet of Ancient Greek comedy, Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Ancient Greek comedy, Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His pow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Persians
''The Persians'' ( grc, Πέρσαι, ''Persai'', Latinised as ''Persae'') is an ancient Greek tragedy written during the Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens' City Dionysia festival in 472 BC, with Pericles serving as ''choregos''. Place in Aeschylus' work The first play in the trilogy, called ''Phineus'', presumably dealt with Jason and the Argonauts' rescue of King Phineus from the torture that the monstrous harpies inflicted at the behest of Zeus. The subject of the third play, ''Glaucus'', was either a mythical Corinthian king who was devoured by his horses because he angered the goddess Aphrodite (see Glaucus (son of Sisyphus)) or else a Boeotian farmer who ate a magical herb that transformed him into a sea deity with the gift of prophecy (see Glaucus). In ''The Persians'', Xerxes invites the gods' enmity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristotle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr Play
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play’s mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionysi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
