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Queen Elizabeth's Men
Queen Elizabeth's Men was a playing company or troupe of actors in English Renaissance theatre. Formed in 1583 at the express command of Queen Elizabeth, it was the dominant acting company for the rest of the 1580s, as the Admiral's Men and the Lord Chamberlain's Men would be in the decade that followed. Foundation Since the Queen instigated the formation of the company, its inauguration is well documented by Elizabethan standards. The order came down on 10 March 1583 ( new style) to Edmund Tilney, then the Master of the Revels; though Sir Francis Walsingham, head of intelligence operations for the Elizabethan court, was the official assigned to assemble the personnel. At that time the Earl of Sussex, who had been the court official in charge of the Lord Chamberlain's Men in its first Elizabethan incorporation, was nearing death. The Queen's Men assumed the same functional role in the Elizabethan theatrical landscape as the Lord Chamberlain's Men before and after them did: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playing Company
Play is a range of intrinsically motivated activities done for recreational pleasure and enjoyment. Play is commonly associated with children and juvenile-level activities, but may be engaged in at any life stage, and among other higher-functioning animals as well, most notably mammals and birds. Many prominent researchers in the field of psychology, including Melanie Klein, Jean Piaget, William James, Sigmund Freud, Carl Jung and Lev Vygotsky have erroneously viewed play as confined to the human species, believing play was important for human development and using different research methods to prove their theories. Play is often interpreted as frivolous; yet the player can be intently focused on their objective, particularly when play is structured and goal-oriented, as in a game. Accordingly, play can range from relaxed, free-spirited and spontaneous through frivolous to planned or even compulsive. Play is not just a pastime activity; it has the potential to serve as an impor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward De Vere, 17th Earl Of Oxford
Edward de Vere, 17th Earl of Oxford (; 12 April 155024 June 1604) was an English peer and courtier of the Elizabethan era. Oxford was heir to the second oldest earldom in the kingdom, a court favourite for a time, a sought-after patron of the arts, and noted by his contemporaries as a lyric poet and court playwright, but his volatile temperament precluded him from attaining any courtly or governmental responsibility and contributed to the dissipation of his estate. Edward de Vere was the only son of John de Vere, 16th Earl of Oxford, and Margery Golding. After the death of his father in 1562, he became a ward of Queen Elizabeth I and was sent to live in the household of her principal advisor, Sir William Cecil. He married Cecil's daughter, Anne, with whom he had five children.. Oxford was estranged from her for five years and refused to acknowledge he was the father of their first child. A champion jouster, Oxford travelled widely throughout France and the many s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Stow
John Stow (''also'' Stowe; 1524/25 – 5 April 1605) was an English historian and antiquarian. He wrote a series of chronicles of English history, published from 1565 onwards under such titles as ''The Summarie of Englyshe Chronicles'', ''The Chronicles of England'', and ''The Annales of England''; and also ''A Survey of London'' (1598; second edition 1603). A. L. Rowse has described him as "one of the best historians of that age; indefatigable in the trouble he took, thorough and conscientious, accurate – above all things devoted to truth". Life John Stow was born in about 1525 in the City of London parish of St Michael, Cornhill, then at the heart of London's metropolis. His father, Thomas Stow, was a tallow chandler. Thomas Stow is recorded as paying rent of 6s 8d per year for the family dwelling, and as a youth Stow would fetch milk every morning from a farm on the land nearby to the east owned by the Minoresses of the Convent of St. Clare. There is no evidence that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Player
Boy player refers to children who performed in Medieval and English Renaissance playing companies. Some boy players worked for the adult companies and performed the female roles as women did not perform on the English stage in this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys. Children's companies In the Elizabethan and Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exist to this day.) Thus the choir attached to St. Paul's Cathedral in London since the 12th century was in the 16th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackfriars Theatre
Blackfriars Theatre was the name given to two separate theatres located in the former Blackfriars Dominican priory in the City of London during the Renaissance. The first theatre began as a venue for the Children of the Chapel Royal, child actors associated with the Queen's chapel choirs, and who from 1576 to 1584 staged plays in the vast hall of the former monastery. The second theatre dates from the purchase of the upper part of the priory and another building by James Burbage in 1596, which included the Parliament Chamber on the upper floor that was converted into the playhouse. The Children of the Chapel played in the theatre beginning in the autumn of 1600 until the King's Men took over in 1608. They successfully used it as their winter playhouse until all the theatres were closed in 1642 when the English Civil War began. In 1666, the entire area was destroyed in the Great Fire of London. First theatre Blackfriars Theatre was built on the grounds of the former Dominic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Globe Theatre
The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, on land owned by Thomas Brend and inherited by his son, Nicholas Brend, and grandson, Sir Matthew Brend, and was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and stayed open until the London theatre closures of 1642. A modern reconstruction of the Globe, named "Shakespeare's Globe", opened in 1997 approximately from the site of the original theatre.Measured using Google earth Locations Examination of old property records has identified the plot of land occupied by the Globe as extending from the west side of modern-day Southwark Bridge Road eastwards as far as Porter Street and from Park Street southwards as far as the back of Gatehouse Square. The precise location of the building remained unknown until a small part of the foundations, including one original p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men (playing Company)
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their second, from N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishopsgate
Bishopsgate was one of the eastern gates in London's former defensive wall. The gate gave its name to the Bishopsgate Ward of the City of London. The ward is traditionally divided into ''Bishopsgate Within'', inside the line wall, and ''Bishopsgate Without'' beyond it. ''Bishopsgate Without'' is described as part of London's East End. The ancient boundaries of the City wards were reviewed in 1994 and 2013, so that the wards no longer correspond very closely to their historic extents. ''Bishopsgate Without'' gained a significant part of Shoreditch from the London Borough of Hackney, while nearly all of ''Bishopsgate Within'' was transferred to other wards. Bishopsgate is also the name of the street, being the part of the originally Roman Ermine Street (now the A10) within the traditional extent of the Ward. The gate The gate was first built in the Roman era, probably at the time the wall was first built. The road though the gate, Ermine Street, known at this point as Bisho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gracechurch Street
Gracechurch Street is a main road in the City of London, the historic and financial centre of London, which is designated the A1213. It is home to a number of shops, restaurants, and offices and has an entrance to Leadenhall Market, a covered market dating from the 14th century. Overview At its southern end, the street begins near Christopher Wren's Monument to the Great Fire of London, at a junction with King William Street, Eastcheap and Cannon Street. Heading north, it crosses Lombard Street and Fenchurch Street, and continues forward into Bishopsgate, which marks the start of the A10 route to King's Lynn. Leadenhall Market, a covered market dating from the 14th century and a Grade II* listed structure since 1972, is the street's most famous attraction. The closest mainline railway station is Fenchurch Street and the nearest London Underground station is Monument. The postcode for the street is EC3V. History The word 'Gracechurch' derives from ''Garscherchestre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludgate Hill
Ludgate Hill is a street and surrounding area, on a small hill in the City of London. The street passes through the former site of Ludgate, a city gate that was demolished – along with a gaol attached to it – in 1760. The area includes St Paul's Cathedral. The modern cathedral, it has been claimed, was built on a site that – during the Roman British era of the early first millennium – was occupied by a major Roman temple, dedicated to the goddess Diana. Ludgate Hill itself is traditionally regarded as one of a trio of hills in Central London, the others being Tower Hill and Cornhill. The highest point is just north of St Paul's, at above sea level. The modern street named Ludgate Hill, which was previously a much narrower thoroughfare named Ludgate Street, runs between St Paul's Churchyard and Ludgate Circus (built in 1864), at which point it becomes Fleet Street. Description Many small alleys on Ludgate Hill were swept away in the mid 1860s to build Ludgate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inn-yard Theatre
In the historical era of English Renaissance drama, an Inn-yard theatre or Inn-theatre was a common inn with an inner courtyard with balconies that provided a venue for the presentation of stage plays. Beginnings The Elizabethan era is appropriately famous for the construction of the earliest permanent professional playhouses in Britain, starting with James Burbage's The Theatre in 1576 and continuing through the Curtain (1577), the Rose, Swan, Globe and others —; a development that allowed the evolution of the drama of Christopher Marlowe, William Shakespeare, Ben Jonson and their contemporaries and successors. Prior to the building of The Theatre, plays were sometimes staged in public halls, the private houses of aristocrats, or royal palaces —; but most often, and most publicly, they were acted in the courtyards of inns. (It is an often-stated truism of the critical literature that the open-air public theatres or amphitheatres of Burbage and his successors were modeled on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
