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Quiet Kenny
''Quiet Kenny'' is an album by the American jazz trumpeter Kenny Dorham of performances recorded in 1959 and released on the New Jazz label.Kenny Dorham discography
accessed October 7, 2010
The album features Dorham's own composition "Lotus Blossom", which was earlier recorded by under the title "Asiatic Raes". The tune has been recorded under both titles subsequently. ("Lotus Blossom" is not to be confused with the song "Sweet Lotus Blossom" by Coslow and Johns ...
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Kenny Dorham
McKinley Howard "Kenny" Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with ''underrated''." Dorham composed the jazz standard "Blue Bossa", which first appeared on Joe Henderson's album ''Page One''. Biography Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. He joined Parker's band in December 1948. He was a charter member of the original cooperative The Jazz Messengers, Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet af ...
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Alone Together (1932 Song)
"Alone Together" is a song composed by Arthur Schwartz with lyrics by Howard Dietz. It was introduced in the Broadway musical '' Flying Colors'' in 1932 by Jean Sargent. The song soon became a hit, with Leo Reisman and His Orchestra's 1932 recording (vocal by Frank Luther) being the first to reach the charts. It has become a jazz standard. The first jazz musician to record the song was Artie Shaw in 1939. Other versions * Pepper Adams - ''Conjuration: Fat Tuesday's Session'' (1957) * Chet Baker - Chet (1959) * Tony Bennett - recorded on February 28, 1960 for his album '' Alone Together'' (1960). * Pat Boone - for his album ''The Touch of Your Lips'' (1964). * Ray Charles and Betty Carter – ''Ray Charles and Betty Carter'' (1961) * Vic Damone - for his album ''This Game of Love'' (1959). * Miles Davis – ''Blue Moods'' (1955) * Paul Desmond with Jim Hall – ''Take Ten'' (1963) * Judy Garland - ''That's Entertainment!'' (1960) * Dizzy Gillespie – (1950) * Charlie Haden – ''N ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill
Cjschuler.net. Retrieved on August 22, 2011.
''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.



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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ...
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Mack The Knife
"Mack the Knife" or "The Ballad of Mack the Knife" (german: "Die Moritat von Mackie Messer", italic=no, link=no) is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama ''The Threepenny Opera'' (german: Die Dreigroschenoper, link=no). The song sings about a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title. The song has become a popular standard recorded by many artists after it was recorded by Louis Armstrong in 1955. The most popular version of the song was by Bobby Darin in 1959, whose recording became a number one hit in the US and UK and earned him two Grammys. Ella Fitzgerald also received a Grammy for her performance of the song in 1961. ''The Threepenny Opera'' A '' Moritat'' is a medieval version of the murder ballad performed by strolling minstrels. In ''The Threepenny Opera'', the singer with his street organ introduces and closes the drama with the tale of the dea ...
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Willard Robison
Willard Robison (September 18, 1894 – June 24, 1968) was an American vocalist, pianist, and composer of popular songs, born in Shelbina, Missouri. His songs reflect a rural, melancholy theme steeped in Americana and their warm style has drawn comparison to Hoagy Carmichael. Many of his compositions, notably " A Cottage for Sale", "Round My Old Deserted Farm", "Don't Smoke in Bed", "'Taint So, Honey, 'Taint So" and " Old Folks", have become standards and have been recorded countless times by jazz and pop artists including Peggy Lee, Nina Simone, Nat King Cole, Billy Eckstine, Bing Crosby and Mildred Bailey. "A Cottage for Sale" alone has been recorded over 100 times. Life and career In the early 1920s, Robison led and toured with several territory bands in the Southwest. He met Jack Teagarden in this period, whom he befriended. In the late 1920s, Robison organized the Deep River Orchestra, later hosting a radio show entitled ''The Deep River Hour'' in the early 1930s. Durin ...
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Old Folks (1938 Song)
"Old Folks" is a 1938 popular song and jazz standard composed by Willard Robison with lyrics by Dedette Lee Hill, the wife and occasional colleague of Billy Hill. The lyrics tell of an old man nicknamed "Old Folks" and reference his service in the American Civil War, his habit of smoking with a " yellow cob pipe", and the prospect of his death. A 1938 version by Larry Clinton and His Orchestra and vocalist Bea Wain charted at No. 4; around this time it was also recorded by Mildred Bailey and Bing Crosby and performed on radio by Benny Goodman and Fats Waller. It was recorded on saxophone by Don Byas in 1946 and saxophonist Ben Webster, who made more than a dozen recordings of the song and often performed it in concert as a ballad, first recorded it in 1951. Its most famous jazz version is by trumpeter Miles Davis on ''Someday My Prince Will Come'' (1961). Other notable recordings * Ernestine Anderson – ''Never Make Your Move Too Soon'' (1981) * Kenny Dorham – ''Quiet Kenny ...
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Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", "You Must Have Been a Beautiful Baby", " Jeepers Creepers", "The Gold Diggers' Song (We're in the Money)", "That's Amore", "There Will Never Be Another You", "The More I See You", "At Last" and "Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of America's most ...
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Mack Gordon
Mack Gordon (born Morris Gittler; June 21, 1904 – February 28, 1959) was an American composer and lyricist for the stage and film. He was nominated for the best original song Oscar nine times in 11 years, including five consecutive years between 1940 and 1944, and won the award once, for "You'll Never Know". That song has proved among his most enduring, and remains popular in films and television commercials to this day. "At Last" is another of his best-known songs. Biography Gordon was born in Grodno, then part of the Russian Empire. He emigrated with his mother and older brother to New York City in May 1907; the ship they sailed on was the S/S ''Bremen''; their destination was to his father in Guttenberg, New Jersey. Gordon appeared in vaudeville as an actor and singer in the late 1920s and early 1930s, but his songwriting talents were always paramount. He formed a partnership with English pianist Harry Revel, that lasted throughout the 1930s. In the 1940s he worked with a str ...
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