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Kenny Dorham
McKinley Howard "Kenny" Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with ''underrated''." Dorham composed the jazz standard "Blue Bossa", which first appeared on Joe Henderson's album ''Page One''. Biography Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. He joined Parker's band in December 1948. He was a charter member of the original cooperative The Jazz Messengers, Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toronto
Toronto ( ; or ) is the capital city of the Canadian province of Ontario. With a recorded population of 2,794,356 in 2021, it is the most populous city in Canada and the fourth most populous city in North America. The city is the anchor of the Golden Horseshoe, an urban agglomeration of 9,765,188 people (as of 2021) surrounding the western end of Lake Ontario, while the Greater Toronto Area proper had a 2021 population of 6,712,341. Toronto is an international centre of business, finance, arts, sports and culture, and is recognized as one of the most multicultural and cosmopolitan cities in the world. Indigenous peoples have travelled through and inhabited the Toronto area, located on a broad sloping plateau interspersed with rivers, deep ravines, and urban forest, for more than 10,000 years. After the broadly disputed Toronto Purchase, when the Mississauga surrendered the area to the British Crown, the British established the town of York in 1793 and later designat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Timmons
Robert Henry Timmons (December 19, 1935 – March 1, 1974) was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods (July 1958 to September 1959; February 1960 to June 1961), between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively. Timmons was strongly associated with the soul jazz style that he helped initiate. This link to apparently simple writing and playing, coupled with drug and alcohol addiction, led to a decline in his career. Timmons died, aged 38, from cirrhosis. Several critics have commented that his contribution to jazz remains undervalued. Early life Timmons was born in Philadelphia, Pennsylvania, the son of a minister.Kernfeld, Barr"Timmons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifford Brown
Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter and composer. He died at the age of 25 in a car accident, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the '' DownBeat'' magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the ''DownBeat'' Hall of Fame in 1972. Early career Brown was born into a musical family in Wilmington, Delaware. His father organized his four sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, his father bought him a trumpet and provided him with private lessons. In high school, Brown received lessons from Robert Boysie Lowery and played in "a jazz group that Lowery organized", making trips to Philadelphia. Brown briefly attended Delaware State University as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jazz Messengers
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career. The group evolved into a proving ground for young jazz talent. While veterans occasionally re-appeared in the group, by and large, each iteration of the Messengers included a lineup of new young players. Having the Messengers on one's resume was a rite of passage in the jazz world, and conveyed immediate bona fides. Many former members of the Jazz Messengers established careers as solo musicians, such as Lee Morgan, Benny Golson, Wayne Shorter, Freddie Hubbard, Bobby Timmons, Curtis Fuller, Cedar Walton, Keith Jarrett, Joanne Brackeen, Woody ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercer Ellington
Mercer Kennedy Ellington (March 11, 1919 – February 8, 1996) was an American musician, composer, and arranger. His father was Duke Ellington, whose band Mercer led for 20 years after his father's death. Biography Early life and education Ellington was born in Washington, D.C., United States. He was the only child of the composer, pianist, and bandleader Duke Ellington and his high school sweetheart Edna Thompson (d. 1967). Ellington grew up primarily in Harlem from the age of eight. By the age of eighteen, Ellington had written his first piece to be recorded by his father ("Pigeons and Peppers"). Ellington attended New College for the Education of Teachers at Columbia University, New York University and the Juilliard School. Career In 1939, 1959, and 1946 through 1949, Ellington led his own bands, many of whose members later performed with his father, or achieved a successful career in their own right (including Dizzy Gillespie, Kenny Dorham, Idrees Sulieman, Chico Hamilto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Eckstine
William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of " I Apologize" (MGM, 1948) was given the Grammy Hall of Fame Award in 1999. ''The New York Times'' described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls." Early life and education Eckstine was born in Pittsburgh, Pennsylvania, United States, the son of William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress. Eckstine's paternal grandparents were William F. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Biography Early life Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Bossa
"Blue Bossa" is an instrumental jazz composition by Kenny Dorham. It was introduced on Joe Henderson's 1963 album '' Page One''. A blend of hard bop and bossa nova, the tune was possibly influenced by Dorham's visit to the Rio de Janeiro Jazz Festival in 1961. The tune has since been recorded numerous times by different artists, making it a jazz standard. See also *List of post-1950 jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one ... Notes External links * 1963 compositions Bossa nova jazz standards Instrumentals 1960s jazz standards Songs with music by Kenny Dorham Hard bop jazz standards Jazz compositions in C minor {{1960s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Giddins
Gary Giddins is an American jazz critic and author. He wrote for ''The Village Voice'' from 1973; his "Weather Bird" column ended in 2003. In 1986 Gary Giddins and John Lewis created the American Jazz Orchestra which presented concerts using a jazz repertory with musicians such as Tony Bennett. For five years, Giddins was the executive director of the Leon Levy Center for Biography at the Graduate Center of the City University of New York. Selected works Books *''Riding on a Blue Note'' (1981) *''Rhythm-a-ning'' (1985) *''Celebrating Bird'' (1987) *''Satchmo'' (1988) *''Faces in the Crowd'' (1992) *''Visions of Jazz: The First Century'' (1998) *''Bing Crosby: A Pocketful of Dreams - The Early Years, 1903-1940'' (2001) *''Weather Bird'' (2004) *''Natural Selection'' (2006) *''Jazz'' (2009) *''Warning Shadows: Home Alone with Classic Cinema'' (2010) *''Bing Crosby: Swinging on a Star - The War Years, 1940-1946'' (2018) Films *1987 ''Celebrating Bird: The Triumph of Charlie Parker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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