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Qashani
''Qashani'' or ''Kashani'' is a Persian decorative arts which had been popular in Iran in the 16th to 18th century, and then moved to Turkey in the time of the Ottomans with the transfer of many Persians artists to Turkey, becoming the basis for decorating the walls of mosques, palaces, shrines and tombs. It is a square-shaped ceramic tile which uses Persian-like floral-depicting 4- or 6-sided glazed tiles, decorated with blue, cyan, green and sometimes red colors. The decoration is surrounded by fine black lines that make it stand out on its white floor. The tile work had often been decorated by the inscription, floral and geometrical patterns. The inscription often provides Qur'anic verses or sentences related to historical events written in Persian script. The plant often consists of natural flowers such as lily, cloves, roses and cypress trees. Geometrical patterns consists of different geometrical shapes and polygons. In Morocco, similar artistic technique is known as ''zill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zellige
''Zellij'' ( ar, الزليج, translit=zillīj; also spelled zillij or zellige) is a style of mosaic tilework made from individually hand-chiseled tile pieces. The pieces were typically of different colours and fitted together to form various patterns on the basis of tessellations, most notably elaborate Islamic geometric motifs such as radiating star patterns. This form of Islamic art is one of the main characteristics of architecture in the western Islamic world. It is found in the architecture of Morocco, the architecture of Algeria, early Islamic sites in Tunisia, and in the historic monuments of al-Andalus (in the Iberian Peninsula). From the 14th century onwards, ''zellij'' became a standard decorative element along lower walls, in fountains and pools, on minarets, and for the paving of floors. After the 15th century the traditional mosaic ''zellij'' fell out of fashion in most countries except for Morocco, where it continues to be produced today. ''Zellij'' is found in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tile
Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games (see tile-based game). The word is derived from the French word ''tuile'', which is, in turn, from the Latin word ''tegula'', meaning a roof tile composed of fired clay. Tiles are often used to form wall and floor coverings, and can range from simple square tiles to complex or mosaics. Tiles are most often made of ceramic, typically glazed for internal uses and unglazed for roofing, but other materials are also c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zellige
''Zellij'' ( ar, الزليج, translit=zillīj; also spelled zillij or zellige) is a style of mosaic tilework made from individually hand-chiseled tile pieces. The pieces were typically of different colours and fitted together to form various patterns on the basis of tessellations, most notably elaborate Islamic geometric motifs such as radiating star patterns. This form of Islamic art is one of the main characteristics of architecture in the western Islamic world. It is found in the architecture of Morocco, the architecture of Algeria, early Islamic sites in Tunisia, and in the historic monuments of al-Andalus (in the Iberian Peninsula). From the 14th century onwards, ''zellij'' became a standard decorative element along lower walls, in fountains and pools, on minarets, and for the paving of floors. After the 15th century the traditional mosaic ''zellij'' fell out of fashion in most countries except for Morocco, where it continues to be produced today. ''Zellij'' is found in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ä°znik Pottery
Iznik pottery, or Iznik ware, named after the town of Ä°znik in western Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century. Ä°znik was an established centre for the production of simple earthenware pottery with an underglaze decoration when, in the last quarter of the 15th century, craftsmen in the town began to manufacture high quality pottery with a fritware body painted with cobalt blue under a colourless transparent lead glaze. The designs combined traditional Ottoman arabesque patterns with Chinese elements. The change was almost certainly a result of active intervention and patronage by the recently established Ottoman court in Istanbul who greatly valued Chinese blue-and-white porcelain. During the 16th century the decoration of the pottery gradually changed in style, becoming looser and more flowing. Additional colours were introduced. Initially turquoise was combined with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Pottery
Medieval Islamic pottery occupied a geographical position between Chinese ceramics, the unchallenged leaders of Eurasian production, and the pottery of the Byzantine Empire and Europe. For most of the period it can fairly be said to have been between the two in terms of aesthetic achievement and influence as well, borrowing from China and exporting to and influencing Byzantium and Europe. The use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadiths, with the result that pottery and glass were used for tableware by Muslim elites, as pottery (but less often glass) also was in China but was much rarer in Europe and Byzantium. In the same way, Islamic restrictions greatly discouraged figurative wall-painting, encouraging the architectural use of schemes of decorative and often geometrically-patterned titles, which are the most distinctive and original specialty of Islamic cerami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Influences On Islamic Pottery
Chinese influences on Islamic pottery cover a period starting from at least the 8th century CE to the 19th century. This influence of Chinese ceramics has to be viewed in the broader context of the considerable importance of Chinese culture on Islamic arts in general. Earliest exchanges Pre-Islamic contacts with Central Asia Despite the distances involved, there is evidence of some contact between eastern and southwestern Asia from antiquity. Some very early Western influence on Chinese pottery seems to appear from the 3rd–4th century BCE. An Eastern Zhou red earthenware bowl, decorated with slip and inlaid with glass paste, and now in the British Museum, is thought to have imitated metallic vessels, possibly of foreign origin. Foreign influence especially is thought to have encouraged the Eastern Zhou interest in glass decorations. Contacts between China and Central Asia were formally opened from the 2nd to 1st century BCE through the Silk Road. In the following centuries, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramic
A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, and brick. The earliest ceramics made by humans were pottery objects (''pots,'' ''vessels or vases'') or figurines made from clay, either by itself or mixed with other materials like silica, hardened and sintered in fire. Later, ceramics were glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, amorphous ceramic coatings on top of the crystalline ceramic substrates. Ceramics now include domestic, industrial and building products, as well as a wide range of materials developed for use in advanced ceramic engineering, such as in semiconductors. The word "'' ceramic''" comes from the Greek word (), "of pottery" or "for pottery", from (), "potter's clay, tile, pottery". The earliest kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divar Kashi
The island of Divar (formerly ''Piedade'') ( knn, Divaddi, pronounced ) (derived from the word ''Dipavati'' or 'small Island' in Konkani) lies in the Mandovi river in the Indian state of Goa. It is one of the of 6 major islands within the Mandovi, the others being: * Ilha de Goa, * Chorão, * Vanxim, * Cumbarjua, * St Estevam and * Several other small mangrove islands and sand banks. Location It is located approximately upriver from Panjim. The island is dis-connected from Old Goa on the south-east side, Ribandar, on the south-west side and Naroa on the north side, all by ferry. A launch also connects Divar to the city of Panjim from further north-west, in the island-village of Vanxim. The Konkan Railway passes through the village and the nearest stop to the village is the train station at Carambolim. The drive to the village is scenic, with paddy fields and wooded hills lacing the roadway, very typical of the Goan countryside. Villages Initially, there were three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multan
Multan (; ) is a city in Punjab, Pakistan, on the bank of the Chenab River. Multan is Pakistan's seventh largest city as per the 2017 census, and the major cultural, religious and economic centre of southern Punjab. Multan is one of the List of oldest continuously inhabited cities#Asia, oldest continuously inhabited cities in Asia, with a history stretching deep into antiquity. The ancient city was the site of the renowned Multan Sun Temple, and was besieged by Alexander the Great during the Mallian Campaign. A historic cultural centre of the wider Punjab, it was conquered by the Ummayad military commander Muhammad bin qasim, Muhammad bin Qasim. The city later became independent as the capital of the Emirate of Multan in 855 A.D., before subsequently coming under the rule of empires such as the Ghaznavids, the Ghurids and the Mamluk Sultanate, Mamluks. In 1445, it became capital of the Langah Sultanate. In 1526, it was conquered by the Mughal Empire. Multan Subah would become o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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