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Puppeteers
A puppeteer is a person who manipulates an inanimate object, called a puppet, to create the illusion that the puppet is alive. The puppet is often shaped like a human, animal, or legendary creature. The puppeteer may be visible to or hidden from the audience. A puppeteer can operate a puppet indirectly by the use of strings, rods, wires, electronics or directly by his or her own hands placed inside the puppet or holding it externally or any other part of the body- such as the legs. Some puppet styles require two or more puppeteers to work together to create a single puppet character. The puppeteer's role is to manipulate the physical object in such a manner that the audience believes the object is imbued with life. In some instances, the persona of the puppeteer is also an important feature, as with ventriloquist's dummy performers, in which the puppeteer and the human figure-styled puppet appear onstage together, and in theatre shows like ''Avenue Q''. The puppeteer might speak ...
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Puppeteers
A puppeteer is a person who manipulates an inanimate object, called a puppet, to create the illusion that the puppet is alive. The puppet is often shaped like a human, animal, or legendary creature. The puppeteer may be visible to or hidden from the audience. A puppeteer can operate a puppet indirectly by the use of strings, rods, wires, electronics or directly by his or her own hands placed inside the puppet or holding it externally or any other part of the body- such as the legs. Some puppet styles require two or more puppeteers to work together to create a single puppet character. The puppeteer's role is to manipulate the physical object in such a manner that the audience believes the object is imbued with life. In some instances, the persona of the puppeteer is also an important feature, as with ventriloquist's dummy performers, in which the puppeteer and the human figure-styled puppet appear onstage together, and in theatre shows like ''Avenue Q''. The puppeteer might speak ...
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Puppetry
Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. The script for a puppet production is called a puppet play. Puppeteers use movements from hands and arms to control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer sometimes speaks in the voice of the character of the puppet, while at other times they perform to a recorded soundtrack. There are many different varieties of puppets, and they are made of a wide range of materials, depending on their form and intended use. They can be extremely complex or very simple in their construction. The simplest puppets are finger puppets, which are tiny puppets that fit onto a single finger, and sock puppets, which are formed from ...
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Kenya Institute Of Puppet Theatre (KIPT)
Kenya Institute of Puppet Theatre also known as KIPT is a Kenyan non-governmental and non-profit technical advisory and management community based theatre institute, which was founded in 2007. KIPT uses puppetry, participatory educational theatre and folk media in life skills promotion, community education and cultural communication that, according to KIPT, engages people into interactive discourse. History KIPT was founded by a team of puppet and theatre practitioners for the purpose of harnessing puppetry and folk media theatre experiences and using them for socioeconomic and environmental change. The organization seeks to contribute to the improvement of the livelihoods of the youth and the larger community through the promotion of greater personal and community involvement, accountability, awareness, growth and development, mainly in Kenya and Africa. KIPT has hosted several festivals, which have taken place in Nairobi. KIPT was initially called CHAPS (Community Health Aware ...
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Adult Puppeteering
{{unreferenced, date=July 2015 Adult puppeteering is the use of puppets in contexts aimed at adult audiences. Serious theatrical pieces can use puppets, either for aesthetic reasons, or to achieve special effects that would not otherwise be impossible with human actors. In parts of the world where puppet shows have traditionally been children's entertainment, many find the notion of puppets in decidedly adult situations—for example, involving drugs, sex, profanity, or violence—to be humorous, because of the bizarre contrast it creates between subject matter and characters. Adult puppeteering appears in many forms. In the US and UK it is more easily found on screen. Television satire such as the UK's ''Spitting Image'' provides a strong link to the earlier traditions of Punch and Judy or Commedia dell'Arte as sources of social and political commentary. Puppetry sitcoms such as the US series ''Dinosaurs'' feature puppet characters who are entertaining in themselves, not as satiric ...
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Nikolai Zykov With Hand Puppets, Russia
Nikolai or Nikolay is an East Slavic variant of the masculine name Nicholas. It may refer to: People Royalty * Nicholas I of Russia (1796–1855), or Nikolay I, Emperor of Russia from 1825 until 1855 * Nicholas II of Russia (1868–1918), or Nikolay II, last Emperor of Russia, from 1894 until 1917 * Prince Nikolai of Denmark (born 1999) Other people Nikolai * Nikolai Aleksandrovich (other) or Nikolay Aleksandrovich, several people * Nikolai Antropov (born 1980), Kazakh former ice hockey winger * Nikolai Berdyaev (1874-1948), Russian religious and political philosopher * Nikolai Bogomolov (born 1991), Russian professional ice hockey defenceman * Nikolai Bukharin (1888–1938), Bolshevik revolutionary and Soviet politician * Nikolai Bulganin (1895-1975), Soviet politician and minister of defence * Nikolai Chernykh (1931-2004), Russian astronomer * Nikolai Dudorov (1906–1977), Soviet politician * Nikolai Dzhumagaliev (born 1952), Soviet serial killer * Nikolai Goc (bor ...
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Performer
The performing arts are The arts, arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which are the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance. Theatre, music, dance, object manipulation, and other kinds of performances are present in all human cultures. The history of music and history of dance, dance date to pre-historic times whereas circus skills date to at least Ancient Egypt. Many performing arts are performed professionally. Performance can be in purpose-built buildings, such as theatres and opera houses, on open air stages at festivals, on stages in tents such as circuses or on the street. Live performances before an audience are a form of entertainment. The development of Sound recording and reproduction, audio and video recording has al ...
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Sockpuppet (Internet)
A sock puppet is defined as a person whose actions are controlled by another. It is a reference to the manipulation of a simple hand puppet made from a sock, and is often used to refer to alternative online identities or user accounts used for purposes of deception. Online, it came to be used to refer to a false identity assumed by a member of an internet community who spoke to, or about, themselves while pretending to be another person. The use of the term has expanded to now include other misleading uses of online identities, such as those created to praise, defend, or support a person or organization, to manipulate public opinion, or to circumvent restrictions, such as viewing a social media account that they are blocked from, suspension, or an outright ban from a website. A significant difference between a pseudonym and a sock puppet is that the latter poses as a third party independent of the main account operator. Sock puppets are unwelcome in many online communities a ...
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World Puppetry Day
World Puppetry Day is March 21. The idea came from the puppet theater artist Javad Zolfaghari from Iran. In 2000 at the XVIII Congress of the Union Internationale de la Marionnette, (UNIMA) in Magdeburg, he made the proposal for discussion. Two years later, at a meeting of the International Council of UNIMA in June 2002 in Atlanta, the date of the celebration was identified. The first celebration was in 2003. Each year the day comes with a theme. In 2022, the theme was "The Sea" encouraging puppeteers to celebrate the day using some form of that theme. World Puppetry Day is celebrated by puppet festivals, donating to puppet organizations, making puppets, or watching a puppet show. Some communities will put on puppet shows in honor of the day reminding people of this versatile and dying art form. Puppets have been around for almost 4000 years in almost every civilization. Today puppets come in all shapes and sizes and are used to tell different stories. See also * UNIMA * Pupp ...
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UNIMA
UNIMA (''Union Internationale de la Marionnette'' - ''International Puppetry Association'') was founded in Prague in 1929 (the then Czechoslovak magazine Loutkář was UNIMA's first official journal in years 1929–1930). In 1981, the French puppeteer Jacques Félix moved UNIMA's headquarters to Charleville-Mézières, France, location of the ''Festival Mondial des Théâtres de Marionnettes'' since 1972. UNIMA is affiliated to UNESCO and it is a member of the International Theatre Institute. National centers There are National centers throughout the world, which include: * UNIMA-USA founded by Jim Henson in 1966. In 1992 the Center for Puppetry Arts in Atlanta became the headquarters for UNIMA-USA * UNIMA Australia * UNIMA Pakistan * British UNIMA * UNIMA France - THEMAAUNIMA Spain UNIMA World Congresses World congresses have been held in: * 1929: Prague (Presidency: Jindřich Veselý) * 1929: Paris * 1930: Liège * 1933: Ljubljana (New presidency: Josef Skupa) (New Ge ...
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Puppet
A puppet is an object, often resembling a human, animal or Legendary creature, mythical figure, that is animated or manipulated by a person called a puppeteer. The puppeteer uses movements of their hands, arms, or control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer often speaks in the voice of the character of the puppet, and then synchronizes the movements of the puppet's mouth with this spoken part. The actions, gestures and spoken parts acted out by the puppeteer with the puppet are typically used in storytelling. Puppetry is a very ancient form of theatre which dates back to the 5th century BC in Ancient Greece. There are many different varieties of puppets, and they are made from a wide range of materials, depending on their form and intended use. They range from very simple in construction and operation to very complex. Two simple types of puppets are the finger puppet, which is a tiny p ...
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Machinima
Machinima, originally machinema () is the use of real-time computer graphics engines to create a cinematic production. Most often, video games are used to generate the computer animation. The word "machinima" is a portmanteau of the words ''machine'' and ''cinema''. Machinima-based artists, sometimes called machinimists or machinimators, are often fan laborers, by virtue of their re-use of copyrighted materials (see below). Machinima offers to provide an archive of gaming performance and access to the look and feel of software and hardware that may already have become obsolete or even unavailable. For game studies, "Machinima's gestures grant access to gaming's historical conditions of possibility and how machinima offers links to a comparative horizon that informs, changes, and fully participates in videogame culture." The practice of using graphics engines from video games arose from the animated software introductions of the 1980s demoscene, Disney Interactive Studios' 199 ...
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Dhalang
The dhalang or dalang ( jv, dhalang; id, dalang) is the puppeteer in an Indonesian ''wayang'' performance. In a performance of ''wayang kulit'', the dalang sits behind a screen (''kelir'') made of white cotton stretched on a wooden frame. Above his head, hanging from beams attached to the top of the screen, is the lamp (''blencong''), which projects the shadows onto the screen. In front of the dhalang is a stage (''debog''), traditionally made from the trunk of a banana tree, into which the sharpened control rods of the puppets can be pushed to keep them in position during the performance. To his left is the puppet chest (''kotak''), and to his right is the puppet chest's lid, on which the puppets sit ready for use. In addition to moving the puppets and speaking their lines, the dalang is also responsible for giving cues to the gamelan. This is done principally by playing the kepyak, a metal plate or set of plates played with his foot, or by rapping on the puppet chest (''kotak' ...
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