Puck (opera)
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Puck (opera)
''Puck'' is an opéra-féerique in three acts with music by Marcel Delannoy, premiered in 1949. The French libretto was adapted by André Boll from Shakespeare’s '' A Midsummer Night's Dream''. Hoérée, Arthur. Marcel Delannoy. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Background It was first performed at the Opéra Municipal in Strasbourg on 29 January 1949 directed by Roger Lalande with scenery and costumes designed by Boll.Feschotte J. Création à Strasbourg: Puck. In: ''Almanach de la Musique 1950.'' Éditions de Flore, Paris, 128-129. The Strasbourg production was seen at the Théâtre des Champs-Élysées on 17 November 1949 and at the Theater des Westens in Berlin on 22 September 1951. The Paris Conservatoire Orchestra conducted by André Cluytens André Cluytens (, ; born Augustin Zulma Alphonse Cluytens; 26 March 19053 June 1967)Baeck E. ''André Cluytens: Itinéraire d’un chef d’orchestre.'' Editions Mardaga, Wavre, 2009. ...
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Marcel Delannoy
Marcel-François-Georges Delannoy (9 July 1898 – 14 September 1962) was a French composer and critic.Hoérrée A. Marcel Delannoy. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. He wrote operas, ballets, orchestral works, vocal and chamber works, and film scores. Life and career Marcel Delannoy was born at La Ferté-Alais, Essonne, France. He initially studied painting and architecture and entered the École des Beaux-Arts, but at age 20 he took up music. Having been mobilised during the First World War, he then worked as an artist. However, he was initially self-taught and never attended a conservatory, but he did receive some encouragement from Arthur Honegger (whose biography he wrote in 1953) and some lessons from Alexis Roland-Manuel and André Gedalge. He made his name with the opera ''Le Poirier de misère'' (1927), which attracted favourable commentary from Maurice Ravel, among others. That same year, he was one of ten composers who ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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René Hérent
René Hérent (born Cambrai 16 May 1897, died Paris January 1966) was a French tenor whose career was centred on the Opéra-Comique in Paris, where he played supporting roles for many years, and left several recordings.Kutsch KJ, Riemens L. René Hérent. In : ''Unvergängliche Stimmen: Sängerlexikon.'' Francke Verlag, Bern and Munchen, 1982. Life and career Hérent made his debut on 17 August 1918 as Guillot de Morfontaine in Massenet's ''Manon''. At the Opéra-Comique he created many roles, either in Paris or world premieres, including Mercure in ''Amphytrion 38'', the dancing master in ''Ariadne auf Naxos'', Un valet in ''Don Quichotte'', le vieillard and la rainette in ''L'enfant et les sortilèges'', Mémucan-Aman in ''Esther de Carpentras'', Ouf 1er in '' L'étoile'', Prince de Chabran in ''Femme nue'', Vašek in '' La fiancée vendue'', Galipot in ''Frasquita'', Lubin in ''Georges Dandin'', Betto in ''Gianni Schicchi'', Mouzzafer in ''Le Hulla'', Madame Poiretapée in ''Mes ...
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Bariton/Baryton-Martin
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the average m ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Paul Derenne
Paul Derenne (born René Bouvier) (1907, Rennes – 18 April 1988, Bec-Hellouin) was a French tenor whose eclectic repertoire allowed him a successful career on stage and on the concert platform. Life and career Derenne undertook studies in architecture while also pursuing vocal studies with Marguerite Babaïan. She recommended him to Reynaldo Hahn (who suggested his stage name based on his home town). After taking part in a competition in 1935 organised by the magazine ''Comœdia'', he made his debut under Charles Munch in the French premiere of ''Hin und Zurück'' by Hindemith.Machart R. ''Portrait.'' Booklet note accompanying CD INA IMV032, 1998. Hugues Cuénod, who also took part, introduced him to Nadia Boulanger from which he took part in the historic recording of Monteverdi madrigals, which won the Grand Prix du Disque for 1937. Derenne made his debut at the Paris Opéra Comique in 1937 in the French premieres of ''Le testament de la tante Caroline'' by Albert Roussel (N ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Dancer
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athl ...
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A Midsummer Night's Dream
''A Midsummer Night's Dream'' is a comedy written by William Shakespeare 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Characters * Theseus—Duke of Athens * Hippolyta—Queen of the Amazons * Egeus—father of Hermia * Hermia—daughter of Egeus, in love with Lysander * Lysander—in love with Hermia * Demetrius—suitor to Hermia * Helena—in love with Demetrius * Philostrate—Master of the Revels * Peter Quince—a carpenter * Nick Bottom—a weaver * Francis Flute—a bellows-mender * Tom Snout—a tinker * ...
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