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Pomone (opera)
''Pomone'' ('' Pomona'') is a pastoral opera in a prologue and five acts by Robert Cambert with a libretto by Pierre Perrin. It has been described as "effectively the first French opera."Sadler 2001, p.180. Bashford 1992, p. 697: "Considered by modern scholars to be the first true French opera..." It was first performed in Paris at the Jeu de Paume de la Bouteille theatre belonging to Cambert and Perrin's Académie d'Opéra on 3 March 1671. The production had ballets choreographed by Des Brosses and sets and machinery designed by Alexandre de Rieux, marquis de Sourdéac.Jean-Claude Brenac. The novelty of the work drew large audiences and the opera enjoyed 146 performances over the eight months of its run. The score of ''Pomone'' has only partially survived. Background and performance history Attempts had been made to introduce Italian opera to France in the mid-17th century but French audiences had disliked the genre, preferring their own form of stage music drama, the ''bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Page Of Score Of 'Pomone' By Cambert - C Ballard 1671 - Gallica
A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the first and last name (for example, ''Graf'' in German, Cardinal in Catholic usage (Richard Cardinal Cushing) or clerical titles such as Archbishop). Some titles are hereditary. Types Titles include: * Honorific titles or styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as: ** Imperial, royal and noble ranks ** Academic degree ** Social titles, prevalent among certain sections of society due to historic or other reasons. ** Other accomplishment, as with a title of honor * Title of authority, an identifier that specifies the office or position held by an official Titles in English-speaking areas Common titles * Mr. – Adult man (regardless of marital status) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous '' comédie-ballets'', including '' L'Amour médecin'', '' George Dandin ou le Mari confondu'', '' Monsieur de Pourceaugnac'', '' Psyché'' and his best known work, '' Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Simphonie Du Marais
La Simphonie du Marais is a French music ensemble established in 1987 by recorder player Hugo Reyne. Today, it is located in the Logis de la Chabotterie of Saint-Sulpice-le-Verdon in Vendée. It performs exclusively vocal and instrumental Baroque music ( Rameau, Lully, Delalande…). External links ''La Simphonie du Marais célèbre son 30ème anniversaire cet automne''on France Musique Biographie de la Simphonie du Maraison simphonie-du-marais.org La Simphonie du Maraison Ouest France Official websiteLa Simphonie du Maraison Vendee.fr La Simphonie du Maraison Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the ... La Simphonie du Marais - Delalande : Les Soupers du roion YouTube {{DEFAULTSORT:Simphonie du Marais Baroque music groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Reyne
Hugo Reyne (born in 1961) is a contemporary French recorder player, oboist and conductor. He is the founder and music director of La Simphonie du Marais. Biography Born in Paris, Hugo Reyne began learning the flute and oboe at a very young age. In 1984, he won the first prize for chamber music at the Bruges International Chamber Music Competition. In the 1980s, Hugo Reyne played flute and oboe in most of the Parisian baroque ensembles, and from 1983 to 1996 he played the 1st flute at the Arts Florissants under the direction of William Christie. He has worked with conductors such as Frans Brüggen, Philippe Herreweghe, Gustav Leonhardt and Jordi Savall. In 1987 he founded his historical interpretation ensemble, La Simphonie du Marais and was particularly interested in French lyrical music. Since 2003 Hugo Reyne has been artistic director of the Musiques at the festival in Saint-Sulpice-le-Verdon. Hugo Reyne devotes a large part of his time to musicological research, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchus
In ancient Greek religion and Greek mythology, myth, Dionysus (; grc, wikt:Διόνυσος, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre, theatre. The Ancient Rome, Romans called him Bacchus ( or ; grc, wikt:Βάκχος, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and Cult of Dionysus, his cults took many forms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pluto (mythology)
In ancient Greek religion and mythology, Pluto ( gr, Πλούτων, ') was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. ''Ploutōn'' was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name ''Ploutōn'' came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as ''Plouton'' and as ''Kore'' respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faunus
In ancient Roman religion and myth, Faunus was the rustic god of the forest, plains and fields; when he made cattle fertile he was called Inuus. He came to be equated in literature with the Greek god Pan, after which Romans depicted him as a horned god. Faunus was one of the oldest Roman deities, known as the ''di indigetes''. According to the epic poet Virgil, he was a legendary king of the Latins. His shade was consulted as a goddess of prophecy under the name of Fatuus, with oracles in the sacred grove of Tibur, around the well Albunea, and on the Aventine Hill in ancient Rome itself.Peck 1898 Marcus Terentius Varro asserted that the oracular responses were given in Saturnian verse. Faunus revealed the future in dreams and voices that were communicated to those who came to sleep in his precincts, lying on the fleeces of sacrificed lambs. Fowler (1899) suggested that ''Faunus'' is identical with ''Favonius'', one of the Roman wind gods (compare the Anemoi). Etymolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Beaumavielle
François Beaumavielle (died 1688, Paris) was a French operatic bass-baritone. Trained in Toulouse, he was engaged at the Académie Royale de Musique in Paris by Pierre Perrin and Robert Cambert, where he created their opera ''Pomone'' in 1671. He went on creating all the first roles within his vocal range, then known as "basse-taille", in the operas by Jean-Baptiste Lully notably; Cadmus in ''Cadmus et Hermione'', le Temps in '' Atys'', Jupiter in ''Isis'', Phinée in ''Persée ''Persée'' (''Perseus'') is a tragédie lyrique with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, first performed on 18 April 1682 by the Opéra at the Théâtre du Palais-Royal in Paris. Roles Synopsis ACT I: The Pal ...'', etc. A singer with a powerful voice and a consummate actor, he was sometimes criticised for over-emphasis. Sources *''Le guide de l'opéra'', R. Mancini & J.J. Rouvereux, (Fayard, 1986) Operatic bass-baritones 1688 deaths Year of birth unkno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basse-taille
''Basse-taille'' (bahss-tah-ee) is an enamelling technique in which the artist creates a low-relief pattern in metal, usually silver or gold, by engraving or chasing. The entire pattern is created in such a way that its highest point is lower than the surrounding metal. A translucent enamel is then applied to the metal, allowing light to reflect from the relief and creating an artistic effect. It was used in the late Middle Ages, and then again in the 17th century. Medieval examples The technique had been known to the Ancient Romans, but was lost at the end of the Middle Ages until the 17th century. Translucent enamel is more fragile than opaque enamel, and medieval survivals in good condition are very rare. Medieval examples begin in Italy in the 13th century, with the earliest dated work being a chalice by the Sienese goldsmith Guccio di Mannaia, made for Pope Nicholas IV about 1290, which is part of the collection of the Treasure Museum of the basilica of Saint Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lares
Lares ( , ; archaic , singular ''Lar'') were guardian deities in ancient Roman religion. Their origin is uncertain; they may have been hero-ancestors, guardians of the hearth, fields, boundaries, or fruitfulness, or an amalgam of these. Lares were believed to observe, protect, and influence all that happened within the boundaries of their location or function. The statues of domestic Lares were placed at the table during family meals; their presence, cult, and blessing seem to have been required at all important family events. Roman writers sometimes identify or conflate them with ancestor-deities, domestic Penates, and the hearth. Because of these associations, Lares are sometimes categorised as household gods, but some had much broader domains. Roadways, seaways, agriculture, livestock, towns, cities, the state, and its military were all under the protection of their particular Lar or Lares. Those who protected local neighbourhoods ('' vici'') were housed in the crossroad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertumnus
In Roman mythology, Vertumnus (; also Vortumnus or Vertimnus) is the god of seasons, change and plant growth, as well as gardens and fruit trees. He could change his form at will; using this power, according to Ovid's ''Metamorphoses'' (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. The tale of Vertumnus and Pomona has been called "the first exclusively Latin tale." Vertumnus' festival was called the Vertumnalia and was held 13 August. Cult and origin The name ''Vortumnus'' most likely derives from Etruscan '' Voltumna''. Its formation in Latin was probably influenced by the Latin verb ''vertere'' meaning "to change", hence the alternative form ''Vertumnus''. Ancient etymologies were based on often superficial similarities of sound rather than the principles of modern scientific li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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