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François Beaumavielle
François Beaumavielle (died 1688, Paris) was a French operatic bass-baritone. Trained in Toulouse, he was engaged at the Académie Royale de Musique in Paris by Pierre Perrin and Robert Cambert, where he created their opera ''Pomone'' in 1671. He went on creating all the first roles within his vocal range, then known as "basse-taille", in the operas by Jean-Baptiste Lully notably; Cadmus in ''Cadmus et Hermione'', le Temps in '' Atys'', Jupiter in ''Isis'', Phinée in ''Persée ''Persée'' (''Perseus'') is a tragédie lyrique with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, first performed on 18 April 1682 by the Opéra at the Théâtre du Palais-Royal in Paris. Roles Synopsis ACT I: The Pal ...'', etc. A singer with a powerful voice and a consummate actor, he was sometimes criticised for over-emphasis. Sources *''Le guide de l'opéra'', R. Mancini & J.J. Rouvereux, (Fayard, 1986) Operatic bass-baritones 1688 deaths Year of birth unkno ...
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Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ...
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Académie Royale De Musique
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Pierre Perrin
Pierre Perrin (c.1620 – 24 April 1675) was a French poet and librettist. Perrin, sometimes known as L'Abbé Perrin although he never belonged to the clergy, was born in Lyon. He founded the Académie d'Opéra, which later was renamed the Académie Royale de Musique when control of it passed to Jean-Baptiste Lully. He worked with Robert Cambert, creating with him ''La Pastorale d'Issy'' in 1659, and with Jean-Baptiste Boësset, creating ''La Mort d'Adonis'', in 1662. With Cambert, he also created '' Pomone'', which inaugurated the opening of the first "salle de l'Opéra" in 1671, of which he had obtained the privilege from King Louis XIV. He also presented there his ''Les peines et les plasirs de l'amour''. A poor administrator and the victim of dishonest collaborators, Perrin was imprisoned for debts and had to sell his privilege to Lully in 1672. He died in poverty in Paris, aged about 55. His verses are now considered mediocre, but his name remains associated with the birt ...
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Robert Cambert
Robert Cambert (c. 1628–1677) was a French composer principally of opera. His opera '' Pomone'' was the first actual opera in French. Biography Under Mazarin Born in Paris c. 1628, he studied music under Chambonnières. His first position was as organist at the church of Saint-Honoré in Paris. In 1655 he married Marie du Moustier. At this time he came under the patronage of Cardinal Mazarin who was instrumental in his appointment as Superintendent of music to the Dowager Queen Anne of Austria, mother of Louis XIV. Cambert's early works with libretto written by Pierre Perrin were frequently performed at court during this period. However, following the death of the powerful Mazarin, and the Queen's subsequent retirement to a convent, Cambert's position at court was weakened, as new powers came into force at court. ''Académie Royale de Musique'' In 1669 Perrin founded the ''Académie Royale de Musique'', under the auspices of the French King. Cambert was invited to join Perrin ...
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Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar ga ...
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Cadmus Et Hermione
''Cadmus et Hermione'' is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Ovid's ''Metamorphoses''. It was first performed on 27 April 1673 by the Paris Opera at the Jeu de paume de Béquet. The prologue, in praise of King Louis XIV, represents him as Apollo slaying the Python of Delphi. The opera itself concerns the love story of Cadmus, legendary founder and king of Thebes, Greece, and Hermione (Harmonia), daughter of Venus and Mars. Other characters include Pallas Athene, Cupid, Juno, and Jupiter. With ''Cadmus et Hermione'', Lully invented the form of the ''tragédie en musique'' (also known as ''tragédie lyrique''). From contemporary Venetian opera, Lully incorporated elements of comedy among the servants, elements which he would later avoid, as would subsequent reformers in Italian opera. A contemporary transcription of the overture by Jean-Henri d'Anglebert remains a possible part ...
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Atys (Lully)
''Atys'' ('' Attis'') is a 1675 ''tragédie en musique'' — described in a 1708 revival as a ''tragédie mise en musique'' and today considered a ''tragédie lyrique'', a French form of opera — in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault after Ovid's '' Fasti''. It was premiered for the royal court on 10 January the following year by Lully's Académie Royale de Musique (Paris Opera) at the Château de Saint-Germain-en-Laye. The first public performance took place in April 1676 at the Théâtre du Palais-Royal. Although ''Atys'' was met with indifference by Paris audiences, it became known as "the king's opera" because of Louis XIV's fondness for it; it was repeated for him in 1678, 1682 and 1708. Roles Plot and music outline The French style of opera, established in the 1670s by Lully, was in five acts with a prologue. Prologue Lully's prologues normally served to comment on current events at the court of Louis XIV in a way tha ...
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Isis (Lully)
''Isis'' is a French opera (''tragédie en musique'') in a prologue and five acts with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, based on Ovid's ''Metamorphoses''. The fifth of Lully's collaborations with Quinault, it was first performed on 5 January 1677 before the royal court of Louis XIV at the Château de Saint-Germain-en-Laye and in August received a run of public performances at the Théâtre du Palais-Royal.Pitou 1983, pp. 239–241; Lajarte 1878pp. 31–32 It was Lully's first published score (partbooks in 1677); a full score was published in 1719. Performance history ''Isis'' was revived only once during the remaining 38 years of Louis XIV's reign, on 14 February 1704. It was revived again in 1717–1718 and 1732–1733. Roles The ballets were danced by Pierre Beauchamp, Louis Pécourt, Magny, and Boutteville. Synopsis Prologue The prologue, which includes the usual paean to Louis XIV, takes place in the palace of Fame (''La Renommée'') wi ...
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Persée
''Persée'' (''Perseus'') is a tragédie lyrique with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, first performed on 18 April 1682 by the Opéra at the Théâtre du Palais-Royal in Paris. Roles Synopsis ACT I: The Palace of King Céphée and Queen Cassiope of Ethiopia King Céphée expresses the terror his people feel for the snake-haired Mèduse: anyone who looks on her turns to stone. The goddess Juno has sent Mèduse to punish Queen Cassiope for her insolence in comparing her own beauty to that of the goddess. In an effort to appease Juno's wrath, Cassiope has prepared a celebration of games in her honour. We learn that Mérope, the queen's sister, secretly loves Persée. However, Persée loves and is loved by Andromède, the king's daughter. Andromède is betrothed to Phinée, her uncle, who, in an agony of jealousy, accuses her of not returning his love, suspecting that she loves another. Andromède assures him that she will fulfil her duty to love ...
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Operatic Bass-baritones
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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1688 Deaths
Events January–March * January 2 – Fleeing from the Spanish Navy, French pirate Raveneau de Lussan and his 70 men arrive on the west coast of Nicaragua, sink their boats, and make a difficult 10 day march to the city of Ocotal. * January 5 – Pirates Charles Swan (pirate), Charles Swan and William Dampier and the crew of the privateer ''Cygnet'' become the first Englishmen to set foot on the continent of Australia. * January 11 – The Patta Fort and the Avandha Fort, located in what is now India's Maharashtra state near Ahmednagar, are captured from the Maratha clan by Mughul Army commander Matabar Khan. The Mughal Empire rules the area 73 years. * January 17 – Ilona Zrínyi, who has defended the Palanok Castle in Hungary from Austrian Imperial forces since 1685, is forced to surrender to General Antonio Caraffa. * January 29 – Madame Jeanne Guyon, French mystic, is arrested in France and imprisoned for seven months. * January 30 (Jan ...
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Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ( ...
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