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Pink is the color of a namesake flower that is a pale tint of red. It was first used as a color name in the late 17th century. According to surveys in Europe and the United States, pink is the color most often associated with charm, politeness, sensitivity, tenderness, sweetness, childhood, femininity, and romance. A combination of pink and white is associated with chastity and innocence, whereas a combination of pink and black links to eroticism and seduction. In the 21st century, pink is seen as a symbol of femininity, though this has not always been true; in the 1920s, pink was seen as a color that reflected masculinity. In nature and culture File:Color icon pink v2.svg, Various shades of pink File:Dianthus.jpg, The color pink takes its name from the flowers called pinks, members of the genus ''Dianthus''. File:Rosa Queen Elizabeth1ZIXIETTE.jpg, In most European languages, pink is called ''rose'' or ''rosa'', after the rose flower. File:Cherry blossoms in the Tsu ...
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HTML Color Names
Web colors are colors used in Web design, displaying web pages on the World Wide Web, and the methods for describing and specifying those colors. Colors may be specified as an RGB color model, RGB triplet or in hexadecimal format (a ''hex triplet'') or according to their common English names in some cases. A color tool or other graphics software is often used to generate color values. In some uses, hexadecimal color codes are specified with notation using a leading number sign (#). A color is specified according to the intensity of its red, green and blue components, each represented by eight bits. Thus, there are 24 bits used to specify a web color within the sRGB gamut, and 16,777,216 colors that may be so specified. Colors outside the sRGB gamut can be specified in Cascading Style Sheets by making one or more of the red, green and blue components negative or greater than 100%, so the color space is theoretically an unbounded extrapolation of sRGB similar to scRGB. Specifying a ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Cennino Cennini
Cennino d'Andrea Cennini (c. 1360 – before 1427) was an Italian painter influenced by Giotto. He was a student of Agnolo Gaddi in Florence. Gaddi trained under his father, called Taddeo Gaddi, who trained with Giotto. Cennini was born in Colle di Val d'Elsa, Tuscany. After training as an artist with Agnolo Gaddi in Florence he worked at the court of Francesco Novello da Carrara in Padua for some years before apparently returning to Colle di Val d'Elsa. He is remembered mainly for having authored ''Il libro dell'arte''. Thought to have been written around the turn of the 15th century, the book is a "how to" on late Medieval and early Renaissance painting. It contains information on pigments, brushes, drawing, panel painting, the art of fresco, painting on fabrics and casting, amongst other techniques and tricks. Cennini also mentions oil painting in passing, which was important for dispelling the myth, propagated by Giorgio Vasari and Karel Van Mander, that oil painting was ...
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Venetian Red
Venetian red is a light and warm (somewhat unsaturated) pigment that is a darker shade of red, derived from nearly pure ferric oxide (Fe2O3) of the hematite type. Modern versions are frequently made with synthetic red iron oxide. Historically, Venetian red was a red earth color often used in Italian Renaissance paintings. It was also called sinopia because the best-quality pigment came from the port of Sinop in northern Turkey. It was the major ingredient in the pigment called ', described by the 15th-century Italian painter and writer Cennino Cennini in his handbook on painting, ''Il libro dell'arte''. Cennini recommended mixing Venetian red with lime white, in proportions of two to one, to paint the skin tones of faces, hands and nudes. During the English Civil War (1642–1651), Venetian red was adopted as the primary uniform colour of the New Model Army, to ease mutual identification on the battlefield. In addition, Venetian red was cheaper than other dyes at the time. Follo ...
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Sinopia
Sinopia (also known as sinoper, named after the now Turkish city Sinop) is a dark reddish-brown natural earth pigment, whose reddish colour comes from hematite, a dehydrated form of iron oxide. It was widely used in Classical Antiquity and the Middle Ages for painting, and during the Renaissance it was often used on the rough initial layer of plaster for the underdrawing for a fresco. The word came to be used both for the pigment and for the preparatory drawing itself, which may be revealed when a fresco is stripped from its wall for transfer. During the Middle Ages sinopia in Latin and Italian came to mean simply a red ochre. It entered the English language as the word sinoper, meaning a red earth colour. Sinopia is a colour in various modern colour systems. Sinopia pigment From Ancient times through the Renaissance, the pigment was mined in Cappadocia, and exported to Europe through the port of Sinop, a Greek colony on the Black Sea. The pigment was valued for its qualit ...
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Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusal ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ...
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Madonna Of The Pinks
The ''Madonna of the Pinks'' (c. 1506 – 1507, it, La Madonna dei garofani) is an early devotional painting usually attributed to Italian Renaissance master Raphael. It is painted in oil painting, oils on fruitwood and now hangs in the National Gallery, London. Subject matter The painting depicts a youthful Mary, Mother of Jesus, Virgin Mary playing with the Child Jesus, Christ child and handing him carnations. (The Italian title, ''La Madonna dei garofani'' actually means The Madonna of the Carnation.) These flowers, whose botanical name is ''dianthus'' (Greek language, Greek for ‘flower of God’), are a premonition of Jesus Christ, Christ's Passion (Christianity), Passion – according to Christian legend, the flower first appeared when the Virgin wept at the Crucifixion. The event takes place in a dimly-lit domestic setting influenced by Early Netherlandish painting, Netherlandish art. The composition is based closely on the ''Benois Madonna'' by Leonardo da Vinci, althoug ...
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Duccio
Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio
''Encyclopedia Britannica''.
and is credited with creating the painting styles of and the Sienese school. He also contributed significantly to the Sienese .


Biography

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Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that recou ...
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De Rerum Natura
''De rerum natura'' (; ''On the Nature of Things'') is a first-century BC didactic poem by the Roman poet and philosopher Lucretius ( – c. 55 BC) with the goal of explaining Epicurean philosophy to a Roman audience. The poem, written in some 7,400 dactylic hexameters, is divided into six untitled books, and explores Epicurean physics through poetic language and metaphors. Greenblatt (2011). Namely, Lucretius explores the principles of atomism; the nature of the mind and soul; explanations of sensation and thought; the development of the world and its phenomena; and explains a variety of celestial and terrestrial phenomena. The universe described in the poem operates according to these physical principles, guided by ''fortuna'' ("chance"), and not the divine intervention of the traditional Roman deities. Background To the Greek philosopher Epicurus, the unhappiness and degradation of humans arose largely from the dread which they entertained of the power of the deities, from ...
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Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ...
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