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Philadelphia Academy Of Music
The Academy of Music, also known as American Academy of Music, is a concert hall and opera house located at 240 S. Broad Street in Philadelphia, Pennsylvania. Its location is between Locust and Manning Streets in the Avenue of the Arts area of Center City. The hall was built in 1855–57 and is the oldest opera house in the United States that is still used for its original purpose. Known as the "Grand Old Lady of Locust Street," the venue is the home of the Philadelphia Ballet and Opera Philadelphia. It was also home to the Philadelphia Orchestra from its inception in 1900 until 2001, when the orchestra moved to the new Kimmel Center for the Performing Arts. The Philadelphia Orchestra still retains ownership of the Academy. The hall was designated a National Historic Landmark in 1962.Charles E. Shedd Jr., et al. (December 1979) , National Park Service and History The Academy of Music held an inaugural ball on January 26, 1857. At the time ''The New York Times'' described ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelphia
Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and one of world's largest metropolitan regions, with 6.245 million residents . The city's population at the 2020 census was 1,603,797, and over 56 million people live within of Philadelphia. Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's inde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Historic Landmark
A National Historic Landmark (NHL) is a building, district, object, site, or structure that is officially recognized by the United States government for its outstanding historical significance. Only some 2,500 (~3%) of over 90,000 places listed on the country's National Register of Historic Places are recognized as National Historic Landmarks. A National Historic Landmark District may include contributing properties that are buildings, structures, sites or objects, and it may include non-contributing properties. Contributing properties may or may not also be separately listed. Creation of the program Prior to 1935, efforts to preserve cultural heritage of national importance were made by piecemeal efforts of the United States Congress. In 1935, Congress passed the Historic Sites Act, which authorized the Interior Secretary authority to formally record and organize historic properties, and to designate properties as having "national historical significance", and gave the Nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chestnut Street Theatre
The Chestnut Street Theatre in Philadelphia, Pennsylvania was the first theater in the United States built by entrepreneurs solely as a venue for paying audiences.The Chestnut Street Theatre Project The New Theatre (First Chestnut Street Theatre) The Chestnut Street Theatre (originally named the New Theatre) was the brainchild of Thomas Wignell and Alexander Reinagle who in 1791 convinced a group of Philadelphia investors to build a theater suitable for Wignell's company to perform in. Wignell had not yet formed his company when the New Theatre was being set up to be built, but as the New Theater was being built, Wignell was in England recruiting actors to be a part of his company. The New Theater's design, modeled after the Theatre Royal, Bath, was made possible by John Inigo Richards, Wignell's brother-in-law, who obtained architect Thomas Greenway's original plans.Oxford Companion to American Theatre The New Theatre was built on Chestnut Street near the corner of Sixth Stre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Music (New York City)
The Academy of Music was a New York City opera house, located on the northeast corner of 14th Street (Manhattan), East 14th Street and Irving Place in Manhattan. The 4,000-seat hall opened on October 2, 1854. The review in ''The New York Times'' declared it to be an acoustical "triumph", but "In every other aspect ... a decided failure," complaining about the architecture, interior design and the closeness of the seating; although a follow-up several days later relented a bit, saying that the theater "looked more cheerful, and in every way more effective" than it had on opening night. The Academy's opera season became the center of social life for New York's elite, with the oldest and most prominent families owning seats in the theater's boxes. The opera house was destroyed by fire in 1866 and subsequently rebuilt, but it was supplanted as the city's premier opera venue in 1883 by the new Metropolitan Opera House (39th St), Metropolitan Opera House – created by the ''nouve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Maretzek
Max Maretzek (June 28, 1821 – May 14, 1897) was a Moravian-born composer, conductor, and impresario active in the United States and Latin America.''Werner's magazine'', Vol.19 p.561 (1897) Music Teachers National Association, (Digitized by Google Books/ref> European career Born in Brno, now in the Czech Republic, he graduated from Vienna University and studied medicine for two years, at the same time taking a course in music and composition under Seyfried. He had breathed a musical atmosphere from his youth, and finally decided to devote himself wholly to its pursuit. The Emperor of Austria became interested in him, as did von Bülow, Wagner, Liszt, Offenbach and Strauss. In 1843 his first opera, ''Hamlet'', was produced at Brunn. He played the violin in orchestras in both Germany and England. He then travelled through Germany, France, and England, as an orchestral conductor, and in 1844 settled in London as assistant to Michael William Balfe at Her Majesty's Theatre. American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasquale Brignoli
Pasquale Brignoli (Pasquilino Brignoli) Michael B. Dougan (1994) "Pasquilino Brignoli: Tenor of the Golden West" in: ''Opera and the Golden West'', J.L. DiGaetani and J.P. Sirefman, editors, Fairleigh Dickinson Univ. Press (b. Naples, Italy, 1824; d. New York City, 30 October 1884) was an Italian-born American tenor. Early career The son of a glove-maker, he received a fine musical education, and became a pianist of some ability. It is said that at the age of fifteen he wrote an opera, and, disgusted at the way in which the finest aria was sung, rushed upon the stage and sang it himself, to the delight of all. He paid little attention, however, to the cultivation of his voice until after he was twenty-one. Little more is known about his early life because he was very reticent about it. During a civil hearing in New York in 1864 (''Godfrey vs. Brignoli''), he refused to divulge to the court what he had done before he became a singer. However, he told the court that he had start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Amodio
Alessandro Amodio (1831 — 22 June 1861) was an Italian baritone who had an active international career as an opera singer from 1852 until his death from yellow fever nine years later in 1861. After making his debut at the Teatro di San Carlo at the age of 21, he spent the next four years performing roles at opera houses in Italy, including La Fenice in Venice, La Scala in Milan, the Teatro Goldoni in Livorno, and the Teatro del Giglio in Lucca. He first came to the United States in the late spring and summer of 1855 with the Max Maretzek Italian Opera Company with whom he portrayed Count di Luna in the United States premiere of Giuseppe Verdi's ''Il trovatore'' at the Academy of Music in New York City on May 2, 1855. After further performances in Venice, he was engaged by brothers Maurice and Max Strakosch to perform with their touring opera company in cities throughout the United States, including performances in New York, Chicago, and Philadelphia in 1856. He remained active as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marietta Gazzaniga
Marietta Gazzaniga (1824 – 2 January 1884) was an Italian operatic soprano. Gazzaniga was born in Voghera and studied singing with Alberto Mazzucato in Milan. Forbes, Elizabeth (1992). "Gazzaniga, Marietta" in Stanley Sadie, ed. ''The New Grove Dictionary of Opera'', Volume 2, p. 368. London: Macmillan. . Her debut season was in 1840 in Voghera where she sang Jane Seymour in Donizetti's ''Anna Bolena'' and Romeo in Bellini's ''I Capuleti e i Montecchi''.Rosselli, John (2001). "Gazzaniga, Marietta" in Stanley Sadie,ed., and John Tyrrell, exec. ed. ''The New Grove Dictionary of Music & Musicians'', 2nd ed,. London: Macmillan. (hardcover). (eBook). She sang the title role in the premiere of Verdi's ''Luisa Miller'' at the Teatro di San Carlo in Naples in 1849, and a year later she sang Lina in the premiere of Verdi's ''Stiffelio'' in Trieste. Starting in 1851 she began singing at La Scala. In 1852 she sang Gilda in Verdi's ''Rigoletto'' in Bergamo. The production was conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Maretzek Italian Opera Company
The Max Maretzek Italian Opera Company (sometimes referred to as the Italian Opera Company, the Italian Grand Opera Company, or Academy of Music Opera Company) was a touring American opera company that performed throughout the United States from 1849 to 1878.Schonberg pg. 222 The first major opera company in Manhattan and one of the first important companies in the United States, it had a long association with the Academy of Music in New York City where it presented an annual season of opera from 1854 until the company's demise in 1878. There the company performed the United States premieres of ''Rigoletto'', ''Il trovatore'', and ''La traviata'' among other works. The company also presented an annual season of opera at the Academy of Music in Philadelphia from 1857 to 1873, in addition to touring throughout the United States and to Cuba and Mexico. Musicologist George Whitney Martin described the company as the only opera company in the United States to perform with a full opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
