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Pazzi Chapel
The Pazzi Chapel ( it, Cappella dei Pazzi) is a chapel located in the "first cloister" on the southern flank of the Basilica di Santa Croce in Florence, Italy. Commonly credited to Filippo Brunelleschi, it is considered to be one of the masterpieces of Renaissance architecture. History Though funds for the chapel were assembled in 1429 by Andrea Pazzi, head of the Pazzi family, whose wealth was second only to the Medici, construction did not begin until about 1442. The chapel was completed in 1443. The building is considered to be an Early Renaissance masterpiece. Formerly considered a work of Filippo Brunelleschi (d. 1446), it is now thought that he was responsible for the plan, which is based on simple geometrical forms, the square and the circle, but not for the building's execution and detailing. The most common argument for crediting Brunelleschi is the chapel's clear similarity to the Old Sacristy; others argue that his style had developed in the twenty-year interim an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pazzi Chapel
The Pazzi Chapel ( it, Cappella dei Pazzi) is a chapel located in the "first cloister" on the southern flank of the Basilica di Santa Croce in Florence, Italy. Commonly credited to Filippo Brunelleschi, it is considered to be one of the masterpieces of Renaissance architecture. History Though funds for the chapel were assembled in 1429 by Andrea Pazzi, head of the Pazzi family, whose wealth was second only to the Medici, construction did not begin until about 1442. The chapel was completed in 1443. The building is considered to be an Early Renaissance masterpiece. Formerly considered a work of Filippo Brunelleschi (d. 1446), it is now thought that he was responsible for the plan, which is based on simple geometrical forms, the square and the circle, but not for the building's execution and detailing. The most common argument for crediting Brunelleschi is the chapel's clear similarity to the Old Sacristy; others argue that his style had developed in the twenty-year interim an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pazzi Chapel Santa Croce Apr 2008 P
The Pazzi were a noble Florentine family. Their main trade during the fifteenth century was banking. In the aftermath of the Pazzi conspiracy in 1478, members of the family were banished from Florence and their property was confiscated; the family name and coat-of-arms were permanently suppressed by order of the Signoria. History The traditional story is that the family was founded by Pazzo di Ranieri, first man over the walls during the Siege of Jerusalem of 1099, during the First Crusade, who returned to Florence with flints supposedly from the Holy Sepulchre, which were kept at Santi Apostoli and used on Holy Saturday to re-kindle fire in the city. The historical basis of this legend has been in question since the work of in the mid-nineteenth century. The first apparently historical figure in the family is the who was a captain of the Florentine (Guelph) cavalry at the battle of Montaperti on 4 September 1260, and whose hand was treacherously severed by , causing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapter House
A chapter house or chapterhouse is a building or room that is part of a cathedral, monastery or collegiate church in which meetings are held. When attached to a cathedral, the cathedral chapter meets there. In monasteries, the whole community often met there daily for readings and to hear the abbot or senior monks talk. When attached to a collegiate church, the dean, prebendaries and canons of the college meet there. The rooms may also be used for other meetings of various sorts; in medieval times monarchs on tour in their territory would often take them over for their meetings and audiences. Synods, ecclesiastical courts and similar meetings often took place in chapter houses. Design When part of a monastery, the chapter house is generally located on the eastern wing of the cloister, which is next to the church. Since many cathedrals in England were originally monastic foundations, this is a common arrangement there also. Elsewhere it may be a separate building. The chap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Italian Renaissance Domes
Italian Renaissance domes were designed during the Renaissance period of the fifteenth and sixteenth centuries in Italy. Beginning in Florence, the style spread to Rome and Venice and made the combination of dome, drum, and barrel vaults standard structural forms. Notable architects during the Italian Renaissance were Filippo Brunelleschi, builder of the dome of Florence Cathedral, Donato Bramante, Andrea Palladio, and Michelangelo, designer of the dome of St. Peter's Basilica. Fifteenth century Florence Cathedral After years of considering options, Filippo Brunelleschi and Lorenzo Ghiberti were made joint leaders of the project to build the dome for Florence Cathedral in 1420. Brunelleschi's plan to use suspended scaffolding for the workers won out over alternatives such as building a provisional stone support column in the center of the crossing or filling the space with earth. The octagonal brick domical vault was built between 1420 and 1436, with Ghiberti resigning in 1433. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Medieval Arabic And Western European Domes
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Persian architecture, using both pendentives and squinches. The origin of the crossed-arch dome type is debated, but the earliest known example is from the tenth century at the Great Mosque of Córdoba. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Della Robbia
Luca della Robbia (, also , ; 1399/1400–1482) was an Italian Renaissance sculptor from Florence. Della Robbia is noted for his colorful, Tin-glazed pottery, tin-glazed terracotta statuary, a technique which he invented and passed on to his nephew Andrea della Robbia and great-nephews Giovanni della Robbia and Girolamo della Robbia. Though a leading sculptor in stone, he worked primarily in terracotta after developing his technique in the early 1440s. His large workshop produced both cheaper works cast from molds in multiple versions, and more expensive one-off individually modeled pieces. The vibrant, polychrome glazes made his creations both more durable and expressive. His work is noted for its charm rather than the drama of the work of some of his contemporaries. Two of his famous works are ''The Nativity'' () and ''Madonna and Child'' (). In stone his most famous work is also his first major commission, the choir gallery, ''Cantoria'' in the Florence Cathedral (1431–143 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apostles In The New Testament
In Christian theology and ecclesiology, the apostles, particularly the Twelve Apostles (also known as the Twelve Disciples or simply the Twelve), were the primary Disciple (Christianity), disciples of Jesus according to the New Testament. During the Life of Jesus in the New Testament, life and ministry of Jesus in the Christianity in the 1st century, 1st century AD, the apostles were his closest followers and became the primary teachers of the gospel message of Jesus. There is also an Eastern Christianity, Eastern Christian tradition derived from the Gospel of Luke of there having been as many as Seventy disciples, seventy apostles during the time of Jesus' ministry. The commissioning of the Twelve Apostles during the ministry of Jesus is described in the Synoptic Gospels. After his Resurrection of Jesus, resurrection, Jesus sent eleven of them (as Judas Iscariot by then had Judas Iscariot#Death, died) by the Great Commission to spread his teachings to all nations. This event ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pazzi Chapel Ceiling
The Pazzi were a noble Florentine family. Their main trade during the fifteenth century was banking. In the aftermath of the Pazzi conspiracy in 1478, members of the family were banished from Florence and their property was confiscated; the family name and coat-of-arms were permanently suppressed by order of the Signoria. History The traditional story is that the family was founded by Pazzo di Ranieri, first man over the walls during the Siege of Jerusalem of 1099, during the First Crusade, who returned to Florence with flints supposedly from the Holy Sepulchre, which were kept at Santi Apostoli and used on Holy Saturday to re-kindle fire in the city. The historical basis of this legend has been in question since the work of in the mid-nineteenth century. The first apparently historical figure in the family is the who was a captain of the Florentine (Guelph) cavalry at the battle of Montaperti on 4 September 1260, and whose hand was treacherously severed by , causing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietra Serena
Pietra serena is a blue-gray sandstone used extensively in Renaissance Florence for architectural details. It is also known as Macigno stone. The material obtained at Fiesole is considered the best and is also quarried at Arezzo, Cortona, and Volterra, although it is no longer being actively mined and has been placed under conservation status due to depleting resources. Examples of its use in Florence include the interior pilasters, entablatures, and other decorative elements of Brunelleschi's Pazzi Chapel and Michelangelo's Medici Chapel. The most well-known of its quarries in the Florentine area is the Trassinaia quarry. History Pietra serena was first largely discovered by the Etruscans in the Archaic period who occupied the medieval Italian area of Fiesole. It was used in the construction of much notable Italian architecture during the "Golden Age of Rome", including that of artists such as Michelangelo, Donatello, Brunelleschi, and Vasari. It was also used in building str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tondo (art)
A tondo (plural "tondi" or "tondos") is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian ''rotondo,'' "round." The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for sculpture the threshold is rather lower. A circular or oval relief sculpture is also called a roundel. History Artists have created tondi since Greek antiquity. The circular paintings in the centre of painted vases of that period are known as tondi, and the inside of the broad low winecup called a '' kylix'' also lent itself to circular enframed compositions. The style was revived in the fifteenth and sixteenth centuries, particularly in Italy, where it may have developed from the smaller desco da parto or birthing tray. Since then it has been less common. In Ford Madox Brown's painting '' The Last of England'', the sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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