|
Parodies
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody Music
Parody music, or musical parody, involves changing or copying existing (usually well known) musical ideas, and/or lyrics, or copying the particular style of a composer or performer, or even a general style of music. In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique, as an unsophisticated re-use of well-known melody to present new words, and as an intentionally humorous, even mocking, reworking of existing musical material, sometimes for satirical effect. Examples of musical parody with completely serious intent include parody masses in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the more common use of the term to refer to parody for humorous effect. Etymology The word "parody" derives from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gross
John Gross FRSL (12 March 1935 – 10 January 2011) was an eminent English man of letters. A leading intellectual, writer, anthologist, and critic, ''The Guardian'' (in a tribute titled "My Hero") and ''The Spectator'' were among several publications to describe Gross as "the best-read man in Britain". ''The Guardian''s obituarist Ion Trewin wrote: "Mr Gross is one good argument for the survival of the species", a comment Gross would have disliked since he was known for his modesty. Charles Moore wrote in ''The Spectator'': "I am left with the irritated sense that he was under-appreciated. He was too clever, too witty, too modest for our age." Gross was the editor of ''The Times Literary Supplement'' from 1974 to 1981, senior book editor and book critic on the staff of ''The New York Times'' from 1983 to 1989, and theatre critic for ''The Sunday Telegraph'' from 1989 to 2005. He also worked as assistant editor on ''Encounter'' and as literary editor of ''The New Statesman'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hegemon Of Thasos
Hegemon of Thasos ( el, Ἡγήμων ό Θάσιος) was a Greek writer of the Old Comedy. Hardly anything is known of him, except that he flourished during the Peloponnesian War. According to Aristotle (''Poetics'', ii. 5) he was the inventor of a kind of parody; by slightly altering the wording in well-known poems he transformed the sublime into the ridiculous. When the news of the disastrous defeat of the Sicilian Expedition reached Athens, his parody of the ''Gigantomachia'' was being performed: it is said that the audience were so amused by it that, instead of leaving to show their grief, they remained in their seats. He was also the author of a comedy called ''Philinne'' (Philine), written in the manner of Eupolis and Cratinus, in which he attacked a well-known courtesan. Athenaeus (p. 698), who preserves some parodic hexameters of his, relates other anecdotes concerning him (pp. 5, 108, 407). Criticisms In Aristotle's '' Poetics'', Aristotle states "Homer, for e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopédie
''Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers'' (English: ''Encyclopedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts''), better known as ''Encyclopédie'', was a general encyclopedia published in France between 1751 and 1772, with later supplements, revised editions, and translations. It had many writers, known as the Encyclopédistes. It was edited by Denis Diderot and, until 1759, co-edited by Jean le Rond d'Alembert. The ''Encyclopédie'' is most famous for representing the thought of the Enlightenment. According to Denis Diderot in the article "Encyclopédie", the ''Encyclopédies aim was "to change the way people think" and for people (bourgeoisie) to be able to inform themselves and to know things. He and the other contributors advocated for the secularization of learning away from the Jesuits. Diderot wanted to incorporate all of the world's knowledge into the ''Encyclopédie'' and hoped that the text could dissemina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heracles
Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a great-grandson and half-brother (as they are both sired by the god Zeus) of Perseus, and similarly a half-brother of Dionysus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, but added anecdotal detail of their own, so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Frogs
''The Frogs'' ( grc-gre, Βάτραχοι, Bátrakhoi, Frogs; la, Ranae, often abbreviated ''Ran.'' or ''Ra.'') is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC and received first place. Plot ''The Frogs'' tells the story of the god Dionysus, who, despairing of the state of Athens' tragedians, travels to Hades (the underworld) to bring the playwright Euripides back from the dead. (Euripides had died the year before, in 406 BC.) He brings along his slave Xanthias, who is smarter and braver than Dionysus. As the play opens, Xanthias and Dionysus argue over what kind of jokes Xanthias can use to open the play. For the first half of the play, Dionysus routinely makes critical errors, forcing Xanthias to improvise in order to protect his master and prevent Dionysus from looking incompetent—but this only allows Dionysus to continue to make mistakes with no consequence. To find ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Comedy
Old Comedy (''archaia'') is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians.Mastromarco (1994) p.12 The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, effectively define the genre today. Origins and history The Greek word for comedy (''kōmōidía'') derives from the words for 'revel' and 'song' (''kōmos'' and ''ōdē'') and according to Aristotle comic drama actually developed from song. The first official comedy at the City Dionysia was not staged until 487/6 BC, by which time tragedy had already been long established there. The first comedy at the Lenaia was staged later still, only about 20 years before the performance there of ''The Acharnians'', the first of Aristophanes' surviving plays. According to Aristotle, comedy was slow to gain official acceptance because nobody took it seriously, yet only 60 years after come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain. The earliest example of the form is the ''Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin,Dustin H. (1994) ''Satire: A Critical Reintroduction'p.135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily criticized, bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Literature
Greek literature () dates back from the ancient Greek literature, beginning in 800 BC, to the modern Greek literature of today. Ancient Greek literature was written in an Ancient Greek dialect, literature ranges from the oldest surviving written works until works from approximately the fifth century AD. This time period is divided into the Preclassical, Classical, Hellenistic, and Roman periods. Preclassical Greek literature primarily revolved around myths and include the works of Homer; the ''Iliad'' and the ''Odyssey''. The Classical antiquity, Classical period saw the dawn of drama and history. Three philosophers are especially notable: Socrates, Plato, and Aristotle. During the Roman era, significant contributions were made in a variety of subjects, including history, philosophy, and the sciences. Byzantine literature, the literature of the Byzantine Empire, was written in Atticism, Atticizing, Medieval Greek, Medieval and early Modern Greek. Chronicles, distinct from histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
