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Paro Dzong
Rinpung Dzong, sometimes referred to as Paro Dzong, is a large dzong - Buddhist monastery and fortress - of the Drukpa Lineage of the Kagyu school in Paro District, Bhutan. It houses the district Monastic Body as well as government administrative offices of Paro Dzongkhag. It is listed as a tentative site in Bhutan's Tentative List for UNESCO inclusion. History In the 15th century local people offered the crag of Hungrel at Paro to Lama Drung Drung Gyal, a descendant of Pajo Drugom Zhigpo. Drung Drung Gyal built a small temple there and later a five storied Dzong or fortress which was known as Hungrel Dzong. In the 17th century, his descendants, the lords of Hungrel, offered this fortress to the Drukpa hierarch, Ngawang Namgyal, the Zhabdrung Rinpoche, in recognition of his religious and temporal authority. In 1644 the Zhabdrung dismantled the existing dzong and laid the foundations of a new dzong. In 1646 the dzong was reconsecrated and established as the administrative and mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhism
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and the ; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amitābha
Amitābha ( sa, अमिताभ, IPA: ), also known as Amitāyus, is the primary Buddha of Pure Land Buddhism. In Vajrayana Buddhism, he is known for his longevity, discernment, pure perception, purification of aggregates, and deep awareness of emptiness for each phenomenon. According to a Pure Land Buddhist scripture, he possesses infinite merit that results from good deeds over countless past lives as Dharmākara. Doctrine Attainment of Buddhahood According to the '' Larger Sūtra of Immeasurable Life'', Amitābha was, in very ancient times and possibly in another system of worlds, a monk named Dharmākara. In some versions of the sūtra, Dharmākara is described as a former king who, having come into contact with Buddhist teachings through the buddha Lokeśvararāja, renounced his throne. He then resolved to become a Buddha and to create a ' (literally "buddha-field", often called a "Pureland" or "Buddha Land": a realm existing in the primordial universe outside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dzongs In Bhutan
Dzong architecture is used for dzongs, a distinctive type of fortified monastery ( dz, རྫོང, , ) architecture found mainly in Bhutan and Tibet. The architecture is massive in style with towering exterior walls surrounding a complex of courtyards, temples, administrative offices, and monks' accommodation. Characteristics Distinctive features include: * High inward sloping walls of brick and stone painted white with few or no windows in the lower sections of the wall * Use of a surrounding red ochre stripe near the top of the walls, sometimes punctuated by large gold circles * Use of unique style flared roofs atop interior temples * Massive entry doors made of wood and iron * Interior courtyards and temples brightly colored in Buddhist-themed art motifs such as the ashtamangala or swastika Regional differences Bhutan Dzongs serve as the religious, military, administrative, and social centers of their district. They are often the site of an annual ''tsechu'' or religiou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padmasambhava
Padmasambhava ("Born from a Lotus"), also known as Guru Rinpoche (Precious Guru) and the Lotus from Oḍḍiyāna, was a tantric Buddhist Vajra master from India who may have taught Vajrayana in Tibet (circa 8th – 9th centuries)... According to some early Tibetan sources like the ''Testament of Ba'', he came to Tibet in the 8th century and helped construct Samye Monastery, the first Buddhist monastery in Tibet. However, little is known about the actual historical figure other than his ties to Vajrayana and Indian Buddhism. Padmasambhava later came to be viewed as a central figure in the transmission of Buddhism to Tibet. Starting from around the 12th century, hagiographies concerning Padmasambhava were written. These works expanded the profile and activities of Padmasambhava, now seen as taming all the Tibetan spirits and gods, and concealing various secret texts ('' terma'') for future tertöns. Nyangral Nyima Özer (1124–1192) was the author of the ''Zangling-ma'' (Jew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka
A ''thangka'', variously spelled as ''thangka'', ''tangka'', ''thanka'', or ''tanka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा), is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thongdrel
A Thongdrel (alt. throngdrel) is a large appliqué religious image normally only unveiled during ''tsechus'', the main religious festivals in Bhutan. They are the largest form of ''thangka'' paintings in the tradition of Tibetan Buddhism. Thongdrels typically depict a seated Guru Rinpoche surrounded by holy beings in a composition that, unlike most smaller thangkas, is in a "landscape" format, somewhat wider than it is tall. Thongdrels are composed of several layers, mostly of silk. These begin with a backing, then the image itself, made up of appliqué pieces sewn to a background. Finally there is a yellow drape that covers and protects it when not on display. Thongdrels are stored rolled up. Thongdrels are displayed once a year as the highlight of the tsechu festival of a district or '' dzongkhag'' (although not every district has a thongdrel). Typically they are displayed on the last day of the tsechu. The painting is not allowed to be struck by the direct rays of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Calendar
The Gregorian calendar is the calendar used in most parts of the world. It was introduced in October 1582 by Pope Gregory XIII as a modification of, and replacement for, the Julian calendar. The principal change was to space leap years differently so as to make the average calendar year 365.2425 days long, more closely approximating the 365.2422-day 'tropical' or 'solar' year that is determined by the Earth's revolution around the Sun. The rule for leap years is: There were two reasons to establish the Gregorian calendar. First, the Julian calendar assumed incorrectly that the average solar year is exactly 365.25 days long, an overestimate of a little under one day per century, and thus has a leap year every four years without exception. The Gregorian reform shortened the average (calendar) year by 0.0075 days to stop the drift of the calendar with respect to the equinoxes.See Wikisource English translation of the (Latin) 1582 papal bull '' Inter gravissimas''. Second, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tshechu
A tshechu ( dz, ཚེས་བཅུ།, literally "day ten") is any of the annual religious Bhutanese festivals held in each district or dzongkhag of Bhutan on the tenth day of a month of the lunar calendar, lunar Tibetan calendar. The month depends on the place. Tshechus are religious festivals of the Drukpa Lineage of the Kagyu school of Tibetan Buddhism. Tshechus are large social gatherings, which perform the function of social bonding among people of remote and spread-out villages. Large markets also congregate at the fair locations, leading to brisk commerce.Dancing on the demon's back: the dramnyen dance and song of Bhutan by Elaine Dobson, John Blacking Symposium: Music Culture and Society, Callaway Centre, University of Western Aust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantilever Bridge
A cantilever bridge is a bridge built using structures that project horizontally into space, supported on only one end (called cantilevers). For small footbridges, the cantilevers may be simple beam (structure), beams; however, large cantilever bridges designed to handle road or rail traffic use trusses built from structural steel, or box girders built from prestressed concrete. The steel truss cantilever bridge was a major engineering breakthrough when first put into practice, as it can span distances of over , and can be more easily constructed at difficult crossings by virtue of using little or no falsework. Origins Civil engineer, Engineers in the 19th century understood that a bridge that was continuous across multiple supports would distribute the loads among them. This would result in lower stresses in the girder or truss and meant that longer spans could be built. Several 19th-century engineers patented continuous bridges with hinge points mid-span. The use of a hing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum Of Bhutan
National Museum of Bhutan is a cultural museum in the town of Paro in western Bhutan. Established in 1968, in the renovated ancient Ta-dzong building, above Rinpung Dzong under the command of His Majesty, the King Jigme Dorji Wangchuck, the third hereditary Monarch of Bhutan. The necessary infrastructure was created to house some of the finest specimens of Bhutanese art, including masterpieces of bronze statues and paintings. Suitable galleries were constructed to house the extensive collections. Works of art were elegantly displayed on scientific lines. Today the National Museum has in its possession over 3,000 works of Bhutanese art, covering more than 1,500 years of Bhutan's cultural heritage. Its rich holdings of various creative traditions and disciplines, represent a remarkable blend of the past with the present and is a major attraction for local and foreign visitors. External links National Museum websiteMore on National Museum of BhutanTa Dzong (Paro) Museums est ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akshobhya
Akshobhya ( sa, अक्षोभ्य, ''Akṣobhya'', "Immovable One"; ) is one of the Five Wisdom Buddhas, a product of the Adibuddha, who represents consciousness as an aspect of reality. By convention he is located in the east of the Diamond Realm and is the lord of the Eastern Pure Land Abhirati ('The Joyous'). His consort is Lochanā and he is normally accompanied by two elephants. His color is blue-black and his attributes include a bell, three robes, and staff, as well as a jewel, lotus, prayer wheel, and sword. He has several emanations. Textual history and doctrine Akshobhya appears in the Akṣobhyatathāgatasyavyūha Sūtra (), which was translated during the second century CE and is among the oldest known Mahayana or Pure Land texts. According to the scripture, a monk wished to practice the Dharma in the eastern world of delight and made a vow not to harbor anger or malice towards any being until he achieved enlightenment. He duly proved "immovable" and when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avalokiteśvara
In Buddhism, Avalokiteśvara (Sanskrit: अवलोकितेश्वर, IPA: ) is a bodhisattva who embodies the compassion of all Buddhas. He has 108 avatars, one notable avatar being Padmapāṇi (lotus bearer). He is variably depicted, described, and portrayed in different cultures as either male or female. In East Asian Buddhism, he has evolved into a female form called Guanyin. Etymology The name ''Avalokiteśvara'' combines the verbal prefix ''ava'' "down", ''lokita'', a past participle of the verb ''lok'' "to notice, behold, observe", here used in an active sense; and finally '' īśvara'', "lord", "ruler", "sovereign" or "master". In accordance with sandhi (Sanskrit rules of sound combination), ''a''+''īśvara'' becomes ''eśvara''. Combined, the parts mean "lord who gazes down (at the world)". The word ''loka'' ("world") is absent from the name, but the phrase is implied. It does appear in the Cambodian form of the name, ''Lokesvarak''. The earliest translation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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