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Paris Opera Ballet
The Paris Opera Ballet () is a French ballet company that is an integral part of the Paris Opera. It is the oldest national ballet company, and many European and international ballet companies can trace their origins to it. It is still regarded as one of the four most prominent ballet companies in the world, together with the Bolshoi Ballet in Moscow, the Mariinsky Ballet in Saint Petersburg and the Royal Ballet in London.Pourquoi les ballets de l'Opéra de Paris font partie des spectacles favoris des fêtes article by Martine Robert, 27 December 2013, Les Echos. The position of director of dance is currently vacant, but [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera Ballet School
The Paris Opera Ballet () is a French ballet company that is an integral part of the Paris Opera. It is the oldest national ballet company, and many European and international ballet companies can trace their origins to it. It is still regarded as one of the four most prominent ballet companies in the world, together with the Bolshoi Ballet in Moscow, the Mariinsky Ballet in Saint Petersburg and the Royal Ballet in London.Pourquoi les ballets de l'Opéra de Paris font partie des spectacles favoris des fêtes article by Martine Robert, 27 December 2013, Les Echos. The position of director of dance is currently vacant, but [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anniversary
An anniversary is the date on which an event took place or an institution was founded in a previous year, and may also refer to the commemoration or celebration of that event. The word was first used for Catholic feasts to commemorate saints. Most countries celebrate national anniversaries, typically called national days. These could be the date of independence of the nation or the adoption of a new constitution or form of government. There is no definite method for determining the date of establishment of an institution, and it is generally decided within the institution by convention. The important dates in a sitting monarch's reign may also be commemorated, an event often referred to as a "jubilee". Names * Birthdays are the most common type of anniversary, on which someone's birthdate is commemorated each year. The actual celebration is sometimes moved for practical reasons, as in the case of an official birthday or one falling on February 29. * Wedding anniversar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeu De Paume De La Bouteille
''Jeu'' is a 2006 animated short by Georges Schwizgebel. Described as a film about the frenetic pace of modern life, ''Jeu'' is set to the scherzo of Prokofiev's Concerto for Piano No. 2, Opus 16. The film has received 12 international awards, including the Silver Dove Award from the international jury for animated film at the International Leipzig Festival for Documentary and Animated Film, the award for best experimental/abstract animation under 35 minutes at the Ottawa International Animation Festival, and a Special International Jury Prize at the Hiroshima International Animation Festival. ''Jeu'' is co-produced by the National Film Board of Canada and Studio GDS A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery ( ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design .... References External links Watch ''Jeu'' at NFB.ca Abstract ani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pomone (opera)
''Pomone'' ('' Pomona'') is a pastoral opera in a prologue and five acts by Robert Cambert with a libretto by Pierre Perrin. It has been described as "effectively the first French opera."Sadler 2001, p.180. Bashford 1992, p. 697: "Considered by modern scholars to be the first true French opera..." It was first performed in Paris at the Jeu de Paume de la Bouteille theatre belonging to Cambert and Perrin's Académie d'Opéra on 3 March 1671. The production had ballets choreographed by Des Brosses and sets and machinery designed by Alexandre de Rieux, marquis de Sourdéac.Jean-Claude Brenac. The novelty of the work drew large audiences and the opera enjoyed 146 performances over the eight months of its run. The score of ''Pomone'' has only partially survived. Background and performance history Attempts had been made to introduce Italian opera to France in the mid-17th century but French audiences had disliked the genre, preferring their own form of stage music drama, the ''bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Perrin
Pierre Perrin (c.1620 – 24 April 1675) was a French poet and librettist. Perrin, sometimes known as L'Abbé Perrin although he never belonged to the clergy, was born in Lyon. He founded the Académie d'Opéra, which later was renamed the Académie Royale de Musique when control of it passed to Jean-Baptiste Lully. He worked with Robert Cambert, creating with him ''La Pastorale d'Issy'' in 1659, and with Jean-Baptiste Boësset, creating ''La Mort d'Adonis'', in 1662. With Cambert, he also created '' Pomone'', which inaugurated the opening of the first "salle de l'Opéra" in 1671, of which he had obtained the privilege from King Louis XIV Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was List of French monarchs, King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the Li .... He also presented there his ''Les peines et les plasirs de l'amour''. A poor administrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letters Patent
Letters patent ( la, litterae patentes) ( always in the plural) are a type of legal instrument in the form of a published written order issued by a monarch, president or other head of state, generally granting an office, right, monopoly, title or status to a person or corporation. Letters patent can be used for the creation of corporations or government offices, or for granting city status or a coat of arms. Letters patent are issued for the appointment of representatives of the Crown, such as governors and governors-general of Commonwealth realms, as well as appointing a Royal Commission. In the United Kingdom, they are also issued for the creation of peers of the realm. A particular form of letters patent has evolved into the modern intellectual property patent (referred to as a utility patent or design patent in United States patent law) granting exclusive rights in an invention or design. In this case it is essential that the written grant should be in the form of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Royale De Danse
The Académie Royale de Danse, founded by Letters Patent on the initiative of King Louis XIV of France in March 1661, was the first dance institution established in the Western world. As one of King Louis’ first official edicts after the death of royal adviser Jules Mazarin, the “Letters Patent of the King to Establish a Royal Academy of Dance in the City of Paris” represented a critical step towards the young King's wielding of consolidated personal power. Structurally, the Académie consisted of thirteen dancing masters selected by King Louis XIV for being the “most experienced in the Art f dance” This "experience" was determined by each dancer's history of success in previous royal productions of ''ballets de cour''. Most famously, eight of the selected dancing masters performed with King Louis XIV during his portrayal of Apollo, the Sun King, in ''Le'' ''Ballet de la nuit'' (1653). Although the object of the Académie was to reflect, analyze and normalize matters of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal (rue Saint-Honoré)
The Théâtre du Palais-Royal (or Grande Salle du Palais-Royal) on the rue Saint-Honoré in Paris was a theatre in the east wing of the Palais-Royal, which opened on 14 January 1641 with a performance of Jean Desmarets' tragicomedy ''Mirame''. The theatre was used by the troupe of Molière from 1660 to 1673 and as an opera house by the Académie Royale de Musique from 1673 to 1763, when it was destroyed by fire.Coeyman 1998, pp. 60–71. It was rebuilt and reopened in 1770, but again was destroyed by fire in 1781 and not rebuilt.Pitou 1983, pp. 26–30. First theatre Cardinal Richelieu The Palais-Royal was originally known as the Palais-Cardinal, since it was built in the 1630s as the principal residence of Cardinal Richelieu. The palace already had a small theatre, the Petite Salle des Comédies, located in the wing running north from the east end of the '' corps-de-logis''. On a 1673 plan it is marked "Petite Salle des Ballets". In 1637 Richelieu asked his architect J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière's Company
Molière's company (''La Troupe de Molière'') was the theatrical company which formed around Molière from 1648 onwards, when he was performing in the French provinces after the failure of the Illustre Théâtre in 1645. In 1658 the company moved to Paris and, after a successful performance on 24 October 1658 in front of Louis XIV at the Louvre, was allowed to share the large hall in the Hôtel du Petit-Bourbon with the Italian players of Tiberio Fiorillo. At this time Molière's company became known as the Théâtre de Monsieur, since their official sponsor was the King's brother Philippe I, Duke of Orléans, Philippe, Duke of Orléans, known as Monsieur. When the Petit Bourbon was demolished in 1660 to make way for the eastern expansion of the Louvre, Molière's troupe was allowed to use the abandoned Théâtre du Palais-Royal (rue Saint-Honoré), Théâtre du Palais-Royal. The latter theatre had originally been built by Cardinal Richelieu in 1641. After Molière's death in 1673 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Bourgeois Gentilhomme
''Le Bourgeois gentilhomme'' (, translated as ''The Bourgeois Gentleman'', ''The Middle-Class Aristocrat'', or ''The Would-Be Noble'') is a five-act ''comédie-ballet'' – a play intermingled with music, dance and singing – written by Molière, first presented on 14 October 1670 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors. Subsequent public performances were given at the theatre of the Palais-Royal beginning on 23 November 1670. The music was composed by Jean-Baptiste Lully, the choreography was by Pierre Beauchamp, the sets were by Carlo Vigarani and the costumes were done by the chevalier d’Arvieux. ''Le Bourgeois gentilhomme'' satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Beauchamps
Pierre Beauchamp or Beauchamps (; 30 October 1631 – February 1705) was a French choreographer, dancer and composer, and the probable inventor of Beauchamp–Feuillet notation. His grand-father was called Christophe (a musician) and his father, a violinist of the king's chamber, was simply called Louis. Following a custom of the time, Pierre Beauchamp was named Pierre after his godfather Pierre Vacherot, tailor of the queen's pages and a relative of the Beauchamps family. Biography Beauchamp was born at Versailles (Yvelines), into a family of French "dance masters" (). He débuted at the court of Louis XIV at age 12, in 1648, in the ''Ballet du dérèglement des passions''. He was made director of the Académie Royale de Danse in 1671 (although he was not a founding member of the Académie as is often claimed). Beauchamp was principal choreographer to Molière's acting company (the Troupe du Roy) during 1664-1673, as well as ballet master at the Académie Royale de Musique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
