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Pange Lingua
''Pange lingua'' may refer to either of two Mediaeval Latin hymns of the Roman Catholic Church: one by St. Thomas Aquinas and one by Venantius Fortunatus (530-609), which extols the triumph of the Cross. He wrote it for a procession that brought a part of the true Cross to Queen Radegunda in 570. This hymn is used on Good Friday during the Adoration of the Cross and in the Liturgy of the Hours during Holy Week and on feasts of the Cross. The concluding stanza was not written by Fortunatus, but was added later. When used in the Liturgy the hymn is often broken into smaller hymns such as: ''Lustra sex qui iam peregit'', ''En acetum, fel, arundo'', and ''Crux fidelis inter omnes''. There is a charming ancient legend that is hinted at in the second verse of this hymn. According to this legend, the wood of the Cross upon which Christ was crucified was taken from that tree which was the source of the fruit of the fall in the Garden of Eden. When Adam died, the legend states, Seth obtain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venantius Fortunatus
Venantius Honorius Clementianus Fortunatus ( 530 600/609 AD; french: Venance Fortunat), known as Saint Venantius Fortunatus (, ), was a Latin poet and hymnographer in the Merovingian Court, and a bishop of the Early Church who has been venerated since the Middle Ages. Life Venantius Fortunatus was born between 530 and 540 AD at Duplavis (or Duplavilis), near Treviso in Veneto, Italy. He grew up during the Roman reconquest of Italy, but there is controversy concerning as to where Fortunatus spent his childhood. Some historians, such as D. Tardi, suggest that Fortunatus’ family moved to Aquileia because of the turbulent political situation in Treviso after the death of King Theoderic. This theory is suggested because there is evidence of Fortunatus speaking warmly about one of the bishops there, Bishop Paul of Aquileia. Other scholars, such as Judith George, suggest that his family never moved to Aquileia, pointing out that the poet speaks more of Duplavis than any other p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization. O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacris Solemniis
"Sacris solemniis" is a hymn written by St. Thomas Aquinas (1225–1274) for the feast of Corpus Christi (also known as the Solemnity of the Holy Body and Blood of Christ). The strophe of Sacris solemniis that begins with the words " Panis angelicus" (bread of angels) has often been set to music separately from the rest of the hymn. It appears about 1768 in the iberian musical form Vilancete/Villancico at Francesc Morera's "Si el grano divino". at ''Eucharistic celebration because the beginning of a new bishop ministry'' Most famously, in 1872 César Franck set this strophe for voice ( tenor), harp, cello, and organ, and incorporated it into his ''Messe à trois voix'' Opus 12. The hymn expresses the doctrine that the bread and wine are changed into the Body and Blood of Christ. In the Roman Catholic tradition the concept of transubstantiation is presented as an explanation of how this change happens. The phenomenon whereby the strophe of Sacris solemniis that begins wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lauda Sion
"Lauda Sion" is a sequence prescribed for the Roman Catholic Mass for the feast of Corpus Christi. It was written by St. Thomas Aquinas around 1264, at the request of Pope Urban IV for the new Mass of this feast, along with Pange lingua, Sacris solemniis, and Verbum supernum prodiens, which are used in the Divine Office. Overview The Gregorian melody of the Lauda Sion is borrowed from the eleventh-century sequence ''Laetabundi iubilemus'' attributed to Adam of Saint Victor. The hymn tells of the institution of the Eucharist and clearly expresses the belief of the Roman Catholic Church in transubstantiation, that is, that the bread and wine truly become the Body and Blood of Christ when consecrated by a validly-ordained priest or bishop during the Mass. Lauda Sion is one of only four medieval sequences which were preserved in the Roman Missal published in 1570 following the Council of Trent (1545–1563)—the others being Victimae paschali laudes (Easter), Veni Sancte Spiritu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veni Creator Spiritus
"Veni Creator Spiritus" (Come, Creator Spirit) is a traditional Christian hymn believed to have been written by Rabanus Maurus, a ninth-century German monk, teacher, and archbishop. When the original Latin text is used, it is normally sung in Gregorian Chant. It has been translated and paraphrased into several languages, and adapted into many musical forms, often as a hymn for Pentecost or for other occasions that focus on the Holy Spirit. Liturgical use As an invocation of the Holy Spirit, Veni Creator Spiritus is sung in the Catholic Church during liturgical celebrations on the feast of Pentecost (at both Terce and Vespers). It is also sung at occasions such as the entrance of Cardinals to the Sistine Chapel when they elect a new pope, as well as at the consecration of bishops, the ordination of priests, the sacrament of Confirmation, the dedication of churches, the celebration of synods or councils, the coronation of monarchs, the Red Mass marking the start of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoro Te Devote
"Adoro te devote" is a Eucharistic hymn written by Thomas Aquinas. It is one of the five Eucharistic hymns which were composed and set to music for the Solemnity of Corpus Christi, instituted in 1264 by Pope Urban IV as a Solemnity for the Latin Church of the Catholic Church. Since the beginning of its composition and it being set to music, Adoro te devote was chanted as an Eucharistic Hymn during Mass ''in honorem SS. Sacramenti'' (in honour of the Most Blessed Sacrament), as it was written in the Latin manuscripts. So it was also chanted for the Eucharistic adoration. The authorship of the hymn by Thomas Aquinas was previously doubted by some scholars. More recent scholarship has put such doubts to rest. Thomas seems to have used it also as a private prayer, for a daily adoration of the Blessed Sacrament. Adoro te devote is one of the medieval poetic compositions, being used as spoken prayers and also as chanted hymns, which were preserved in the Roman Missal published i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pange Lingua Gloriosi Corporis Mysterium
"Pange lingua gloriosi corporis mysterium" () is a Medieval Latin hymn attributed to Saint Thomas Aquinas (1225–1274) for the Feast of Corpus Christi. It is also sung on Maundy Thursday during the procession from the church to the place where the Blessed Sacrament is kept until Good Friday. The last two stanzas (called, separately, Tantum ergo) are sung at Benediction of the Blessed Sacrament. The hymn expresses the doctrine that the bread and wine are changed into the body and blood of Christ during the celebration of the Eucharist. It is often sung in English as the hymn "Of the Glorious Body Telling" to the same tune as the Latin. The opening words recall another famous Latin sequence from which this hymn is derived: Pange lingua gloriosi proelium certaminis by Venantius Fortunatus. Text There are many English translations, of varying rhyme scheme and metre. The following has the Latin text with a doxology in the first column, and an English translation by Edwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pange Lingua Gloriosi Proelium Certaminis
"Pange lingua gloriosi proelium certaminis" (Latin for 'Sing, tongue, the battle of glorious combat') is a 6th-century AD Latin hymn generally credited to the Christian poet St. Venantius Fortunatus, Bishop of Poitiers, celebrating the Passion of Christ. In the Catholic Church, the first five stanzas are used at Matins during Passiontide in the Divine Office, with the remaining stanzas (beginning with ''Lustra sex'') sung at Lauds. Both parts are chanted during the Adoration of the Cross on Good Friday. This hymn later inspired Thomas Aquinas to write the hymn "Pange lingua gloriosi corporis mysterium" for the Feast of Corpus Christi. The hymn is later incorporated into Gustav Holst's '' The Hymn of Jesus''. Latin text Pange, lingua, gloriosi proelium certaminis et super crucis trophaeo dic triumphum nobilem, qualiter redemptor orbis immolatus vicerit. De parentis protoplasti fraude factor condolens, quando pomi noxialis morte morsu corruit, ipse lignum tunc notavit, da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ark Of The Covenant
The Ark of the Covenant,; Ge'ez: also known as the Ark of the Testimony or the Ark of God, is an alleged artifact believed to be the most sacred relic of the Israelites, which is described as a wooden chest, covered in pure gold, with an elaborately designed lid called the mercy seat. According to the Book of Exodus, the Ark contained the two stone tablets of the Ten Commandments. According to the New Testament Book of Hebrews, it also contained Aaron's rod and a pot of manna. The biblical account relates that approximately one year after the Israelites' exodus from Egypt, the Ark was created according to the pattern given to Moses by God when the Israelites were encamped at the foot of Mount Sinai. Thereafter, the gold-plated acacia chest was carried by its staves by the Levites approximately 2,000 cubits (approximately ) in advance of the people when on the march. God spoke with Moses "from between the two cherubim" on the Ark's cover. Biblical account Construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golgotha
Calvary ( la, Calvariae or ) or Golgotha ( grc-gre, Γολγοθᾶ, ''Golgothâ'') was a site immediately outside Jerusalem's walls where Jesus was said to have been crucified according to the canonical Gospels. Since at least the early medieval period, it has been a destination for pilgrimage. The exact location of Calvary has been traditionally associated with a place now enclosed within one of the southern chapels of the multidenominational Church of the Holy Sepulchre, a site said to have been recognized by the Roman empress Helena, mother of Constantine the Great, during her visit to the Holy Land in 325. Other locations have been suggested: in the 19th century, Protestant scholars proposed a different location near the Garden Tomb on Green Hill (now "Skull Hill") about north of the traditional site and historian Joan Taylor has more recently proposed a location about to its south-southeast. Biblical references and names The English names Calvary and Golgotha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherubim
A cherub (; plural cherubim; he, כְּרוּב ''kərūḇ'', pl. ''kərūḇīm'', likely borrowed from a derived form of akk, 𒅗𒊏𒁍 ''karabu'' "to bless" such as ''karibu'', "one who blesses", a name for the lamassu) is one of the unearthly beings who directly attend to God, according to Abrahamic religions. The numerous depictions of cherubim assign to them many different roles, such as protecting the entrance of the Garden of Eden. Abrahamic religious traditions In Jewish angelic hierarchy, cherubim have the ninth (second-lowest) rank in Maimonides' ''Mishneh Torah'' (12th century), and the third rank in Kabbalistic works such as '' Berit Menuchah'' (14th century). ''De Coelesti Hierarchia'' places them in the highest rank alongside Seraphim and Thrones. In the Book of Ezekiel and (at least some) Christian icons, the cherub is depicted as having two pairs of wings, and four faces: that of a lion (representative of all wild animals), an ox ( domestic anim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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