|
Palazzo Dei Diamanti
Palazzo dei Diamanti is a Renaissance palace located on Corso Ercole I d'Este 21 in Ferrara, region of Emilia Romagna, Italy. The main floor of the Palace houses the Pinacoteca Nazionale di Ferrara (National Painting Gallery of Ferrara). History To accommodate the growth of Ferrara, in 1492 the Duke Ercole I d'Este demolished the medieval walls of the city on the north, and had the court architect, Biagio Rossetti, design an urban expansion known as the ''Addizione Erculea''. Rosetti was commissioned by Sigismondo d'Este, brother of the Duke Ercole I, to build this palace at the prestigious intersection of what was to be the Decumanus Maximus (now encompassing Corsi Porta Po, Biagio Rossetti, and Porta Mare) and Cardo Maximus (Corso Ercole I d'Este) of the "urban addition". It was built between 1493 and 1503. Used as a residential home by the Este family and, starting in 1641, by the Villa marquis, in 1832 the palace was acquired by the municipality of Ferrara to house the National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Gallery
An art gallery is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The long gallery in Elizabethan and Jacobean houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for religious art as objects of ritual or the depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums. Among the modern reasons art may be displayed are aesthetic enjoyment, education, historic preservation, or for marketing purposes. The term is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that preserve a permanent collection may be called either "gallery of art" or "museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole De' Roberti
Ercole de' Roberti (c. 1451 – 1496), also known as Ercole Ferrarese or Ercole da Ferrara, was an Italian artist of the Early Renaissance and the School of Ferrara. He was profiled in Vasari's ''Le Vite delle più eccellenti pittori, scultori, ed architettori''. __NOTOC__ The son of the doorkeeper at the Este castle, Ercole later held the position of court artist for the Este family in Ferrara. According to Vasari: Paintings by Ercole are rare. His life was short and many of his works have been destroyed. Works By 1473, Ercole had left Ferrara and was working in Bologna in the studio of Francesco del Cossa. According to Vasari, Ercole also apprenticed under Lorenzo Costa in Bologna, but this seems unlikely as he was Lorenzo's senior by several years. Vasari was likely confusing him with Ercole da Bologna or Ercole Banci. Ercole's first mature works are his contributions to the Griffoni Chapel for the San Petronio Basilica in Bologna: a predella depicting the '' Mira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Mazzuoli (c
Giuseppe Mazzuoli may refer to: * Giuseppe Mazzuoli (c. 1536 – 1589), Renaissance painter known as ''il Bastaruolo'' * Giuseppe Mazzuoli (1644–1725) Giuseppe Mazzuoli (1644 in Volterra – 1725 in Rome) was an Italian sculptor working in Rome in the Bernini-derived Baroque style. He produced many highly accomplished sculptures of up to monumental scale but was never a leading figure in the R ..., sculptor of Rome * Giuseppe Maria Mazzuoli, an italian sculptor and stucco artist {{DEFAULTSORT:Mazzuoli, Giuseppe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Bambini
Jacopo Bambini (1582–1629) was an Italian painter of the Baroque period, active mainly in Ferrara. He trained with Domenico Mona Domenico Mona (also called ''Moni'', ''Monna'', or ''Monio'') (1550–1602) was an Italian painter of the late-Renaissance period, born in Ferrara. Biography His biographer Cesare Cittadella (1782) describes a stormy early manhood, wherein Mona, .... Along with Giulio Croma ( Giulio Cromer), he set up a painter's academy in Ferrara. He painted three altarpieces for the cathedral: a ''Flight into Egypt'', an ''Annunciation'', and a ''Conversion of St. Paul''. He died at Ferrara. An account of his other works will be found in Barotti's ''Future e Scolture di Ferrara''. References * * 1582 births 1629 deaths 16th-century Italian painters Italian male painters Italian Baroque painters 17th-century Italian painters Painters from Ferrara {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassarre D'Este
Baldassare Estense (ca. 1443 - after 1504) was an Italian painter. He was born in Reggio, has been supposed to have been an illegitimate scion of the house of Este, since no mention of his father's name ever occurs in contemporary records, whilst he was called 'Estensis,' and received unusual promotion and rewards from the Dukes of Ferrara. He was a pupil of Cosimo Tura, and was also a medallist. In 1469 he painted the likeness of Borso I, and was ordered to present it in person to the Duke of Milan. From 1471 to 1504 he was a salaried officer at the court of Ferrara, living first in Castel Nuovo, for which he painted a canvas that has perished, and afterwards in Castel Tedaldo, of which he was the governor. In 1483 he painted the portrait of Tito Strozzi, now in the Costabili Gallery at Ferrara. His will, dated 1500, is in the archives of Ferrara, but the exact date of his death is unknown. File:Baldassare Estense 002.jpg, Portrait of a young man, now in the Museo Correr Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Avanzi
Giuseppe Avanzi (August 30, 1645 – May 29, 1718) was an Italian painter of the Baroque period, mainly active in Ferrara Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream .... He trained with Cattaneo in Ferrara. He was a prolific painter of religious canvases in his natal city, including for the Certosa of Ferrara and the church of the Madonna della Pieta. References * External linksCensus of Ferrarese Paintings and DrawingsDizionario dei pittori. Biografie di artisti ferraresi del Seicento {{DEFAULTSORT:Avanzi, Giuseppe 1645 births 1718 deaths People from the Province of Ferrara 17th-century Italian painters Italian male painters 18th-century Italian painters Italian Baroque painters Painters from Ferrara 18th-century Italian male artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amerigo Aspertini
Amico Aspertini, also called Amerigo Aspertini, was an Italian Renaissance painter and sculptor whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered one of the leading exponents of the Bolognese School of painting. Biography He was born in Bologna to a family of painters (including Giovanni Antonio Aspertini, his father, and Guido Aspertini, his brother), and studied under masters such as Lorenzo Costa and Francesco Francia. He traveled to Rome with his father in 1496, and is briefly documented there again between 1500–1503, returning to Bologna thereafter and painting in a style influenced by Pinturicchio and Filippino Lippi (whose work the critic Roberto Longhi suggested n ''Officina ferrarese'', 1934he may have seen in Florence before 1500). To his Roman years belong at least two collections of drawings, the "Parma Notebook" (''Taccuino di Parma'') and the Wolfegg Codex. In Bologna in 1504, he joined Francia and Costa in painting frescoes f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bastianino
Sebastiano Filippi (or Bastianino; ca. 1536 – 23 August 1602) was an Italian late Renaissance – Mannerist painter of the School of Ferrara. Biography He was born in Lendinara to a painter, Camillo Filippi, who had worked under Dosso Dossi. He initially likely apprenticed with his father and brother ( Cesare Filippi), and is thought to have worked with them when they painted a processional standard ''Gonfalone'' for the ''Oratorio dell'Annunziata'' in Ferrara. He left Ferrara, dominated by the likes of Dosso Dossi, Il Garofalo, and Girolamo da Carpi, as a young man to find work in Rome. In Rome, he is said to have been recommended by Jacopo Bonacossi, the Ferrarese doctor of the Pope, to enter training with Michelangelo. He worked for seven years under the master in Rome, then returned to Ferrara in 1553, where he enjoyed the general patronage of the arts by Duke Alfonso I d'Este and subsequently his son Alfonso II. He painted a ''Madonna with Peter and Paul'' for the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dosso Dossi
Giovanni di Niccolò de Luteri, better known as Dosso Dossi ( 1489–1542), was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian. From 1514 to his death he was court artist to the Este Dukes of Ferrara and of Modena, whose small court valued its reputation as an artistic centre. He often worked with his younger brother Battista Dossi, who had worked under Raphael. He painted many mythological subjects and allegories with a rather dream-like atmospheres, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court. Biography Dossi was born in San Giovanni del Dosso, a village in the province of Mantua. His early training and life are not well documented; his father, originally of Trento, was a bursar (''spenditore'' or ''fattore'') for the Dukes of Ferrara. He may have had traini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Garofalo
Benvenuto Tisi (or Il Garofalo) (1481September 6, 1559) was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, ''Garofalo'', may derive from his habit of signing some works with a picture of a carnation (in Italian, ''garofano''). Biography Early training Born in Canaro near Ferrara, Tisi is claimed to have apprenticed under Panetti and perhaps Costa and was a contemporary, and sometimes collaborator with Dosso Dossi. In 1495 he worked at Cremona under his maternal uncle Niccolò Soriano, and at the school of Boccaccino, who initiated him into Venetian colouring. He may have spent three years (1509–1512), in Rome. This led to a stylized classical style, more influenced by Giulio Romano. Invited by a Ferrarese gentleman, Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonello D'Este
Leonello d'Este (also spelled Lionello; 21 September 1407 – 1 October 1450) was Marquess of Ferrara, Modena, and Reggio Emilia from 1441 to 1450. Despite the presence of legitimate children, Leonello was favoured by his father as his successor. In addition, his virtuous qualities, high level of education, and popularity among the common people as well as his formal papal recognition ultimately made him the most suitable heir. Leonello had little influence over the Italian political landscape and aristocracy in Ferrara. Contrary to other prior d’Este family leaders, such as Azzo VII, Niccolò III, and Isabella d’Este, who had a drive for power and control, Leonello is recognized principally for his sponsorship of the arts, literature, and culture. In 1441–1450, his learned courts and developing knowledge assisted him in transforming the city of Ferrara. Under the guidance of Guarino Veronese, his humanist teacher, and with the approval of the commune, Leonello began the re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.svg "Click for more on -> Leonello D'Este")