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Dosso Dossi
Giovanni di Niccolò de Luteri, better known as Dosso Dossi ( 1489–1542), was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian. From 1514 to his death he was court artist to the Este Dukes of Ferrara and of Modena, whose small court valued its reputation as an artistic centre. He often worked with his younger brother Battista Dossi, who had worked under Raphael. He painted many mythological subjects and allegories with a rather dream-like atmospheres, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court. Biography Dossi was born in San Giovanni del Dosso, a village in the province of Mantua. His early training and life are not well documented; his father, originally of Trento, was a bursar (''spenditore'' or ''fattore'') for the Dukes of Ferrara. He may have had traini ...
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Mantua
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ...
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Village
A village is a clustered human settlement or community, larger than a hamlet but smaller than a town (although the word is often used to describe both hamlets and smaller towns), with a population typically ranging from a few hundred to a few thousand. Though villages are often located in rural areas, the term urban village is also applied to certain urban neighborhoods. Villages are normally permanent, with fixed dwellings; however, transient villages can occur. Further, the dwellings of a village are fairly close to one another, not scattered broadly over the landscape, as a dispersed settlement. In the past, villages were a usual form of community for societies that practice subsistence agriculture, and also for some non-agricultural societies. In Great Britain, a hamlet earned the right to be called a village when it built a church.
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Sprezzatura
''Sprezzatura'' () is an Italian word that first appears in Baldassare Castiglione's 1528 ''The Book of the Courtier'', where it is defined by the author as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". It is the ability of the courtier to display "an easy facility in accomplishing difficult actions which hides the conscious effort that went into them". ''Sprezzatura'' has also been described "as a form of defensive irony: the ability to disguise what one really desires, feels, thinks, and means or intends behind a mask of apparent reticence and nonchalance". The word has entered the English language; the Oxford English Dictionary defines it as "studied carelessness", especially as a characteristic quality or style of art or literature, although it is also used in the aesthetic context. History During his stay in Spain as Ambassador of the Holy See (1524-1529), and inspir ...
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Aesthetic
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exac ...
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Sydney J
Sydney ( ) is the capital city of the state of New South Wales, and the most populous city in both Australia and Oceania. Located on Australia's east coast, the metropolis surrounds Sydney Harbour and extends about towards the Blue Mountains to the west, Hawkesbury to the north, the Royal National Park to the south and Macarthur to the south-west. Sydney is made up of 658 suburbs, spread across 33 local government areas. Residents of the city are known as "Sydneysiders". The 2021 census recorded the population of Greater Sydney as 5,231,150, meaning the city is home to approximately 66% of the state's population. Estimated resident population, 30 June 2017. Nicknames of the city include the 'Emerald City' and the 'Harbour City'. Aboriginal Australians have inhabited the Greater Sydney region for at least 30,000 years, and Aboriginal engravings and cultural sites are common throughout Greater Sydney. The traditional custodians of the land on which modern Sydney stands are ...
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Palazzo Schifanoia
Palazzo Schifanoia is a Renaissance palace in Ferrara, Emilia-Romagna (Italy) built for the Este family. The name "Schifanoia" is thought to originate from "schivar la noia" meaning literally to "escape from boredom" which describes accurately the original intention of the palazzo and the other villas in close proximity where the Este court relaxed. The highlights of its decorations are the allegorical frescoes with details in tempera by or after Francesco del Cossa and Cosmè Tura, executed ca 1469–70, a unique survival of their time. This palace forms part of a catalogue of pleasure palaces for the Este family, including the following: *Delizia di Belriguardo a Voghiera *Delizia del Verginese a Portomaggiore *Castello di Mesola a Mesola *Villa della Mensa a Sabbioncello San Vittore *Delizia di Benvignante ad Argenta, Italy The ''Palace of Belfiore'' which once held the Studiolo of the Palazzo Belfiore, no longer exists. History The palace had its origins in a si ...
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Cosimo Tura
Cosimo is the Italian form of the Greek name ''Kosmas'' (latinised as ''Cosmas''). Cosimo may refer to: Characters * Cosimo Piovasco di Rondò, hero of Italo Calvino's 1957 novel ''The Baron in the Trees'' Given name Medici family * Cosimo de' Medici (1389–1464), ruler of Florence, Italy * Cosimo di Giovanni de' Medici (other), any of several people of the same name * Cosimo I de' Medici, Grand Duke of Tuscany (1519–1574) * Cosimo II de' Medici, Grand Duke of Tuscany (1590–1621) * Cosimo III de' Medici, Grand Duke of Tuscany (1642–1723) Other people * Cosimo Antonelli (1925–2014), Italian water polo player * Cosimo Bartoli (1503–1572), Italian diplomat and humanist * Cosimo Boscaglia (c.1550–1621), Italian professor of philosophy * Cosimo Caliandro (1982–2011), Italian middle distance runner * Cosimo Cavallaro (born 1961), Italian-Canadian artist * Cosimo Commisso (soccer), Canadian soccer player * Cosimo Daddi (died 1630), Italian painter * Cosimo ...
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Giovanni Francesco Surchi
Giovanni Francesco Surchi (died c. 1590) was an Italian painter of the late-Renaissance period, active in Ferrara. Biography He was also called ''il Dielai'' or ''il Dialai'', his father's nickname which derives from the Venetian exclamation of ''Dio l'ajuti'' or ''God help us''. Giovanni Francesco, the son of Zanobio, who was a pupil of Dosso Dossi Giovanni di Niccolò de Luteri, better known as Dosso Dossi ( 1489–1542), was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early T .... Orlandi found him facile with figures and grotteschi, and having a predilection for bizarre decoration. He painted a Nativity at San Giovannino and the convent of the Benedictines in Ferrara. He painted the portrait of Ippolito Riminaldi. He painted frescoes for the Oratorio dell'Annunziata. He painted some medallions with the four evangelists for the church of the Gesu (Jesuits) in ...
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Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a "triptych" is a three-part work; a tetraptych or quadriptych has four parts, and so on. Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes. Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers ...
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Il Garofalo
Benvenuto Tisi (or Il Garofalo) (1481September 6, 1559) was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, ''Garofalo'', may derive from his habit of signing some works with a picture of a carnation (in Italian, ''garofano''). Biography Early training Born in Canaro near Ferrara, Tisi is claimed to have apprenticed under Panetti and perhaps Costa and was a contemporary, and sometimes collaborator with Dosso Dossi. In 1495 he worked at Cremona under his maternal uncle Niccolò Soriano, and at the school of Boccaccino, who initiated him into Venetian colouring. He may have spent three years (1509–1512), in Rome. This led to a stylized classical style, more influenced by Giulio Romano. Invited by a Ferrarese gentleman, Ger ...
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Ercole II D'Este
Ercole II d'Este (5 April 1508 – 3 October 1559) was Duke of Ferrara, Modena and Reggio from 1534 to 1559. He was the eldest son of Alfonso I d'Este and Lucrezia Borgia. Biography Through his mother, Ercole was a grandson of Pope Alexander VI, nephew of Cesare Borgia, and cousin of Saint Francis Borgia. Through his father, he was nephew of both Isabella d'Este, "the First Lady of the Renaissance", and Cardinal Ippolito d'Este. His siblings included Ippolito II, Archbishop of Milan and later Cardinal, nun Leonora, and Francesco, Marchese di Massalombarda. His half-siblings included Rodrigo Borgia of Aragon, Lucrezia's son by Alfonso of Aragon, Duke of Bisceglie, and perhaps Giovanni Borgia, the “infans Romanus”. Ercole played an indirect role in the 1527 Sack of Rome. Emperor Charles V's army crossed the Alps in 1526 but was unable to bring their heavy artillery with them. They sought to make a deal with Ercole, who subsequently provided the army with the necessary ...
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Alfonso I D'Este
Alfonso d'Este (21 July 1476 – 31 October 1534) was Duke of Ferrara during the time of the War of the League of Cambrai. Biography He was the son of Ercole I d'Este, Duke of Ferrara and Eleanor of Naples and became duke on Ercole's death in January 1505. In the first year of his rule he uncovered a plot by his brother Ferrante and half-brother Giulio d'Este, directed against him and his other brother Ippolito. In September 1506 a trial for lèse majesté and high treason was held and, as expected, the death sentence was passed, but just as Ferrante and Giulio were about to mount the gallows they were informed that the duke had commuted their sentence to life imprisonment. They were led away to two cells in the Torre dei Leoni. Ferrante died in his cell after 34 years of imprisonment, while Giulio held on until he was pardoned in 1559, after 53 years of imprisonment. After his release, Giulio was ridiculed in the streets of Ferrara for his outdated clothes and died in 1561 ...
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