Palazzo Pazzi, Florence
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Palazzo Pazzi, Florence
The Palazzo Pazzi, also known as the Palazzo della Congiura or Palazzo Pazzi-Quaratesi is a Renaissance-style palace. It is located on Via del Proconsolo 10 at the corner with Borgo Albizzi in Florence, region of Tuscany, Italy. The palace is between the Palazzo Nonfinito and the Palazzo Pazzi-Ammannati to the north. History This palace was commissioned by Jacopo de' Pazzi, and built between 1458–1469 in an area mainly occupied by the Pazzi family, ''Canto Pazzi''. The architect of the palace was Giuliano da Maiano, though it has in the past been attributed to Michelozzo di Bartolomeo or Filippo Brunelleschi. The palace was confiscated by the Medici after the failure of the Pazzi Conspiracy (''Congiura di Pazzi''). Jacopo de' Pazzi was executed by mobs after the failed coup. The palace became property of the French family of d'Estonville, then of the Cybo family (1487). Acquired in 1594 by the Strozzi and then the Quaratesi from 1760 to 1843. In 1850, it became the host of judi ...
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Palazzo Pazzi Della Congiura 02
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ...
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Banca Di Firenze
Banca may refer to: Places * Bangka Island, an island lying east of Sumatra, part of Indonesia * Banca, Pyrénées-Atlantiques, a commune of the Pyrénées-Atlantiques ''département'', France * Banca, Tasmania, a locality in Tasmania, Australia * Banca, Vaslui, a commune in Vaslui County, Romania * Banca, a village in Dealu Morii Commune, Bacău County, Romania Other * Banca or Bangka (boat) Bangka are various native watercraft of the Philippines. It originally referred to small double-outrigger dugout canoes used in rivers and shallow coastal waters, but since the 18th century, it has expanded to include larger lashed-lug ships, wi ...
, a Philippine outrigger canoe {{dab, geodis ...
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Palaces In Florence
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a ...
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Santi Apostoli, Florence
The Church of Santi Apostoli is a Romanesque-style, Roman Catholic church in the historic center of Florence, in the Tuscany region of Italy. It is among the oldest church buildings in Florence. History The church was built in the 11th century, and though remodelled in the 15th and 16th centuries, is one of the few in the city to have maintained its High Middle Age features. Tradition recalls that Michelangelo convinced Bindo Altoviti, who planned to raise the ground level, not to rebuild, but instead preserve the church. It faces the ''Piazza del Limbo'' ( Limbo Square), so-called because in Medieval times it housed a cemetery for children and infants who had died before being baptized. It is adjacent to the Palazzo Borgherini-Rosselli del Turco. A slab on the façade attributes the foundation to Charlemagne and his paladin Roland, in the year 800, but scholars assign it to the 11th century. A small bell tower was added by Baccio d'Agnolo in the 16th century. The simple f ...
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Church Of The Holy Sepulchre
The Church of the Holy Sepulchre, hy, Սուրբ Հարության տաճար, la, Ecclesia Sancti Sepulchri, am, የቅዱስ መቃብር ቤተክርስቲያን, he, כנסיית הקבר, ar, كنيسة القيامة is a church in the Christian Quarter of the Old City of Jerusalem. According to traditions dating back to the 4th century, it contains the two holiest sites in Christianity: the site where Jesus was crucified, at a place known as Calvary or Golgotha, and Jesus's empty tomb, which is where he was buried and resurrected. Each time the church was rebuilt, some of the antiquities from the preceding structure were used in the newer renovation. The tomb itself is enclosed by a 19th-century shrine called the Aedicule. The Status Quo, an understanding between religious communities dating to 1757, applies to the site. Within the church proper are the last four stations of the Cross of the Via Dolorosa, representing the final episodes of the Passion of J ...
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First Crusade
The First Crusade (1096–1099) was the first of a series of religious wars, or Crusades, initiated, supported and at times directed by the Latin Church in the medieval period. The objective was the recovery of the Holy Land from Islamic rule. While Jerusalem had been under Muslim rule for hundreds of years, by the 11th century the Seljuk takeover of the region threatened local Christian populations, pilgrimages from the West, and the Byzantine Empire itself. The earliest initiative for the First Crusade began in 1095 when Byzantine emperor Alexios I Komnenos requested military support from the Council of Piacenza in the empire's conflict with the Seljuk-led Turks. This was followed later in the year by the Council of Clermont, during which Pope Urban II supported the Byzantine request for military assistance and also urged faithful Christians to undertake an armed pilgrimage to Jerusalem. This call was met with an enthusiastic popular response across all social classes in ...
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Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ...
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Pazzi Family
The Pazzi were a noble Florentine family. Their main trade during the fifteenth century was banking. In the aftermath of the Pazzi conspiracy in 1478, members of the family were banished from Florence and their property was confiscated; the family name and coat-of-arms were permanently suppressed by order of the Signoria. History The traditional story is that the family was founded by Pazzo di Ranieri, first man over the walls during the Siege of Jerusalem of 1099, during the First Crusade, who returned to Florence with flints supposedly from the Holy Sepulchre, which were kept at Santi Apostoli and used on Holy Saturday to re-kindle fire in the city. The historical basis of this legend has been in question since the work of in the mid-nineteenth century. The first apparently historical figure in the family is the who was a captain of the Florentine (Guelph) cavalry at the battle of Montaperti on 4 September 1260, and whose hand was treacherously severed by , causing ...
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Mullion
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and ...
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Palazzo Pazzi, Finestra Vista Da Pal
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ...
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Istituto Nazionale Della Previdenza Sociale
The Istituto nazionale della previdenza sociale ('National Institute for Social Security') is the main entity of the Italian public retirement system. All waged labourers and most of self-employed, without a proper autonomous social security fund, must be subscribed to INPS. The entity is under the supervision of the Ministry of Labour and Social Policies. Its main activity is to guarantee the public service related to social security benefits according to art. 38 of the Italian Constitution and the special laws about the mandatory social insurances. History In 1898, the ''Cassa nazionale di previdenza per l'invalidità e la vecchiaia degli operai'' ('National Fund of Social Security for Disability and Old Age of the Workers') was founded as a voluntary association integrated with a contribute by State and entrepreneurs. In 1919 it became mandatory according to the law-decree n. 603 of 21 April 1919, n. 603. The decree remained awaiting the conversion in law by the Chamber. On ...
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Galileo Chini
Galileo Chini (2 December 1873 - 23 August 1956) was an Italian decorator, designer, painter, and potter. A prominent member of the Italian Liberty style movement, or Italian Art Nouveau, he taught decorative arts at the Accademia di Belle Arti in Florence. He was responsible for several of the paintings and decorations in the Brandini Chapel at Castelfiorentino, the church of San Francesco de' Ferri in Pisa, and the Ananta Samakhom Throne Hall in Bangkok. His theatrical work included designing the sets for the European premiere of Puccini's opera ''Gianni Schicchi'' (Rome, January 1919) and the world premiere of his ''Turandot'' (Milan, 1926). He also created the sets for the premieres of Umberto Giordano's opera ''La cena delle beffe'' (Milan, 1924) and Sem Benelli Sem Benelli (August 10, 1877 – December 18, 1949) was an Italian playwright, essayist and librettist. He provided the texts for several noted Italian operas, including Italo Montemezzi's ''L'amore dei tre re'' ...
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