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Palazzo Mozzi
Palazzo Mozzi or Palazzo de' Mozzi is an early Renaissance architecture, Renaissance palace, located at the end of the Piazza de' Mozzi that emerges from Ponte alle Grazie, Florence, Ponte alle Grazie and leads straight to the palace where via San Niccolò becomes via de' Bardi in the Quartiere of Santo Spirito (San Niccolò) in the Oltrarno section of Florence, region of Tuscany, Italy. The 13th-century palace housed the gallery of the highly successful antiquarian Stefano Bardini, of which the remnants were left to the commune, where they assembled the Museo Bardini or Mozzi Bardini, displaying Florentine art and artifacts up to the early Renaissance. The gardens elaborated against the hillside behind the palace were added mainly by Bardini. History The palazzo was built by the Mozzi (family), Mozzi family between 1260 and 1273 as a fortification for the Ponte alle Grazie. The prominent Mozzi family had been persecuted in the past for its Guelphs, Guelph leanings. The palace in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo De' Mozzi
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Century
A century is a period of 100 years. Centuries are numbered ordinally in English and many other languages. The word ''century'' comes from the Latin ''centum'', meaning ''one hundred''. ''Century'' is sometimes abbreviated as c. A centennial or centenary is a hundredth anniversary, or a celebration of this, typically the remembrance of an event which took place a hundred years earlier. Start and end of centuries Although a century can mean any arbitrary period of 100 years, there are two viewpoints on the nature of standard centuries. One is based on strict construction, while the other is based on popular perception. According to the strict construction, the 1st century AD began with AD 1 and ended with AD 100, the 2nd century spanning the years 101 to 200, with the same pattern continuing onward. In this model, the ''n''-th century starts with the year that ends with "01", and ends with the year that ends with "00"; for example, the 20th century comprises the years 1901 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Florence
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, wherea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture In Florence
Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken by the Crimean Goths, also extinct ** Gothic alphabet, one of the alphabets used to write the Gothic language **Gothic (Unicode block), a collection of Unicode characters of the Gothic alphabet Art and architecture *Gothic art, a Medieval art movement *Gothic architecture *Gothic Revival architecture (Neo-Gothic) **Carpenter Gothic ** Collegiate Gothic **High Victorian Gothic Romanticism *Gothic fiction or Gothic Romanticism, a literary genre Entertainment * ''Gothic'' (film), a 1986 film by Ken Russell * ''Gothic'' (series), a video game series originally developed by Piranha Bytes Game Studios ** ''Gothic'' (video game), a 2001 video game developed by Piranha Bytes Game Studios Modern culture and lifestyle * Goth subculture, a music-cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures Completed In 1273
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Daddi
Bernardo Daddi ( 1280 – 1348) was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality.Biography and analysis of artist's style at the J. Paul Getty Museum He was particularly successful with his small-scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity. Life and work Daddi's birth date remains unknown. He is first mentioned in 1312. He may have been a pupil of |
Domenico Beccafumi
Domenico di Pace Beccafumi (1486May 18, 1551) was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting. Biography Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist. In 1509 he traveled to Rome, where he learned from the artists who had just done their first work in the Vatican, but soon returned to Siena. However, while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Choice Of Hercules (Beccafumi)
''The Choice of Hercules'' or ''Hercules at the Crossroads'' is an oil painting on canvas executed c.1520–1525 by the Italian Renaissance painter Domenico Beccafumi. It is now in the Museo Bardini in Florence. It is strongly influenced by Baldassarre Peruzzi's frieze at the Villa Farnesina, placing it after Beccafumi's possible trip to Rome around 1512. Its provenance is unknown, though it is one of a series of panels produced by the artists for cassoni and spalliere. It was previously attributed to Bacchiacca Francesco d'Ubertino Verdi, called Bachiacca (say “bah ki ah ka”). He is also known as Francesco Ubertini, il Bacchiacca (1494–1557). He was an Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist sty ... but the present attribution is now held by the majority of art historians by comparison with Beccafumi's '' Deucalion and Pyrrha'', similar in size and theme. Elisabetta Nardinocchi (ed.), ''Guida al Museo Horne'', Edizi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Renaissance. Biography He was born in Florence. His brother, Piero del Pollaiuolo, was also an artist, and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname from the trade of their father, who in fact sold poultry (''pollaio'' meaning "hen coop" in Italian). Antonio's first studies of goldsmithing and metalworking were under either his father or Andrea del Castagno: the latter probably taught him also in painting. Other sources relate that he worked in the Florentine workshop of Bartoluccio di Michele, where Lorenzo Ghiberti also received his training. During this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tino Di Camaino
300px, Tomb of Antonio d'Orso, in Santa Maria del Fiore, Florence.">Florence.html" ;"title="Santa Maria del Fiore, Florence">Santa Maria del Fiore, Florence. Tino di Camaino (c. 1280 – c. 1337) was an Italian sculptor. Born in Siena, the son of architect Camaino di Crescentino, he was a pupil of Giovanni Pisano, whom he helped work on the façade of the Cathedral of Siena. Later Tino followed his master to Pisa, where in 1311 he became responsible for the work on the cathedral. In July 1315, Tino departed Pisa for Siena, where he executed the funerary monument of Emperor Henry VII, leaving the funerary monument of Arrigo VII in Pisa unfinished. Subsequently, he executed similar works in Siena and Florence, including the famous tomb of Bishop Orso at Santa Maria del Fiore and the tomb of Gastone della Torre in the museum of Santa Croce. From 1323 he worked in Naples, under King Robert of Anjou. Again he executed several funerary monuments, including those of Catherine of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giardino Bardini
The Giardino Bardini is an Italian Renaissance garden of the Villa Bardini in the hilly part of Oltrarno, offering fine views of Florence, Italy. Opened only recently to the public, it is one of Florence's well kept secrets. The garden is composed of three separate areas, each created in a different time period, which adds to the architectural and agricultural diversity. The park's center contains the grand staircase that was constructed in the 17th century. On one side of the staircase you can find the Anglo-Chinese garden created in the 19th century. The other side of the staircase hosts the garden's agricultural park. The garden boasts many statues and panoramic views over the city. Wildlife in the garden includes rock pigeons, blackbirds and woodpigeons. Access is gained via the Via de' Bardi, just over the road from thMuseo Bardiniin the Oltrarno district of the city, although the gardens exit onto the Costa di San Giorgio, onto which the Forte di Belevedere and the Giar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
