Palazzo D'Anna Viaro Martinengo Volpi Di Misurata
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Palazzo D'Anna Viaro Martinengo Volpi Di Misurata
Palazzo D'Anna Viaro Martinengo Volpi di Misurata, also known as Palazzo Talenti D'Anna Volpi, is a Renaissance palace in Venice, Italy, located in the San Marco district, overlooking the left side of the Grand Canal, between Palazzo Tron and Casa Marinoni and opposite of Palazzo Donà a Sant'Aponal. History The palace has changed many owners during its history, hence its multipart name. Built in the early 16th century by the Talenti family, the palazzo was soon sold to the rich Flemish merchant Martino D'Anna (van Haanen). In the middle of the 17th century, the subsequent owners, the Viaros, an ancient and noble Venetian family, expanded the structure. During the 18th century, the building changed hands again, first inherited by the Venetian patricians Foscarinis and later by the Martinengo counts of Brescian origin. In the 19th century, the palazzo became the property of Count Giovanni Conti who ordered the building to be a retirement home after his death. In 1917, the entrepre ...
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San Marco
San Marco is one of the six sestiere (Venice), sestieri of Venice, lying in the heart of the city as the main place of Venice. San Marco also includes the island of San Giorgio Maggiore. Although the district includes Piazza San Marco, Saint Mark's Square, that was never administered as part of the sestiere. Overview The small district includes many of Venice's most famous sights, including Piazza San Marco, St Mark's Square, Saint Mark's Basilica, the Doge's Palace, Venice, Doge's Palace, Harry's Bar (Venice), Harry's Bar, the Palazzo Dandolo, Palazzo Corner Contarini dei Cavalli, Palazzo Corner Valmarana, Palazzo D'Anna Viaro Martinengo Volpi di Misurata, Palazzo Cavalli, San Moisè, the La Fenice theatre, the Palazzo Grassi and Palazzo Bellavite, and the Church (building), churches of San Beneto, San Fantin, Santa Maria Zobenigo, Santa Maria del Giglio, San Maurizio (Venice), San Maurizio, San Moisè, Santo Stefano di Venezia, Santo Stefano, San Salvador di Venezia, San Sal ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ...
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Palaces In Sestiere San Marco
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, wherea ...
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Houses Completed In The 16th Century
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such as ...
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Tripolitania
Tripolitania ( ar, طرابلس '; ber, Ṭrables, script=Latn; from Vulgar Latin: , from la, Regio Tripolitana, from grc-gre, Τριπολιτάνια), historically known as the Tripoli region, is a historic region and former province of Libya. The region had been settled since antiquity, first coming to prominence as part of the Carthaginian empire. Following the defeat of Carthage in the Punic Wars, Ancient Rome organized the region (along with what is now modern day Tunisia and eastern Algeria), into a province known as Africa, and placed it under the administration of a proconsul. During the Diocletian reforms of the late 3rd century, all of North Africa was placed into the newly created Diocese of Africa, of which Tripolitania was a constituent province. After the Fall of the Western Roman Empire in the 5th century, Tripolitania changed hands between the Vandals and the Byzantine Empire, until it was taken during the Muslim conquest of the Maghreb in the 8th centu ...
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Ettore Tito
Ettore Tito (17 December 1859 – 26 June 1941) was an Italian artist particularly known for his paintings of contemporary life and landscapes in Venice and the surrounding region. He trained at the Accademia di Belle Arti in Venice and from 1894 to 1927 was the Professor of Painting there. Tito exhibited widely and was awarded the Grand Prize in painting at the 1915 Panama–Pacific International Exposition in San Francisco. In 1926 he was made a member of the Royal Academy of Italy. Tito was born in Castellammare di Stabia in the province of Naples and died in Venice, the city which was his home for most of his life. Biography Ettore Tito was born in Castellammare di Stabia (near Naples) on 17 December 1859 to Ubaldo Tito, a merchant marine captain and Luigia Novello Tito. His mother was Venetian, and when he was a small boy the family returned to Venice where he was to live for the rest of his life. He began his art studies at an early age, first with the Dutch artist Cecil van ...
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Portego
Portego ("porch" in Venetian dialect) is a characteristic compositional element of the Venetian civil buildings built during the years of the Republic of Venice. The portego is similar to a reception hall but has peculiar features. History The portego is known from the ancient times; it is present even in the oldest Venetian palaces. In later centuries and especially during the emergence of the Renaissance architecture, the portego original central structure has changed substantially, allowing for T-shaped and L-shaped halls. Function In a typical Venetian palace, the portego is the local passage hall that joins the water portal with the land portal. On the ground floor, it serves as an entrance hall for loading goods, while on the upper floors the portego is used both as a reception hall and as a passing hall to access other rooms, located on both sides. Furthermore, the portego was crucial in providing ventilation and air circulation for the palazzo which, especially during medie ...
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Mascaron (architecture)
In architecture, a mascaron ornament is a face, usually human, sometimes frightening or chimeric whose alleged function was originally to frighten away evil spirits so that they would not enter the building. The concept was subsequently adapted to become a purely decorative element. The most recent architectural styles to extensively employ mascarons were Beaux Arts and Art Nouveau. In addition to architecture, mascarons are used in the other applied arts. Gallery File:Paris 6e 15 Rue Joseph Bara 281.JPG, Mascaron above a door from Paris File:Rüütli 21, Tartu 3.JPG, Mascaron above a window on the Rüütli tänav street in Tartu (Estonia) File:Aphrodisias - Portico of Tiberius 09.jpg, Details of the ancient frieze of the Portico of Tiberius (Aphrodisias, Turkey) File:Domreiter, Blattmaske.jpg, A Green Man corbel supporting the Bamberg Horseman, in the Bamberg Cathedral (Bamberg, Germany) File:Wien, Friedrichstraße 12, Secession-20160621-005.jpg, The Three gorgons on the Secessi ...
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Giovanni Antonio Da Pordenone
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis (c. 1484 – 14 January 1539), an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock". He appears to have visited Rome, and learnt from its High Renaissance masterpieces, but lacked a good training in anatomical drawing. Like Polidoro da Caravaggio, he was one of the artists often commissioned to paint the exteriors of buildings; of such work at most a shadow survives after centuries of weather. Michelangelo is said to have approved of one palace facade in 1527; it is now only known from a preparatory drawing. Much of his work was lost when the Doge's Palace in Venice was largely destroyed by fires in 1574 and 1577. A number of fresco cycles survive, for example ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Monofora
Monofora is a type of the single-light window, usually narrow, crowned by an arch, and decorated by small columns or pilasters. Overview The term usually refers to a certain type of window designed during the Romanesque, Gothic, and Renaissance periods, and also during the nineteenth-century Eclecticism in architecture. In other cases, the term may mean an arched window with a single opening. Gallery File:DetalleVentanaSantaLucia LaRebolleda 002.JPG, Windows detail in the shrine of Saint Lucia in La Rebolleda (Burgos, Spain). File:Francesco Brescia retro3.JPG, Chiesa di San Francesco d'Assisi a Brescia. File:Sjogestakyrka window1.jpg, Sjögestads kyrka File:IMG 5224 - Milano - P.zza Missori - S. Giovanni in Conca - Monofora - Foto Giovanni Dall'Orto - 17-Feb-2007.jpg, Monofora window in Piazza Missori in Milan See also * Lancet window *Bifora *Trifora *Quadrifora *Polifora Polifora is a type of the multi-light window. It appears in towers and belfries on top floors, where i ...
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Quadrifora
Quadrifora is a type of four-light window. It appears in towers and belfries on top floors, where it is necessary to lighten the structure with wider openings. The quadrifora can also be a group closely set windows. Overview The quadrifora is divided vertically in four parts by three small columns or pilasters, on which four arches rest, round or pointed. Sometimes, the quadrifora is framed by a further larger arch; the space among the arches may be decorated by a coat of arms or a small circular opening. Less popular than the bifora or trifora, the quadrifora was nevertheless used in the Romanesque, Gothic, and Renaissance periods. In the 19th century, it came back in vogue in the period of eclecticism and the revival of old styles. Compared to the trifora, the quadrifora was generally used for larger and more ornate openings. Gallery File:4472 - Piacenza - Il Gotico - Polifore - Foto Giovanni Dall'Orto 14-7-2007.jpg, Quadrifora and trifora of the Palazzo del Comune in Pia ...
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