Palazzina Appiani
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Palazzina Appiani
Palazzina Appiani is a historical building located in Milan, northern Italy. It was built as the entrance hall of the arena at the beginning of the 19th century by the French, who occupied Milan in 1796. Its original function was to be the official gallery and guest residence to host Napoleon's family during his public appearances. It is located in Parco Sempione, the biggest park in the city, which also comprises the Sforza Castle and the Arch of Peace. Adjacent to the Arena Civica, the Palazzina is now entrusted to FAI – Fondo Ambiente Italiano. Location History Origins The building was designed for Napoleon, his family and court to watch the games in the arena below, allowing them to watch the performances privately, from a preferential position. The building project also included the Arena Civica, and, at the center of the space, the Sforza Castle, which was meant to play host to the building of power: the central headquarters of Napoleon's government. Just like o ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Luigi Canonica
(Cristoforo Maria) Luigi Canonica (Tesserete, Canton Ticino, 9 March 1762 – Milan, 7 February 1844) was a Swiss architect and urban planner whose prominent career as an exponent of neoclassicism was spent largely in Milan and Lombardy. He was the designated architect of the short-lived Repubblica Cisalpina, and, following the fall of the Napoleonic empire, of the kings of Sardinia. In Milan he was assigned to modify Giovanni Antonio Antolini's ambitious project for the Foro Buonaparte and the Arena. He also designed two theatres in Milan, the and the Teatro ReWilson, William Rae (1837)''Notes abroad and rhapsodies at home'' p. 226. Longman and the greenhouses of the Botanical Garden of the University of Pavia The University of Pavia ( it, Università degli Studi di Pavia, UNIPV or ''Università di Pavia''; la, Alma Ticinensis Universitas) is a university located in Pavia, Lombardy, Italy. There was evidence of teaching as early as 1361, making it one ..., 1815. Gallery Fi ...
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Antonio Canova
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, ''The Glory of Venice: Art in the Eighteenth Century.'' Yale University Press, 1994. Print. Life Possagno In 1757, Antonio Canova was born in the Venetian Republic city of Possagno to Pietro Canova, a stonecutter, and Maria Angela Zardo Fantolini.. In 1761, his father died. A year later, his mother remarried. As such, in 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroque style". He led Antonio into the art of sculpt ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Parthenon
The Parthenon (; grc, Παρθενών, , ; ell, Παρθενώνας, , ) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena during the fifth century BC. Its decorative sculptures are considered some of the high points of Greek art, an enduring symbol of Ancient Greece, democracy and Western civilization. The Parthenon was built in thanksgiving for the Hellenic victory over Persian invaders during the Greco-Persian Wars. Like most Greek temples, the Parthenon also served as the city treasury. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438; work on the decoration continued until 432. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the final decade of the 6th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman conquest in the mid-fifteenth century ...
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Ara Pacis
The Ara Pacis Augustae (Latin, "Altar of Augustan Peace"; commonly shortened to Ara Pacis) is an altar in Rome dedicated to Pax, the Roman goddess of Peace. The monument was commissioned by the Roman Senate on July 4, 13 BC to honour the return of Augustus to Rome after three years in Hispania and Gaul and consecrated on January 30, 9 BC. Originally located on the northern outskirts of Rome, a Roman mile from the boundary of the ''pomerium'' on the west side of the Via Flaminia, the Ara Pacis stood in the northeastern corner of the Campus Martius, the former flood plain of the Tiber River and gradually became buried under of silt deposits. It was reassembled in its current location, now the Museum of the Ara Pacis, in 1938, turned 90° counterclockwise from its original orientation so that the original western side now faces south. Significance The altar reflects the Augustan vision of Roman civil religion. The lower register of its frieze depicts agricultural work meant to com ...
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Roman Empire
The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post-Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterranean Sea in Europe, North Africa, and Western Asia, and was ruled by emperors. From the accession of Caesar Augustus as the first Roman emperor to the military anarchy of the 3rd century, it was a Principate with Italia as the metropole of its provinces and the city of Rome as its sole capital. The Empire was later ruled by multiple emperors who shared control over the Western Roman Empire and the Eastern Roman Empire. The city of Rome remained the nominal capital of both parts until AD 476 when the imperial insignia were sent to Constantinople following the capture of the Western capital of Ravenna by the Germanic barbarians. The adoption of Christianity as the state church of the Roman Empire in AD 380 and the fall of the Western ...
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Angelo Monticelli
Angelo Monticelli (1778 – 1837) was an Italian neoclassical painter. He was a pupil of Andrea Appiani. He painted the second ''sipario'' or curtain for La Scala Theater in Milan (1821), as well as for the theater in Pesaro. A painter Angiolo Monticelli (1678-1749) is stated as a Bolognese landscape painter, who studied under Marcantonio Franceschini. It is unclear if he is related to either this Angelo, or to Andrea Monticelli. Gallery File:Angelo monticelli shield-of-achilles.jpg, An interpretation of the Shield of Achilles The shield of Achilles is the shield that Achilles uses in his fight with Hector, famously described in a passage in Book 18, lines 478–608 of Homer's ''Iliad''. The intricately detailed imagery on the shield has inspired many different interpr ... design described in the Iliad, by Angelo Monticelli Sources {{DEFAULTSORT:Monticelli, Angelo 1778 births 1837 deaths 18th-century Italian painters Italian male painters 19th-century Italian pai ...
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Milan Naumanchia, 1807
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcare, media ( ...
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Ellipse
In mathematics, an ellipse is a plane curve surrounding two focus (geometry), focal points, such that for all points on the curve, the sum of the two distances to the focal points is a constant. It generalizes a circle, which is the special type of ellipse in which the two focal points are the same. The elongation of an ellipse is measured by its eccentricity (mathematics), eccentricity e, a number ranging from e = 0 (the Limiting case (mathematics), limiting case of a circle) to e = 1 (the limiting case of infinite elongation, no longer an ellipse but a parabola). An ellipse has a simple algebraic solution for its area, but only approximations for its perimeter (also known as circumference), for which integration is required to obtain an exact solution. Analytic geometry, Analytically, the equation of a standard ellipse centered at the origin with width 2a and height 2b is: : \frac+\frac = 1 . Assuming a \ge b, the foci are (\pm c, 0) for c = \sqrt. The standard parametric e ...
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Andrea Appiani
Andrea Appiani (31 May 17548 November 1817) was an Italian neoclassical painter. Life Born in Milan, it had been intended that he follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723–1804) where he received instruction in drawing, copying mainly from sculpture and prints. From there, he then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. At the same time, he also frequented the studio of Martin Knoller, where his knowledge of painting in oils was deepened. Also, he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. Appiani's interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Brera Academy of Fine Arts to follow the painting courses of Giulio Traballesi, receiving a mastery of the fresco technique. Among ...
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