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Palazzetto Zuccari
Palazzo Zuccari, also called Palazzetto Zuccheri, is a 16th-century residence, located at the crossroads of via Sistina and via Gregoriana, with a Mannerist 16th-century facades on the latter street and a late Baroque facade on the piazza Trinità dei Monti in the Campo Marzio neighborhood of Rome, Italy. Designed by Federico Zuccari, the house is known locally as the "House of Monsters" for the decorations on its doors and windows overlooking the via Gregoriana. History The artist Federico Zuccari worked in Rome and Florence (where he designed frescoes for the Florence Cathedral and made a name for himself as an artist. Called back to Urbe for a series of commissions, he decided to create a sumptuous mansion that displayed his importance and skill. The project would be more grandiose than his previous work in Florence, the Palazzo Zuccari. In 1590, Zuccari bought a plot of land near the Trinità dei Monti, and its remains of the Gardens of Lucullus. He then began to construct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De La Salle Brothers
french: Frères des Écoles Chrétiennes , image = Signum Fidei.jpg , image_size = 175px , caption = , abbreviation = FSC , nickname = Lasallians , named_after = , formation = , founder = Jean-Baptiste de la Salle , founding_location = Rheims, Kingdom of France , type = Lay religious congregation of pontifical right (for men) , status = , purpose = Education , methods = , headquarters = Via Aurelia 476, Rome, Italy , region = Worldwide , services = Education , membership = 3,329 members as of 2020 , sec_gen = Br. Antxon Andueza, FSC , leader_title = Superior General , leader_name = Br. Armin A. Luistro, F.S.C. , leader_title2 = Vicar General , leader_name2 = Br. Carlos Gabriel Gómez Restrepo, , leader_title3 = Motto , leader_name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inferno (Dante)
''Inferno'' (; Italian language, Italian for "Hell") is the first part of Italian writer Dante Alighieri's 14th-century Epic poetry, epic poem ''Divine Comedy''. It is followed by ''Purgatorio'' and ''Paradiso (Dante), Paradiso''. The ''Inferno'' describes Dante's journey through Christian views on Hell, Hell, guided by the Ancient Rome, ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the ''Divine Comedy'' represents the journey of the soul toward God, with the ''Inferno'' describing the recognition and rejection of sin. Prelude to Hell Canto I The poem begins on the night of Maundy Thursday on March 24 (or April 7), 1300, shortly before the dawn of Good Friday. The narrator, Dante himself, is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mascaron (architecture)
In architecture, a mascaron ornament is a face, usually human, sometimes frightening or chimeric whose alleged function was originally to frighten away evil spirits so that they would not enter the building. The concept was subsequently adapted to become a purely decorative element. The most recent architectural styles to extensively employ mascarons were Beaux Arts and Art Nouveau. In addition to architecture, mascarons are used in the other applied arts. Gallery File:Paris 6e 15 Rue Joseph Bara 281.JPG, Mascaron above a door from Paris File:Rüütli 21, Tartu 3.JPG, Mascaron above a window on the Rüütli tänav street in Tartu (Estonia) File:Aphrodisias - Portico of Tiberius 09.jpg, Details of the ancient frieze of the Portico of Tiberius (Aphrodisias, Turkey) File:Domreiter, Blattmaske.jpg, A Green Man corbel supporting the Bamberg Horseman, in the Bamberg Cathedral (Bamberg, Germany) File:Wien, Friedrichstraße 12, Secession-20160621-005.jpg, The Three gorgons on the Secessi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist Architecture
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardens Of Bomarzo
The Sacro Bosco ("Sacred Grove"), colloquially called Park of the Monsters (Parco dei Mostri in Italian), also named Garden of Bomarzo, is a Mannerism, Mannerist monumental complex located in Bomarzo, in the province of Viterbo, in northern Lazio, Italy. The garden was created during the 16th century. The design is attributed to Pirro Ligorio, and the sculptures to Simone Moschino. Situated in a wooded valley bottom beneath the castle of Orsini, it is populated by grotesque sculptures and small buildings located among the natural vegetation. History The park's name stems from the many larger-than-life sculptures, some sculpted in the bedrock, which populate this predominantly barren landscape. It was commissioned by Pier Francesco Orsini, called ''Vicino'', a 16th-century condottiero, and patron of the arts, greatly devoted to his wife Giulia Farnese (not to be confused with her maternal great-aunt Giulia Farnese, the mistress of Pope Alexander VI). When Orsini's wife died, he cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Planck Society
The Max Planck Society for the Advancement of Science (german: Max-Planck-Gesellschaft zur Förderung der Wissenschaften e. V.; abbreviated MPG) is a formally independent non-governmental and non-profit association of German research institutes. Founded in 1911 as the Kaiser Wilhelm Society, it was renamed to the Max Planck Society in 1948 in honor of its former president, theoretical physicist Max Planck. The society is funded by the federal and state governments of Germany. Mission According to its primary goal, the Max Planck Society supports fundamental research in the natural, life and social sciences, the arts and humanities in its 86 (as of December 2018) Max Planck Institutes. The society has a total staff of approximately 17,000 permanent employees, including 5,470 scientists, plus around 4,600 non-tenured scientists and guests. The society's budget for 2018 was about €1.8 billion. As of December 31, 2018, the Max Planck Society employed a total of 23,767 staff, of whom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Da Gai
Enrico is both an Italian masculine given name and a surname, Enrico means homeowner, or king, derived from ''Heinrich'' of Germanic origin. It is also a given name in Ladino. Equivalents in other languages are Henry (English), Henri ( French), Enrique (Spanish), Henrique (Portuguese) and Hendrik (Dutch). Notable people with the name include: Given name * Enrico Albertosi (born 1939), Italian former football goalkeeper * Enrico Alfonso (born 1988), Italian football player * Enrico Alvino (1808–1872), Italian architect and urban designer * Enrico Annoni (born 1966), retired Italian professional footballer * Enrico Arrigoni (1894–1986), Italian individualist anarchist * Enrico Baj (1924–2003), Italian artist and art writer * Enrico Banducci (1922–2007), American impresario * Enrico Barone (1859–1924), Italian economist * Enrico Berlinguer (1923–1984), Italian politician * Enrico Bertaggia (born 1964), Italian former racing driver * Enrico Betti (1823–1892), Italian mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazarene Movement
The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style. History In 1809, six students at the Vienna Academy formed an artistic cooperative in Vienna called the Brotherhood of St. Luke or ''Lukasbund'', following a common name for medieval guilds of painters. In 1810 four of them, Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger (1788-1827) moved to Rome, where they occupied the abandoned monastery of San Isidoro. They were joined by Philipp Veit, Peter von Cornelius, Julius Schnorr von Carolsfeld, Friedrich Wilhelm Schadow and a loose grouping of other German-speaking artists. They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group. In 1827 they were joined by Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime. David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French First Republic, French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian school (art), Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joachim Winckelmann
Johann Joachim Winckelmann (; ; 9 December 17178 June 1768) was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the differences between Greek, Greco-Roman and Roman art. "The prophet and founding hero of modern archaeology", Boorstin, 584 Winckelmann was one of the founders of scientific archaeology and first applied the categories of style on a large, systematic basis to the history of art. Many consider him the father of the discipline of art history. He was one of the first to separate Greek Art into periods, and time classifications. He had a decisive influence on the rise of the Neoclassical movement during the late 18th century. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature and even philosophy. Winckelmann's ''History of Ancient Art'' (1764) was one of the first books written in German to become a classic of European literature. His subsequent influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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