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Puštal
Puštal (; german: Burgstall''Leksikon občin kraljestev in dežel zastopanih v državnem zboru,'' vol. 6: ''Kranjsko''. 1906. Vienna: C. Kr. Dvorna in Državna Tiskarna, p. 64.) is a settlement on the right bank of the Sora River in the Municipality of Škofja Loka in the Upper Carniola region of Slovenia. It is connected to the town of Škofja Loka by a road bridge and a well-known wooden footbridge called the Devil's Footbridge ( sl, Hudičeva brv). Name Puštal was first attested in written sources in 1214–20 as ''Purchstallo'' and ''Purchstal'' (and as ''Burchstal'' in 1291 and 1318, ''Bůrchstal'' in 1360, and ''Purgstal'' in 1501). The original Slovene form of the name, ''*Purštal'', was borrowed from the Middle High German name of the settlement and is derived from the Middle High German common noun ''burcstal'' 'fortified settlement'. In the past the German name was ''Burgstall''. Mass grave Puštal is the site of a mass grave associated with the Second World War. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puštal Castle
Puštal (; german: Burgstall''Leksikon občin kraljestev in dežel zastopanih v državnem zboru,'' vol. 6: ''Kranjsko''. 1906. Vienna: C. Kr. Dvorna in Državna Tiskarna, p. 64.) is a settlement on the right bank of the Sora River in the Municipality of Škofja Loka in the Upper Carniola region of Slovenia. It is connected to the town of Škofja Loka by a road bridge and a well-known wooden footbridge called the Devil's Footbridge ( sl, Hudičeva brv). Name Puštal was first attested in written sources in 1214–20 as ''Purchstallo'' and ''Purchstal'' (and as ''Burchstal'' in 1291 and 1318, ''Bůrchstal'' in 1360, and ''Purgstal'' in 1501). The original Slovene form of the name, ''*Purštal'', was borrowed from the Middle High German name of the settlement and is derived from the Middle High German common noun ''burcstal'' 'fortified settlement'. In the past the German name was ''Burgstall''. Mass grave Puštal is the site of a mass grave associated with the Second World War. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass Graves In Slovenia
Mass graves in Slovenia were created in Slovenia as the result of extrajudicial killings during and after the Second World War. These clandestine mass graves are also known as "concealed mass graves" ( sl, prikrita grobišča) or "silenced mass graves" () because their existence was concealed under the communist regime from 1945 to 1990.Ferenc, Mitja, & Ksenija Kovačec-Naglič. 2005. ''Prikrito in očem zakrito: prikrita grobišča 60 let po koncu druge svetovne vojne''. Ljubljana: Muzej novejše zgodovine. Some of the sites, such as the mass graves in Maribor, include some of the largest mass graves in Europe. Nearly 600 such sites have been registered by the Commission on Concealed Mass Graves in Slovenia, containing the remains of up to 100,000 victims. They have been compared by the Slovenian historian Jože Dežman to the Killing Fields in Cambodia. Background Many of the mass graves were created during the war, but the larger sites date from after the war. The wartime g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Municipality Of Škofja Loka
The Municipality of Škofja Loka (; sl, Občina Škofja Loka) is a municipality in the Upper Carniola region of Slovenia. The seat of the municipality is the town of Škofja Loka. The municipality was established in its current form on 3 October 1994, when the former larger Municipality of Škofja Loka was subdivided into the municipalities of Gorenja Vas–Poljane, Škofja Loka, Železniki, and Žiri. Settlements In addition to the municipal seat of Škofja Loka, the municipality also includes the following settlements: * Binkelj * Bodovlje * Breznica pod Lubnikom * Brode * Bukov Vrh nad Visokim * Bukovica * Bukovščica * Crngrob * Dorfarje * Draga * Forme * Gabrk * Gabrovo * Gabrška Gora * Godešič * Gorenja Vas–Reteče * Gosteče * Grenc * Hosta * Knape * Kovski Vrh * Križna Gora * Lipica * Log nad Škofjo Loko * Moškrin * Na Logu * Papirnica * Pevno * Podpulfrca * Pozirno * Praprotno * Pungert * Puštal * Reteče * Rovte v Selški Dolini * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flag Of Slovenia
The national flag of Slovenia ( sl, zastava Slovenije) features three equal horizontal bands of white (top), blue, and red, with the Coat of arms of Slovenia located in the upper hoist side of the flag centered in the white and blue bands. The coat of arms is a shield with the image of Mount Triglav, Slovenia's highest peak, in white against a blue background at the center; beneath it are two wavy blue lines representing the Adriatic Sea and local rivers, and above it are three six-pointed golden stars arranged in an inverted triangle which are taken from the coat of arms of the Counts of Celje, the great Slovene dynastic house of the late 14th and early 15th centuries. The flag's colors are considered to be Pan-Slavic, but they actually come from the medieval coat of arms of the Duchy of Carniola, consisting of 3 stars, a mountain, and three colors (red, blue, yellow). crescent. The existing Slovene tricolor was raised for the first time in history during the Revolution of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Quaglio The Younger
Giulio Quaglio the Younger (1668–1751) was an Italian Baroque painter. He was part of the large Quaglio pedigree of Italian artists involved in architecture, indoor fresco decoration, and scenography ( stage design) for the court theaters. He was born and died in Laino, a mountain village at Como. Giulio II was involved in fresco decoration in Friuli, including for the chapel of Monte di Pietà at Udine. His most highly valued work is the painting of Saint Nicholas' Cathedral in Ljubljana. He also painted the central hall of Meerscheinschlössl in Graz. He had two sons, Domenico and Giovanni Maria Quaglio. Gallery File:Giulio Quaglio the Younger - Kristus Odrešenik.jpg, ''Christ the Savior'' (1721 - 1723) File:Giulio Quaglio - Mati Božja z detetom med svetniki.jpg, ''Mother of God with child among saints'' (1702) File:Giulio Quaglio the Younger - Obglavljenje sv. Barbare.jpg, ''The beheading of St. Barbara'' (1721 - 1723) File:Giulio Quaglio the Younger - Kristus s sv. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtyard
A courtyard or court is a circumscribed area, often surrounded by a building or complex, that is open to the sky. Courtyards are common elements in both Western and Eastern building patterns and have been used by both ancient and contemporary architects as a typical and traditional building feature. Such spaces in inns and public buildings were often the primary meeting places for some purposes, leading to the other meanings of court. Both of the words ''court'' and ''yard'' derive from the same root, meaning an enclosed space. See yard and garden for the relation of this set of words. In universities courtyards are often known as quadrangles. Historic use Courtyards—private open spaces surrounded by walls or buildings—have been in use in residential architecture for almost as long as people have lived in constructed dwellings. The courtyard house makes its first appearance ca. 6400–6000 BC (calibrated), in the Neolithic Yarmukian site at Sha'ar HaGolan, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stations Of The Cross
The Stations of the Cross or the Way of the Cross, also known as the Way of Sorrows or the Via Crucis, refers to a series of images depicting Jesus Christ on the day of Crucifixion of Jesus, his crucifixion and accompanying prayers. The stations grew out of imitations of the Via Dolorosa in Jerusalem, which is a traditional processional route symbolising the actual path Jesus walked to Mount Calvary. The objective of the stations is to help the Christian faithful to make a spiritual Christian pilgrimage, pilgrimage through contemplation of the Passion (Christianity), Passion of Christ. It has become one of the most popular devotions and the stations can be found in many Western Christianity, Western Christian churches, including those in the Catholic Church, Roman Catholic, Lutheran, Anglican, and Methodist traditions. Commonly, a series of 14 images will be arranged in numbered order along a path, along which worshippers—individually or in a procession—move in order, stoppi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayside Shrine
A wayside shrine is a religious image, usually in some sort of small shelter, placed by a road or pathway, sometimes in a settlement or at a crossroads, but often in the middle of an empty stretch of country road, or at the top of a hill or mountain. They have been a feature of many cultures, including Chinese folk religious communities, Catholic and Orthodox Europe and some Asian regions. The origins of wayside shrines Wayside shrines were often erected to honor the memory of the victim of an accident, which explains their prevalence near roads and paths; in Carinthia, for example, they often stand at crossroads. Some commemorate a specific incident near the place; either a death in an accident or escape from harm. Other icons commemorate the victims of the plague. The very grand medieval English Eleanor crosses were erected by her husband to commemorate the nightly resting places of the journey made by the body of Queen Eleanor of Castile as it returned to London in the 12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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