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Ptahmose (vizier)
Ptahmose was a High Priest of Amun and Vizier of southern Egypt-(Upper Egypt), under Amenhotep III ( 18th Dynasty). Certain historians place him at the end of the reign in 1378 BC. Others place him in the first part of the reign. Life He was succeeded as vizier in the south by Ramose, and several documents in Ptahmose's name are spread among the world's main Egyptological collections dating him at the latest to 28–30 years after Amenhotep III's reign. A stela at the Museum of Fine Arts of Lyon allows us to better know this man who – in a rare instance – combined the offices of Vizier, Mayor of Thebes, and High Priest of Amon. The stela's provenance is not indicated by the museum's archives, though it was probably deposited by Ptahmose's family ex voto at Abydos. It dates him to Amenhotep III's reign, since that pharaoh's cartouche appears on it. Its text is effectively made up of classic laudatory formulae addressed to Osiris as well as prayers that Ptahmose may profit f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramose (TT55)
The Ancient Egyptian noble, Ramose was Vizier under both Amenhotep III and Akhenaten. He was in office in the last decade of Amenhotep's III reign and at the beginning of the reign of the latter king. Ramose appears on jar labels found in the palace of king Amenhotep III at Malkata. Here appears also the vizier Amenhotep-Huy. Both viziers are also shown side by side in the temple of Soleb. In the New Kingdom the office of the vizier was divided in a northern vizier and a southern one. It is not entirely clear whether Ramose was the southern or northern one. Ramose was born into an influential family. His father was the mayor of Memphis Heby, in office at the beginning of Amenhotep's III reign. The brother of Ramose was the high steward of Memphis Amenhotep (Huy). Tomb His tomb TT55 is located in the Sheikh Abd el-Qurna – part of the Theban Necropolis, on the west bank of the Nile, opposite to Luxor, and is notable for the high quality decorations in both the traditiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ex Voto
An ex-voto is a votive offering to a saint or to a divinity; the term is usually restricted to Christian examples. It is given in fulfillment of a vow (hence the Latin term, short for ''ex voto suscepto'', "from the vow made") or in gratitude or devotion. Definition Ex-votos are placed in a church or chapel where the worshiper seeks grace or wishes to give thanks. The destinations of pilgrimages often include shrines decorated with ex-votos. Ex-votos can take a wide variety of forms. They are not only intended for the helping figure, but also as a testimony to later visitors of the received help. As such they may include texts explaining a miracle attributed to the helper, or symbols such as a painted or modeled reproduction of a miraculously healed body part, or a directly related item such as a crutch given by a person formerly lame. There are places where a very old tradition of depositing ex-votos existed, such as Abydos in ancient Egypt. Ex-voto paintings Especially in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Egyptian Priests
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
14th-century BC Clergy
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funerary Cone
Funerary cones were small cones made from clay that were used in ancient Egypt, almost exclusively in the Theban Necropolis. The items were placed over the entrance of the chapel of a tomb. Early examples have been found from the Eleventh Dynasty. However, they are generally undecorated. During the New Kingdom, the cones were smaller in size and inscribed in hieroglyphs with the title and name of the tomb owner, often with a short prayer. The exact purpose of the cones is unknown, but hypotheses exist that they variously served as passports, architectural features, and symbolic offerings, among others. Funerary cones were first organized into a corpus by Davies and Macadam (1957). This catalog was later supplemented by Vivo and Costa (1997). In the 21st century, Dibley and Lipkin (2009) and Zenihiro (2009) have compiled more complete publications, with Theis (2017) contributing additional cones from books, articles, auction and exhibition catalogues for consideration. See also * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Register (sculpture)
In art and archaeology, in sculpture as well as in painting, a register is a horizontal level in a work that consists of several levels arranged one above the other, especially where the levels are clearly separated by lines. Modern comic books typically use similar conventions. It is thus comparable to a row, or a line in modern texts. In the study of ancient writing, such as cuneiform and Egyptian hieroglyphs, "register" may be used of vertical compartments like columns containing writing that are arranged side by side and separated by lines, especially in cylinder seals, which often mix text and images. Normally, when dealing with images it only refers to row compartments stacked vertically. Among many other cultures, the use of registers is common in Ancient Egyptian art, from the Narmer Palette onwards, and in medieval art in large frescos and illuminated manuscripts. Narrative art, especially covering the lives of sacred figures, is often presented as a sequence of smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plinth (hieroglyph)
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard. It describes 763 signs in 26 categories (A–Z, roughly). Georg Möller compiled more extensive lists, organized by historical epoch (published posthumously in 1927 and 1936). In Unicode, the block ''Egyptian Hieroglyphs'' (2009) includes 1071 signs, organization based on Gardiner's list. As of 2016, there is a proposal by Michael Everson to extend the Unicode standard to comprise Möller's list. Subsets Notable subsets of hieroglyphs: * Determinatives * Uniliteral signs * Biliteral signs * Triliteral signs * Egyptian numerals Letter classification by Gardiner List of hieroglyphs In Unicode Unicode character names follow Gardiner's sign list (padded with zeroes to three digits, i.e. Gardin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osiris
Osiris (, from Egyptian ''wsjr'', cop, ⲟⲩⲥⲓⲣⲉ , ; Phoenician: 𐤀𐤎𐤓, romanized: ʾsr) is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother, Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire. Osiris was at times considered the eldest son of the earth god Geb and the sky goddess Nut, as well as being brother and husband of Isis, and brother of Set, Nephthys, and Horus the Elder, with Horus the Younger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartouche
In Egyptian hieroglyphs, a cartouche is an oval with a line at one end tangent to it, indicating that the text enclosed is a royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the beginning of the Fourth Dynasty under Pharaoh Sneferu. While the cartouche is usually vertical with a horizontal line, if it makes the name fit better it can be horizontal, with a vertical line at the end (in the direction of reading). The ancient Egyptian word for cartouche was , and the cartouche was essentially an expanded shen ring. Demotic script reduced the cartouche to a pair of brackets and a vertical line. Of the five royal titularies it was the ''prenomen'' (the throne name), and the "Son of Ra" titulary (the so-called '' nomen'' name given at birth), which were enclosed by a cartouche. At times amulets took the form of a cartouche displaying the name of a king and placed in tombs. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abydos, Egypt
Abydos ( ar, أبيدوس, Abīdūs or ; Sahidic cop, Ⲉⲃⲱⲧ ') is one of the oldest cities of ancient Egypt, and also of the eighth nome in Upper Egypt. It is located about west of the Nile at latitude 26° 10' N, near the modern Egyptian towns of El Araba El Madfuna and El Balyana. In the ancient Egyptian language, the city was called Abdju (''ꜣbḏw'' or ''AbDw''). The English name ''Abydos'' comes from the Greek , a name borrowed by Greek geographers from the unrelated city of Abydos on the Hellespont. Considered one of the most important archaeological sites in Egypt, the sacred city of Abydos was the site of many ancient temples, including Umm el-Qa'ab, a royal necropolis where early pharaohs were entombed. These tombs began to be seen as extremely significant burials and in later times it became desirable to be buried in the area, leading to the growth of the town's importance as a cult site. Today, Abydos is notable for the memorial temple of Seti I, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Fine Arts Of Lyon
The Museum of Fine Arts of Lyon (french: Musée des Beaux-Arts de Lyon) is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988 and 1998, remaining open to visitors throughout this time despite the restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period, making the museum one of the most important in Europe. It also hosts important exhibitions of art, for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005, and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France. Buildings Abbey Until 1792, the buildings belonged to the Royal Abbaye des Dames de Saint-Pierre, which was built in the 17th century. The abbess always came from the high French nobility and here re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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