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Prométhée
''Prométhée'', Op. 82, (''Prometheus'') is a ''tragédie lyrique'' (grand cantata) in three acts by the French composer Gabriel Fauré with a French libretto by the Symboliste poets Jean Lorrain and (1865–1940). It was partly based on the opening of the Greek tragedy of ''Prometheus Bound''. The first performance at Arènes de Béziers on 27 August 1900 involved almost 800 performers (including two wind bands and 15 harps) and was watched by an audience of 10,000. Between 1914 and 1916, Jean Roger-Ducasse reworked the score for a reduced orchestra. This version (which was later revised by Fauré) made its debut at the Paris Opéra on 17 May 1917 but never became popular. Designated as a ''tragédie lyrique'', the work resists easy categorisation. It was intended to be on a large-scale with spoken and musical sections. Warrack and West call it a grand cantata, arguing that since "only some of the characters participate in the stage action it is scarcely an opera, though Faur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandora
In Greek mythology, Pandora (Greek: , derived from , ''pān'', i.e. "all" and , ''dōron'', i.e. "gift", thus "the all-endowed", "all-gifted" or "all-giving") was the first human woman created by Hephaestus on the instructions of Zeus. As Hesiod related it, each god cooperated by giving her unique gifts. Her other name—inscribed against her figure on a white-ground '' kylix'' in the British Museum—is Anesidora ( grc, Ἀνησιδώρα), "she who sends up gifts" (''up'' implying "from below" within the earth). The Pandora myth is a kind of theodicy, addressing the question of why there is evil in the world, according to which, Pandora opened a jar (''pithos'') (commonly referred to as "Pandora's box") releasing all the evils of humanity. It has been argued that Hesiod's interpretation of Pandora's story went on to influence both Jewish and Christian theology and so perpetuated her bad reputation into the Renaissance. Later poets, dramatists, painters and sculptors made he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus
In Greek mythology, Prometheus (; , , possibly meaning "forethought")Smith"Prometheus". is a Titan god of fire. Prometheus is best known for defying the gods by stealing fire from them and giving it to humanity in the form of technology, knowledge, and more generally, civilization. In some versions of the myth, he is also credited with the creation of humanity from clay. Prometheus is known for his intelligence and for being a champion of humankind, and is also generally seen as the author of the human arts and sciences. He is sometimes presented as the father of Deucalion, the hero of the flood story. The punishment of Prometheus as a consequence of the theft of fire and giving it to humans is a popular subject of both ancient and modern culture. Zeus, king of the Olympian gods, sentenced Prometheus to eternal torment for his transgression. Prometheus was bound to a rock, and an eagle—the emblem of Zeus—was sent to eat his liver (in ancient Greece, the liver was thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Fauré
Gabriel Urbain Fauré (; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his ''Pavane (Fauré), Pavane'', Requiem (Fauré), Requiem, ''Sicilienne (Fauré), Sicilienne'', Fauré Nocturnes, nocturnes for piano and the songs Trois mélodies, Op. 7 (Fauré), "Après un rêve" and Clair de lune (Fauré), "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmony, harmonically and melody, melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer de Paris, Ecole Niedermeyer music college in Paris, where he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus Bound
''Prometheus Bound'' ( grc, Προμηθεὺς Δεσμώτης, ''Promētheús Desmṓtēs'') is an Ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished. C. J. Herington claims that Aeschylus certainly did not mean ''Prometheus Bound'' to be a "self-contained dramatic unity", and suggests that "most modern students of the subject would probably agree" that ''Prometheus Bound'' was followed by a work with the title ''Prometheus Lyomenos (Prometheus Unbound)''. Herington adds that "some very slight evidence" indicates that ''Prometheus Unbound'' "may have been followed by a third play", ''Prometheus Pyrphoros (Prometheus the Fire-Bearer)''; the latter two survive only in fragments. Some scholars ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kratos (mythology)
In Greek mythology, Kratos (or Cratos) is the divine personification of strength. He is the son of Pallas and Styx. Kratos and his siblings Nike ('Victory'), Bia ('Force'), and Zelus ('Glory') are all essentially personifications of a trait. Kratos is first mentioned alongside his siblings in Hesiod's ''Theogony''. According to Hesiod, Kratos and his siblings dwell with Zeus because their mother Styx came to him first to request a position in his regime, so he honored her and her children with exalted positions. Kratos and his sister Bia are best known for their appearance in the opening scene of Aeschylus' ''Prometheus Bound''. Acting as agents of Zeus, they lead the captive Titan Prometheus on stage. Kratos compels the mild-mannered blacksmith god Hephaestus to chain Prometheus to a rock as punishment for his theft of fire. Kratos is characterized as brutal and merciless, repeatedly mocking both Hephaestus and Prometheus and advocating for the use of unnecessary violence. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard De Max
Édouard Alexandre de Max (born Eduard-Alexandru Max Romalo; 14 February 1869 – 28 October 1924) was a Romanian actor who became a star in Parisian theatre. As a student at the Conservatoire national supérieur d'art dramatique, Paris Conservatoire he won prizes for tragedy and comedy, but it was as a tragedian that he became celebrated, appearing in classic works by William Shakespeare, Shakespeare, Jean Racine, Racine, Friedrich Schiller, Schiller, Victor Hugo and others, as well as new works by writers including Oscar Wilde, Victorien Sardou and Henri Bernstein. He appeared with many leading performers, including Gabrielle Réjane, but his best known and most frequent partnership was with Sarah Bernhardt. De Max's career was curtailed by ill health, and within two months of his final performance, at the Comédie-Française, he died at his Paris home at the age of 55. Life and career 19th century De Max was born in Iași, Romania, on 14 February 1869."Death of French Actor: M. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Lorrain
Jean Lorrain (9 August 1855 in Fécamp, Seine-Maritime – 30 June 1906), born Paul Alexandre Martin Duval, was a French poet and novelist of the Symbolist school. Lorrain was a dedicated disciple of dandyism and spent much of his time amongst the fashionable artistic circles in France, particularly in the cafés and bars of Montmartre. He contributed to the satirical weekly '' Le Courrier français'', and wrote a number of collections of verse, including ''La forêt bleue'' (1883) and ''L'ombre ardente'', (1897). He is also remembered for his Decadent novels and short stories, such as '' Monsieur de Phocas'' (1901), Monsieur de Bougrelon' (1897), and ''Histoires des masques'' (1900), as well as for one of his best stories, ''Sonyeuse'', which he linked to portraits exhibited by Antonio de La Gándara in 1893. He also wrote the libretto to Pierre de Bréville's opera '' Éros vainqueur'' (1910). Manuel Orazi Illustrated his Novella ''Ma petite ville'' in 1989. Lorrain was o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monte-Carlo Philharmonic Orchestra
The Monte-Carlo Philharmonic Orchestra (french: Orchestre Philharmonique de Monte-Carlo, OPMC) is the main orchestra in the Principality of Monaco. The orchestra gives concerts primarily in the Auditorium Rainier III, but also performs at the Salle des Princes in the Grimaldi Forum. History The orchestra was founded in 1856 and gave its first concert on 14 December 1856, with an ensemble of 15 musicians, at the "Maison de jeux" ( the future casino), under the direction of Alexandre Hermann. By 1874, the orchestra had increased in size to 70 musicians, in particular during the leadership of Eusèbe Lucas. In 1953, Prince Rainier III had ordered the renaming of the ensemble to ''L'Orchestre National de l'Opéra de Monte-Carlo''. The orchestra acquired its current name in 1980, again through Rainier III. Past principal conductors of the orchestra have included Paul Paray, Louis Frémaux, Igor Markevitch, Lovro von Matačić, Lawrence Foster, Gianluigi Gelmetti, James DePreist, Marek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Norrington
Sir Roger Arthur Carver Norrington (born 16 March 1934) is an English conductor. He is known for historically informed performances of Baroque, Classical and Romantic music. In November 2021 Norrington announced his retirement. Life Norrington is the son of Sir Arthur Norrington, and his brother is Humphrey Thomas Norrington. He studied at The Royal Conservatory of Music in Toronto, Dragon School, Oxford, Westminster School, Clare College, Cambridge and the Royal College of Music under Adrian Boult among others. Norrington played the violin, and worked as a tenor through the 1960s. In 1962 he founded the Schütz Choir (later the Schütz Choir of London). Conductor in Britain and US From 1969 to 1984, Norrington was music director of Kent Opera. In 1978, he founded the London Classical Players and remained their musical director until 1997. From 1985 to 1989, he was principal conductor of the Bournemouth Sinfonietta. He is also president of the Oxford Bach Choir. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude (music)
A prelude (german: Präludium or '; la, praeludium; french: prélude; it, preludio) is a short Musical piece, piece of music, the musical form, form of which may vary from piece to piece. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic Motif (music), motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an overture, particularly to those seen in an opera or an oratorio. History The first preludes to be Musical notation, notated were Organ repertoire, organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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