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Prometheus Vinctus
''Prometheus Bound'' ( grc, Προμηθεὺς Δεσμώτης, ''Promētheús Desmṓtēs'') is an Ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished. C. J. Herington claims that Aeschylus certainly did not mean ''Prometheus Bound'' to be a "self-contained dramatic unity", and suggests that "most modern students of the subject would probably agree" that ''Prometheus Bound'' was followed by a work with the title ''Prometheus Lyomenos (Prometheus Unbound)''. Herington adds that "some very slight evidence" indicates that ''Prometheus Unbound'' "may have been followed by a third play", ''Prometheus Pyrphoros (Prometheus the Fire-Bearer)''; the latter two survive only in fragments. Some scholars ha ...
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Prometheus Being Chained By Vulcan
''Prometheus Being Chained by Vulcan'' is an oil painting of 1623 by Dirck van Baburen of the Utrecht School, and an example of Baroque chiaroscuro. The painting represents a tale from Greco-Roman mythology. Mercury (mythology), Mercury, the messenger of the gods, watches the club-footed blacksmith god, Vulcan (mythology), Vulcan, punish the bold and cunning Titan Prometheus for stealing fire from the gods and giving it to mortals. Prometheus's punishment is to be bound to a rock and to have his liver consumed daily by an eagle, which appears partially at the top left. The painting mysteriously has two signatures: the first is a clear signature below the right-hand shoulder of Prometheus. During a restoration of the painting, a second signature was discovered at the lower left by his hand. Prometheus is associated with the Greek creation myth where, in some versions, he creates humans from clay and the stolen fire is to bring them to life. A painting, ''Adam and Eve'', also by B ...
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Twelve Olympians
upright=1.8, Fragment of a relief (1st century BC1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff), Artemis (bow and quiver) and Apollo (lyre) from the Walters Art Museum. In ancient Greek religion and Greek mythology, mythology, the twelve Olympians are the major Deity, deities of the Greek mythology, Greek pantheon, commonly considered to be Zeus, Hera, Poseidon, Demeter, Aphrodite, Athena, Ares, Artemis, Apollo, Hephaestus, Hermes, and either Hestia or Dionysus. They were called ''Olympians'' because, according to tradition, they resided on Mount Olympus. Although Hades was a major ancient Greek god and was the brother of the first generation of Olympians (Zeus, Poseidon, Hera, De ...
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Works And Days
''Works and Days'' ( grc, Ἔργα καὶ Ἡμέραι, Érga kaì Hēmérai)The ''Works and Days'' is sometimes called by the Latin translation of the title, ''Opera et Dies''. Common abbreviations are ''WD'' and ''Op''. for ''Opera''. is a didactic poem written by the ancient Greek poet Hesiod around 700 BC. It is in dactylic hexameter and contains 828 lines. At its center, the ''Works and Days'' is a Almanac, farmer's almanac in which Hesiod instructs his brother Perses (brother of Hesiod), Perses in the agricultural arts. Scholars have seen this work against a background of agrarian crisis in mainland Greece, which inspired a wave of Greek colonies, colonial expeditions in search of new land. In the poem, Hesiod also offers his brother extensive moralizing advice on how he should live his life. ''Works and Days'' is perhaps best known for its two mythological aetiology, aetiologies for the toil and pain that define the human condition: the story of Prometheus and Pandora, ...
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Hesiod
Hesiod (; grc-gre, Ἡσίοδος ''Hēsíodos'') was an ancient Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer. He is generally regarded by western authors as 'the first written poet in the Western tradition to regard himself as an individual persona with an active role to play in his subject.' Ancient authors credited Hesiod and Homer with establishing Greek religious customs. Modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought, archaic Greek astronomy and ancient time-keeping. Life The dating of Hesiod's life is a contested issue in scholarly circles (''see § Dating below''). Epic narrative allowed poets like Homer no opportunity for personal revelations. However, Hesiod's extant work comprises several didactic poems in which he went out of his way to let his audience in on a few details of his life. There are three explicit references in ''Works and Days'' ...
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Stichomythia
Stichomythia ( grc, στιχομυθία, stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia
Antilabe Rebuilt by Robert Hogan.
) or two-line speeches (distichomythia
Die stichomythie in der griechischen tragödie und komödie: ihre anwendung und ihr ursprung by Adolf Gross (German).
) are given to alternating Character (arts), characters. It typically features repetition and . The term origin ...
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Prometheus Bound Production Still - 2015 Staging
In Greek mythology, Prometheus (; , , possibly meaning "forethought")Smith"Prometheus". is a Titan god of fire. Prometheus is best known for defying the gods by stealing fire from them and giving it to humanity in the form of technology, knowledge, and more generally, civilization. In some versions of the myth, he is also credited with the creation of humanity from clay. Prometheus is known for his intelligence and for being a champion of humankind, and is also generally seen as the author of the human arts and sciences. He is sometimes presented as the father of Deucalion, the hero of the flood story. The punishment of Prometheus as a consequence of the theft of fire and giving it to humans is a popular subject of both ancient and modern culture. Zeus, king of the Olympian gods, sentenced Prometheus to eternal torment for his transgression. Prometheus was bound to a rock, and an eagle—the emblem of Zeus—was sent to eat his liver (in ancient Greece, the liver was thoug ...
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Tartarus
In Greek mythology, Tartarus (; grc, , }) is the deep abyss that is used as a dungeon of torment and suffering for the wicked and as the prison for the Titans. Tartarus is the place where, according to Plato's ''Gorgias'' (), souls are judged after death and where the wicked received divine punishment. Tartarus is also considered to be a primordial force or deity alongside entities such as the Earth, Night, and Time. Greek Mythology In Greek mythology, Tartarus is both a deity and a place in the underworld. In ancient Orphic sources and in the mystery schools, Tartarus is also the unbounded first-existing entity from which the light and the cosmos are born. As a deity In the Greek poet Hesiod's ''Theogony'' ( late 8th century BC), Tartarus was the third of the primordial deities, following after Chaos and Gaia (Earth), and preceding Eros, and was the father, by Gaia, of the monster Typhon. According to Hyginus, Tartarus was the offspring of Aether and Gaia. ...
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Epaphus
In Greek mythology, Epaphus (; Ancient Greek: Ἔπᾰφος), also called Apis or Munantius, was a son of the Greek God Zeus and king of Egypt. Family Epaphus was the son of ZeusHesiod, '' Ehoiai'' 40a as cited in ''Oxyrhynchus Papyri 1358'' fr. 2 and Io and thus, Ceroessa's brother. With his wife, Memphis (or according to others, Cassiopeia), he had one daughter, Libya while some accounts added another one who bore the name Lysianassa. These daughters later became mothers of Poseidon's sons, Belus, Agenor and possibly, Lelex to the former and Busiris to the latter. In other versions of the myth, Epaphus was also called father of Thebe, who was mother of Aegyptus and Heracles by Zeus. Through these daughters, Epaphus was the ancestor of the "dark Libyans, and high-souled Aethiopians, and the Underground-folk and feeble Pygmies". Mythology Birth The name/word Epaphus means "Touch". This refers to the manner in which he was conceived, by the touch of Zeus' hand. He was ...
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Horse-fly
Horse-flies or horseflies are true Fly, flies in the family Tabanidae in the insect Order (biology), order Diptera. They are often large and agile in flight, and only the female horseflies bite animals, including humans, to hematophagy, obtain blood. They prefer to fly in sunlight, avoiding dark and shady areas, and are inactive at night. They are found all over the world except for some islands and the polar regions (Hawaii, Greenland, Iceland). Both horse-flies and Botfly, botflies (Oestridae) are sometimes referred to as gadflies. Adult horse-flies feed on nectar and plant exudates; the males have weak insect mouthparts, mouthparts and only the females bite animals to obtain enough protein from blood to produce eggs. The mouthparts of females are formed into a stout stabbing organ with two pairs of sharp cutting blades, and a spongelike part used to lap up the blood that flows from the wound. The larvae are Predation, predaceous and grow in semiaquatic habitats. Female hor ...
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Oceanid
In Greek mythology, the Oceanids or Oceanides (; grc, Ὠκεανίδες, Ōkeanídes, pl. of grc, Ὠκεανίς, Ōkeanís, label=none) are the nymphs who were the three thousand (a number interpreted as meaning "innumerable") daughters of the Titans Oceanus and Tethys. Description and function The Oceanids' father Oceanus was the great primordial world-encircling river, their mother Tethys was a sea goddess, and their brothers the Potamoi (also three thousand in number) were the personifications of the great rivers of the world. Like the rest of their family, the Oceanid nymphs were associated with water, as the personification of springs. Hesiod says they are "dispersed far and wide" and everywhere "serve the earth and the deep waters", while in Apollonius of Rhodes' ''Argonautica'', the Argonauts, stranded in the desert of Libya, beg the "nymphs, sacred of the race of Oceanus" to show them "some spring of water from the rock or some sacred flow gushing from the ear ...
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Titanomachy
In Greek mythology, the Titanomachy (; grc, , , Titan battle) was a ten-year series of battles fought in Ancient Thessaly, consisting of most of the Titans (the older generation of gods, based on Mount Othrys) fighting against the Twelve Olympians, Olympians (the younger generations, who would come to reign on Mount Olympus) and their allies. This event is also known as the War of the Titans, Battle of the Titans, Battle of the Gods, or just the Titan War. The war was fought to decide which generation of gods would have dominion over the universe; it ended in victory for the Olympian gods. Greeks of the Classical Age knew of several poems about the war between the gods and many of the Titans. The dominant one, and the only one that has survived, is the ''Theogony'' attributed to Hesiod. The Titans also played a prominent role in the poems attributed to Orpheus. Although only scraps of the Orphism (religion), Orphic narratives survive, they show differences from the Hesiodic trad ...
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Personification
Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their breath", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman ...
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