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Profile Portrait Of A Young Woman
''Profile Portrait of a Young Lady'' is a 1465 half-length portrait, made with Oil paint, oil-based paint and tempera on a Populus, poplar panel painting, panel, usually attributed to Antonio del Pollaiuolo, although the owning museum, the Gemäldegalerie in Berlin, now describes this work as by his brother Piero del Pollaiuolo, and as one of its most famous paintings, and as one of the most famous portraits of women from the early Italian Renaissance. Description The anonymous woman is depicted in a brocade dress, with her posture suggesting that she is sitting in the marble embrasure of a window or balcony, with her profile heightened by the bright blue sky in the background. Her blonde hair is gathered under a light bonnet. The emphatic use of line and the clarity of the contrasting colour surfaces are typical features of the Florentine School. Similar profile portraits of high-status women in sumptuous clothing were painted to celebrate a marriage, but the absence of jewell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Del Pollaiuolo
Piero del Pollaiuolo ( , , ; also spelled Pollaiolo; in Florence – 1496 in Rome), also known as Piero Benci, was an Italian Renaissance painter from Florence. His brother was the artist Antonio del Pollaiuolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. Giorgio Vasari includes a biography of Piero del Pollaiuolo in his ''Lives of the Most Excellent Painters, Sculptors, and Architects''. Works *'' Profile Portrait of a Young Woman'' (c. 1465) – oil on wood *''The Archangel Raphael and Tobias'' (c. 1465–1470) *'' Cardinal del Portogallo Altarpiece'' (1467–1668) – altarpiece * Seven Virtues (1469–1470; six painted by Pollaiuolo): *: ''Charity'' *: ''Faith'' *: ''Temperance'' *: ''Prudence'' *: ''Hope'' *: ''Justice'' *'' Portrait of a Young Woman'' (c. 1470) *''Apollo and Daphne'' (c. 1470–1480) *'' P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porphyry (geology)
Porphyry ( ) is a textural term for an igneous rock consisting of coarse-grained crystals such as feldspar or quartz dispersed in a fine-grained silicate-rich, generally aphanitic matrix or groundmass. The larger crystals are called phenocrysts. In its non-geologic, traditional use, the term ''porphyry'' refers to the purple-red form of this stone, valued for its appearance. The term ''porphyry'' is from the Ancient Greek (), meaning "purple". Purple was the color of royalty, and the "imperial porphyry" was a deep purple igneous rock with large crystals of plagioclase. Some authors claimed the rock was the hardest known in antiquity. Thus, "imperial"-grade porphyry was prized for monuments and building projects in Imperial Rome and thereafter. Subsequently, the name was given to any igneous rocks with large crystals. The adjective ''porphyritic'' now refers to a certain texture of igneous rock regardless of its chemical and mineralogical composition. Its chief characteris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Berenson
Bernard Berenson (June 26, 1865 – October 6, 1959) was an American art historian specializing in the Renaissance. His book ''The Drawings of the Florentine Painters'' was an international success. His wife Mary is thought to have had a large hand in some of the writings. Berenson was a major figure in the attribution of Old Masters, at a time when these were attracting new interest by American collectors, and his judgments were widely respected in the art world. Personal life Berenson was born Bernhard Valvrojenski in Butrimonys, Vilnius Governorate (now in Alytus district of Lithuania) to a Litvak family – father Albert Valvrojenski, mother Judith Mickleshanski, and younger siblings including Senda Berenson Abbott. His father, Albert, grew up following an educational track of classical Jewish learning and contemplated becoming a rabbi. However, he became a practitioner of Haskalah, a European movement which advocated more integration of Jews into secular society. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Veneziano
Domenico Veneziano (c. 1410 – May 15, 1461) was an Italian painter of the early Renaissance, active mostly in Perugia and Tuscany. Little is known of his birth, though he is thought to have been born in Venice, hence his last name. He then moved to Florence in 1422–23 as a boy, to become a pupil of Gentile da Fabriano. He is said to have worked with Pisanello in Rome around 1423–1430. His work was influenced by the style of Benozzo Gozzoli. In a letter from him to Piero di Cosimo de' Medici, dated from Perugia in 1438, where he likewise resided for many years, he mentions his long connection with the fortunes of the Medici family, and begs to be allowed to paint an altarpiece for the head of that house. He was a contemporary with Fra Angelico and Fra Filippo Lippi, since those two artists and himself are known to have valued the frescoes of Buonfigli at Perugia. Between 1439 and 1441 he painted a masterpiece of the ''Adoration of the Magi'', a round panel which was probably c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Poldi Pezzoli
The Museo Poldi Pezzoli is an art museum in Milan, Italy. It is located near the Teatro alla Scala, on Via Manzoni 12. The museum was originated in the 19th century as a private collection of Gian Giacomo Poldi Pezzoli (1822–1879) and his mother, Rosa Trivulzio, of the family of the condottiero Gian Giacomo Trivulzio. Many of the rooms in the palace were redecorated starting in 1846, a commissions entrusted to Luigi Scrosati and Giuseppe Bertini. Individual rooms were often decorated and furnished to match the paintings hung on the walls. The architect Simone Cantoni (1736–1818) rebuilt the palazzo in its present Neoclassical style with an English-style interior garden. In 1850–1853, Poldi Pezzoli commissioned the architect Giuseppe Balzaretto to refurbish his apartment. Pezzoli in his testament left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of A Young Woman (Pollaiolo)
''Portrait of a Young Woman'' is a mixed-technique painting on panel of , variously attributed to Piero del Pollaiuolo or his brother Antonio. It is now in Milan in the Museo Poldi Pezzoli, which uses the painting as its symbol. History The work is one of the most celebrated and best preserved Renaissance portraits of a woman in profile of those attributed to one of the two Pollaiuolo brothers. It is often compared to '' Portrait of a Woman'' at the Uffizi, as well as to similar portraits held in the Staatliche Museen, the Metropolitan Museum of Art, and the Isabella Stewart Gardner Museum. Similar facial features can also be seen in ' by Andrea della Robbia. These works have traditionally been attributed to Piero del Pollaiuolo, but recent critics, such as Aldo Galli, have proposed attributions to Antonio. The identity of the subject of the portrait in Milan is unclear. Various names have been proposed, including the wife of the banker Giovanni de' Bardi (based on the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Von Bode
Wilhelm von Bode (10 December 1845 – 1 March 1929) was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, he was ennobled in 1913. He was the creator and first curator of the Kaiser Friedrich Museum, now called the Bode Museum in his honor, in 1904. Career Bode studied law at the Universities of Göttingen and Berlin, but took an interest in art during his university years. While practicing law in Braunschweig he systematically rearranged the ducal art collections, and visited a number of museums and private collections in Belgium, the Netherlands, and Italy. After studies in art history in Berlin and Vienna, he received his doctorate from the University of Leipzig in 1870 based on his dissertation ''Frans Hals und seine Schule''. In 1871 Bode participated in the so-called " Holbein convention" in Dresden, at which a number of prominent art historians convened to determine which of two versions of Hans Holbein the Younger's ''Meyer Madonna' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colnaghi
Colnaghi is an art dealership in St James's, central London, England, which is the oldest commercial art gallery in the world, having been established in 1760. Foundation The business that became the Colnaghi gallery was established by Italian firework manufacturer, Giovanni Battista Torre, in Paris, France, in 1760. Torre opened a shop with the name "Cabinet de Physique Expérimentale", where he sold scientific instruments, books and prints. In 1767, Torre's son Anthony Torre moved to London where he opened a sister shop, specialising in prints, in partnership with another Italian immigrant, Anthony Molteno. Giovanni Torre died in 1780, and in 1784 Anthony Torre hired Paul Colnaghi—newly arrived in Paris from Milan—to manage a new shop in Palais Royal, Paris. Paul Colnaghi (1751-1833) Paul Colnaghi was born in 1751 as Paolo Colnago, in the Brianza region of northern Italy. He was the younger child of the influential Milanese lawyer Dr Martino Colnago and Ippolita Colnag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diptych Of Federico Da Montefeltro And Battista Sforza
The Diptych of Federico da Montefeltro and Battista Sforza are two oil paintings by Italian artist Piero della Francesca, dated to 1473–1475. This famed double portrait is often mistitled ''The Duke and Duchess of Urbino''—as it appears on the website of the Uffizi Gallery, which owns it. Since Battista Sforza died in 1472 and Federico da Montefeltro was not made duke until 1474, however, Battista never attained the title of duchess. Genesis of the work The Uffizi describes the work as follows: One of the most celebrated portraits of the Italian Renaissance, the diptych features the Duke of Urbino Federico da Montefeltro (1422–1482) and his wife Battista Sforza (1446–1472). In the tradition of the fourteenth century, inspired by the design of ancient coins, the two figures are shown in profile, an angle that ensured a good likeness and a faithful representation of facial details without allowing their sentiments to show through: indeed, the Duke and Duchess 'sic''of Ur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the church of San Francesco in the Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to how Lisa Gherardini became kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s works. Botticelli lived all his life in the same neighbourhood of Florence; his only signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl Of Ashburnham
Earl of Ashburnham (pronounced "Ash-''burn''-am"), of Ashburnham in the County of Sussex, was a title in the Peerage of Great Britain created in 1730 for John Ashburnham, 3rd Baron Ashburnham, who was also created Viscount St Asaph, in Wales. Baron Ashburnham was created in the Peerage of England in 1689 for John Ashburnham, grandson of the John Ashburnham who helped King Charles I escape from Oxford and Hampton Court Palace. He obtained from the King, for his London seat, the Westminster Abbey Prior's House, which had been seized by the Crown during the dissolution of the monasteries. He rebuilt it and renamed it Ashburnham House; it now stands as one of the central buildings of Westminster School, and has given the family name to one of the co-ed day houses. The titles all became extinct in 1924, with the death of the 6th Earl. The surviving member of the family was Lady Mary Catherine Charlotte Ashburnham (1890–1953), daughter of the 5th Earl. The family's weal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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