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Primitiva
''Primitiva'' (LRP-3087/LST-7023) was the fourth album by Martin Denny. Released in August 1958, it was recorded at Liberty Studios in Hollywood and released on Liberty Records. In October 1958, it reached No. 27 on the national Cashbox chart. In a review on AllMusic.com, Richie Unterberger gave the album four stars and praised it for the variety of instruments used: "Say what you will about the cheesiness of this pseudo-world music, Denny deserves some sort of credit for bringing instruments like the m'bira, Burmese gongs, koto, Buddhist prayer bowls, and 'primitive log from New Guinea' into the mainstream." Upon the album's release, Austin Faricy wrote in the ''Honolulu Star-Bulletin'': "It is no more primitive than a Salvador Dali painting, but it is persuasive, and we warrant that if you play it in the privacy of your boudoir, you will find yourself dancing your own secret idea of the exotic." Track listing Side A 1. "Burma Train" (Martin Denny, Hal Johnson) – 2:59 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Denny
Martin Denny (April 10, 1911 – March 2, 2005) was an American pianist and composer best known as the "father of exotica." In a long career that saw him performing up to 3 weeks prior to his death, he toured the world popularizing his brand of lounge music which included exotic percussion, imaginative rearrangements of popular songs, and original songs that celebrated Tiki culture. Biography Denny was born in New York City and raised in Los Angeles. He studied classical piano and toured South America for four and a half years in the 1930s with the Don Dean Orchestra. This tour began Denny's fascination with Latin rhythms. Denny collected a large number of ethnic instruments from all over the world, which he used to spice up his stage performances. After serving in the United States Army Air Forces in World War II, Denny returned to Los Angeles, in 1945 where he studied piano and composition under Dr. Wesley La Violette and orchestration under Arthur Lange at the Los Angeles Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forbidden Island (album)
''Forbidden Island'' was the third album by Martin Denny. The album was produced in March 1958 at the Liberty Studios in Hollywood, following the group's nine-month gig performing at Don the Beachcomber's Bora Bora Lounge in Hawaii. ''Forbidden Island'' was Denny's first album to be recorded and released after vibraphonist Arthur Lyman left the group to pursue his own solo career. The album includes four original compositions by Denny: "Cobra", "Exotica", "Primitiva", and "Forbidden Island". Upon its release in May 1958, ''Billboard'' awarded the album four stars and wrote: "Interesting treatment of exotic original and standards . . . produced provocative sound. Good off-beat jockey wax." Richie Unterberger, in a review for AllMusic.com gave the album four stars and noted that it mixed "island sounds, easy listening, and Asian/world music accents." Australian critic John Masters wrote in December 1959 that high fidelity addicts may enjoy Denny's "conglomeration of weird and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tak Shindo
Takeshi "Tak" Shindo (November 11, 1922 – April 17, 2002) was an American musician, composer and arranger. He was one of the prominent artists in the exotica music genre during the late 1950s and early 1960s. Shindo also founded a dance band in 1947 and was a frequent lecturer and writer on Japanese music. He first gained prominence for his work on the 1957 motion picture ''Sayonara'', served as the musical director for the television series '' Gunsmoke'', and composed theme music for ''The Ed Sullivan Show'' and ''Wagon Train''. He is most remembered for the exotica albums he released from 1958 to 1962, including ''Mganga! The Primitive Sounds of Tak Shindo'' (1958), ''Brass and Bamboo'' (1959) and ''Accent on Bamboo'' (1960). He also released several albums in Japan during the mid-1960s that blended American and Japanese musical traditions. During the 1950s and 1960s, Shindo was a columnist for the ''Rafu Shimpo'' covering classical and popular music. In 1980, Shindo made a do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypnotique
''Hypnotique'' is the fifth album by Martin Denny. Released on Liberty Records in 1959, it was recorded in 1958 at the Kamehameha Schools auditorium and at the Liberty Studios in Hollywood. Track listing Side A 1. "Jungle Madness" (Martin Denny, Hal Johnson) – 3:30 2. "On a Little Street in Singapore" ( Peter DeRose, Billy Hill) – 2:30 3. "Voodoo Dreams" ( Les Baxter) – 2:25 4. "Chinese Lullaby" (R. H. Bowers) – 2:52 5. "Hypnotique" (David M.) – 3:10 6. " St. Louis Blues" (W. C. Handy) – 2:39 Side B 1. " We Kiss in a Shadow" (Richard Rodgers, Oscar Hammerstein) – 3:00 2. " Summertime" (George Gershwin, DuBose Heyward) – 2:52 3. "Scimitar" (Les Baxter) – 2:30 4. "American in Bali" (Martin Denny) – 2:24 5. " Japanese Sandman" (Richard A. Whiting, Raymond B. Egan) – 1:30 Personnel Musicians and singers * Martin Denny – piano, celeste, arranger, composer * Augie Colon – bongos, congas, percussion, bird calls * Julius Wechter – vibes, marimba, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augie Colon
August "Augie" Borero Colon (August 27, 1927 ‒ June 4, 2004) was an American musician known for his work as a percussionist in the exotica genre. He came to national fame as a member of Martin Denny's band in the 1950s and was the voice behind the bird calls and jungle sounds of the hit single " Quiet Village". He also recorded two solo albums, ''Sophisticated Savage'' (1959) and ''Chant of the Jungle'' (1960). In the early 1960s, Colon left Denny's group and toured with his own band known as The Tropicales. Colon was born in Honolulu in 1927 and died in that city in 2004. Discography Solo albums * ''Sophisticated Savage'', Liberty LRP-3101 (1959) * ''Chant of the Jungle'', Liberty LRP-3148/LST-7148 (1960) Martin Denny albums * '' Exotica'', Liberty LRP-3034 (mono) (1957) * '' Exotica'', Liberty LST-7034 (stereo) (1958) - re-recorded for stereo with Julius Wechter replacing Arthur Lyman * '' Exotica Vol.2'', Liberty LRP-3077/LST-7006 (1958) * ''Forbidden Island ''Forbidde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bird Song
Bird vocalization includes both bird calls and bird songs. In non-technical use, bird songs are the bird sounds that are melodious to the human ear. In ornithology and birding, songs (relatively complex vocalizations) are distinguished by function from calls (relatively simple vocalizations). Definition The distinction between songs and calls is based upon complexity, length, and context. Songs are longer and more complex and are associated with territory and courtship and mating, while calls tend to serve such functions as alarms or keeping members of a flock in contact. Other authorities such as Howell and Webb (1995) make the distinction based on function, so that short vocalizations, such as those of pigeons, and even non-vocal sounds, such as the drumming of woodpeckers and the "winnowing" of snipes' wings in display flight, are considered songs. Still others require song to have syllabic diversity and temporal regularity akin to the repetitive and transformative patte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamaica Farewell
"Jamaica Farewell" is a Jamaican-style folk song (mento). The lyrics for the song were written by Lord Burgess (Irving Burgie), an American-born, half- Barbadian songwriter. It is about the beauties of the West Indian Islands. Harry Belafonte recording The song appeared on Harry Belafonte's 1956 album '' Calypso''. It reached number 14 on the ''Billboard'' Pop chart. Background Many, including Belafonte himself, have said that the song was popular in the West Indies since long before Burgess. It is believed that Burgess compiled and modified the song from many folk pieces to make a new song. Burgess acknowledged his use of the tune of another mento, "Iron Bar". The line "ackee, rice, saltfish are nice" refers to the Jamaican national dish. Covers Artists who have covered "Jamaica Farewell" include: * Chuck Berry (feat. The Five Dimensions) * Sir Lancelot * Don Williams * Jimmy Buffett * Sam Cooke * Nina & Frederik * Carly Simon * Laura Veirs, on her 2011 album ''Tumble Bee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Burgess
Irving Louis Burgie (July 28, 1924 – November 29, 2019), sometimes known professionally as Lord Burgess, was an American musician and songwriter, regarded as one of the greatest composers of Caribbean music. "Irving Burgie", ''Songwriters Hall of Fame'' Retrieved 2 December 2019 He composed 34 songs for , including eight of the 11 songs on the Belafonte album '' Calypso'' (1956), the first album of any kind to sell one million copies. Burgie also wrote the lyrics of the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Wechter
Julius Wechter (May 10, 1935 – February 1, 1999) was an American musician and composer who played the marimba and vibraphone. He also played various percussion instruments. He composed the song "Spanish Flea" for Herb Alpert and was leader of The Baja Marimba Band. Biography Born in Chicago, Wechter played vibraphone (vibes) and percussion for the Martin Denny group in the 1950s. In the early 1960s, he moved on to movie soundtracks and television, as well as session work for the likes of the Beach Boys, the Monkees, Sonny & Cher, and various Phil Spector productions. His Beach Boys contributions include the climactic timpani during the choruses of "Do You Wanna Dance?" and prominent vibraphone on "Let's Go Away for Awhile." He began his long and successful association with Herb Alpert and his Tijuana Brass when he played percussion on the Tijuana Brass's first hit, "The Lonely Bull", in 1962. He later composed "Spanish Flea". Playing marimba and vibes on many of the songs on Alpe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
