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Hypnotique
''Hypnotique'' is the fifth album by Martin Denny. Released on Liberty Records in 1959, it was recorded in 1958 at the Kamehameha Schools auditorium and at the Liberty Studios in Hollywood. Track listing Side A 1. "Jungle Madness" (Martin Denny, Hal Johnson) – 3:30 2. " On a Little Street in Singapore" (Peter DeRose, Billy Hill) – 2:30 3. "Voodoo Dreams" (Les Baxter) – 2:25 4. "Chinese Lullaby" (R. H. Bowers) – 2:52 5. "Hypnotique" (David M.) – 3:10 6. "St. Louis Blues" ( W. C. Handy) – 2:39 Side B 1. "We Kiss in a Shadow" (Richard Rodgers, Oscar Hammerstein) – 3:00 2. " Summertime" (George Gershwin, DuBose Heyward) – 2:52 3. "Scimitar" (Les Baxter) – 2:30 4. "American in Bali" (Martin Denny) – 2:24 5. " Japanese Sandman" ( Richard A. Whiting, Raymond B. Egan) – 1:30 Personnel Musicians and singers * Martin Denny – piano, celeste, arranger, composer * Augie Colon – bongos, congas, percussion, bird calls * Julius Wechter – vibes, marimba, pe ...
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Martin Denny
Martin Denny (April 10, 1911 – March 2, 2005) was an American pianist and composer best known as the "father of exotica." In a long career that saw him performing up to 3 weeks prior to his death, he toured the world popularizing his brand of lounge music which included exotic percussion, imaginative rearrangements of popular songs, and original songs that celebrated Tiki culture. Biography Denny was born in New York City and raised in Los Angeles. He studied classical piano and toured South America for four and a half years in the 1930s with the Don Dean Orchestra. This tour began Denny's fascination with Latin rhythms. Denny collected a large number of ethnic instruments from all over the world, which he used to spice up his stage performances. After serving in the United States Army Air Forces in World War II, Denny returned to Los Angeles, in 1945 where he studied piano and composition under Dr. Wesley La Violette and orchestration under Arthur Lange at the Los Angeles Con ...
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We Kiss In A Shadow
"We Kiss in a Shadow" is a show tune from the 1951 Rodgers and Hammerstein musical, ''The King and I''. In this song, Tuptim and Lun Tha declare their love for each other, even though they fear that the King of Siam will learn of it. In the original Broadway production it was performed by Doretta Morrow and Larry Douglas. In the 1956 film version it was sung by Reuben Fuentes, dubbing for Carlos Rivas, and Leona Gordon dubbing for Rita Moreno. Recorded versions *June Christy *Holly Cole *Perry Como recorded on March 20, 1951 * Vic Damone recorded on May 2, 1958 * Sammy Davis Jr. *Doris Day * Martin Denny, ''Hypnotique'', 1958 *Red Garland Trio *Earl Grant *Debbie Harwood, ''Soothe Me'', 2004 *Ahmad Jamal, 1961, 1962 *André Kostelanetz *Kate McGarry * Dave McKenna *Doretta Morrow and Larry Douglas on the original cast album, recorded on April 16, 1951 *Cliff Richard, 1961 *Sonny Rollins *The San Francisco Gay Men's Chorus, 1981 *Neil Sedaka (''Oh! Carol: The Complete Recordings ...
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Primitiva
''Primitiva'' (LRP-3087/LST-7023) was the fourth album by Martin Denny. Released in August 1958, it was recorded at Liberty Studios in Hollywood and released on Liberty Records. In October 1958, it reached No. 27 on the national Cashbox chart. In a review on AllMusic.com, Richie Unterberger gave the album four stars and praised it for the variety of instruments used: "Say what you will about the cheesiness of this pseudo-world music, Denny deserves some sort of credit for bringing instruments like the m'bira, Burmese gongs, koto, Buddhist prayer bowls, and 'primitive log from New Guinea' into the mainstream." Upon the album's release, Austin Faricy wrote in the ''Honolulu Star-Bulletin'': "It is no more primitive than a Salvador Dali painting, but it is persuasive, and we warrant that if you play it in the privacy of your boudoir, you will find yourself dancing your own secret idea of the exotic." Track listing Side A 1. "Burma Train" (Martin Denny, Hal Johnson) – 2:59 2. " ...
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Augie Colon
August "Augie" Borero Colon (August 27, 1927 ‒ June 4, 2004) was an American musician known for his work as a percussionist in the exotica genre. He came to national fame as a member of Martin Denny's band in the 1950s and was the voice behind the bird calls and jungle sounds of the hit single "Quiet Village". He also recorded two solo albums, ''Sophisticated Savage'' (1959) and ''Chant of the Jungle'' (1960). In the early 1960s, Colon left Denny's group and toured with his own band known as The Tropicales. Colon was born in Honolulu in 1927 and died in that city in 2004. Discography Solo albums * ''Sophisticated Savage'', Liberty LRP-3101 (1959) * ''Chant of the Jungle'', Liberty LRP-3148/LST-7148 (1960) Martin Denny albums * ''Exotica'', Liberty LRP-3034 (mono) (1957) * ''Exotica'', Liberty LST-7034 (stereo) (1958) - re-recorded for stereo with Julius Wechter replacing Arthur Lyman * '' Exotica Vol.2'', Liberty LRP-3077/LST-7006 (1958) * ''Forbidden Island ''Forbidden Isla ...
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Julius Wechter
Julius Wechter (May 10, 1935 – February 1, 1999) was an American musician and composer who played the marimba and vibraphone. He also played various percussion instruments. He composed the song " Spanish Flea" for Herb Alpert and was leader of The Baja Marimba Band. Biography Born in Chicago, Wechter played vibraphone (vibes) and percussion for the Martin Denny group in the 1950s. In the early 1960s, he moved on to movie soundtracks and television, as well as session work for the likes of the Beach Boys, the Monkees, Sonny & Cher, and various Phil Spector productions. His Beach Boys contributions include the climactic timpani during the choruses of "Do You Wanna Dance?" and prominent vibraphone on " Let's Go Away for Awhile." He began his long and successful association with Herb Alpert and his Tijuana Brass when he played percussion on the Tijuana Brass's first hit, "The Lonely Bull", in 1962. He later composed " Spanish Flea". Playing marimba and vibes on many of the songs on ...
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Raymond B
Raymond is a male given name. It was borrowed into English from French (older French spellings were Reimund and Raimund, whereas the modern English and French spellings are identical). It originated as the Germanic ᚱᚨᚷᛁᚾᛗᚢᚾᛞ (''Raginmund'') or ᚱᛖᚷᛁᚾᛗᚢᚾᛞ (''Reginmund''). ''Ragin'' (Gothic) and ''regin'' ( Old German) meant "counsel". The Old High German ''mund'' originally meant "hand", but came to mean "protection". This etymology suggests that the name originated in the Early Middle Ages, possibly from Latin. Alternatively, the name can also be derived from Germanic Hraidmund, the first element being ''Hraid'', possibly meaning "fame" (compare ''Hrod'', found in names such as Robert, Roderick, Rudolph, Roland, Rodney and Roger) and ''mund'' meaning "protector". Despite the German and French origins of the English name, some of its early uses in English documents appear in Latinized form. As a surname, its first recorded appearance in B ...
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Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or s ...
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Bird Song
Bird vocalization includes both bird calls and bird songs. In non-technical use, bird songs are the bird sounds that are melodious to the human ear. In ornithology and birding, songs (relatively complex vocalizations) are distinguished by function from calls (relatively simple vocalizations). Definition The distinction between songs and calls is based upon complexity, length, and context. Songs are longer and more complex and are associated with territory and courtship and mating, while calls tend to serve such functions as alarms or keeping members of a flock in contact. Other authorities such as Howell and Webb (1995) make the distinction based on function, so that short vocalizations, such as those of pigeons, and even non-vocal sounds, such as the drumming of woodpeckers and the " winnowing" of snipes' wings in display flight, are considered songs. Still others require song to have syllabic diversity and temporal regularity akin to the repetitive and transformative p ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at   rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared ...
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Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the , and is featured in concertos, solo, and

Richard A
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", " Rich", "Rick", " Rico", " Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) ...
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Model (person)
A model is a person with a role either to Promotion (marketing), promote, display or advertise commercial product (business), products (notably fashion clothing in fashion shows) or to serve as a visual aid for people who are creating works of art or to pose for photography. Though models are predominantly female, there are also male models, especially to model clothing. Models may work professionally or casually. Modelling ("modeling" in British and American English spelling differences#Doubled consonants, American English) is considered to be different from other types of public performance, such as acting or dancing. Although the difference between modelling and performing is not always clear, appearing in a film or a play is not generally considered to be "modelling". Similarly, appearing in a TV advertisement is generally not considered modelling. Modelling generally does not involve speaking. Personal opinions are generally not expressed and a model's reputation and image ...
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