Predelle
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the '' Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carlo Crivelli 023
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Portuguese and Spanish variant of the English name ''Charles'', from the Germanic ''Carl''. Notable people with the name include: Royalty *Carlos I of Portugal (1863–1908), second to last King of P ... {{disambig Italian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prie-dieu
A prie-dieu ( French: literally, "pray oGod") is a type of prayer desk primarily intended for private devotional use, but which may also be found in churches. A similar form of chair in domestic furniture is called "prie-dieu" by analogy. Sometimes, a prie-dieu will consist only of the sloped shelf for books without the kneeler. History The prie-dieu appears not to have received its present name until the early 17th century. In that period in France, a small room or oratory was sometimes known by the same name. In the Middle Ages, the faithful attended the parish services standing. From the 16th century onwards, wooden benches or chairs were made available, according to an order fixed by the customary law, and rented from the farmer who was the successful bidder for the "chair farm" or from the churchwarden, the fixed prices (increased during solemn masses) being collected by the chairmaker. Description and use It is a small, ornamental wooden desk furnished with a thi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sandham Memorial Chapel
Sandham Memorial Chapel is in the village of Burghclere, Hampshire, England. It is a Grade I listed, 1920s decorated chapel, designed by Lionel Godfrey Pearson. The chapel was built to accommodate a series of paintings by the English artist Stanley Spencer. It was commissioned by Mary and Louis Behrend (1881–1972) as a memorial to Mary's brother, Lieutenant Henry Willoughby Sandham who died of illness contracted in Macedonia after the First World War. The chapel is surrounded by lawns and orchards, with views of Watership Down. It is run by the National Trust and is open to the public. Paintings Spencer's series of seventeen paintings was inspired by his own experiences during the First World War, in which he served as an orderly with the Royal Army Medical Corps, first at Beaufort War Hospital in Bristol, and then on the Macedonian front, where he was subsequently transferred to the infantry. He was influenced by Giotto’s Arena Chapel murals in Padua. He wanted to paint ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stanley Spencer
Sir Stanley Spencer, CBE RA (30 June 1891 – 14 December 1959) was an English painter. Shortly after leaving the Slade School of Art, Spencer became well known for his paintings depicting Biblical scenes occurring as if in Cookham, the small village beside the River Thames where he was born and spent much of his life. Spencer referred to Cookham as "a village in Heaven" and in his biblical scenes, fellow-villagers are shown as their Gospel counterparts. Spencer was skilled at organising multi-figure compositions such as in his large paintings for the Sandham Memorial Chapel and the ''Shipbuilding on the Clyde'' series, the former being a First World War memorial while the latter was a commission for the War Artists' Advisory Committee during the Second World War. As his career progressed Spencer often produced landscapes for commercial necessity and the intensity of his early visionary years diminished somewhat while elements of eccentricity came more to the fore. Although hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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San Zeno Altarpiece (Mantegna)
The ''San Zeno Altarpiece'' is a triptych by the Italian Renaissance painter Andrea Mantegna, from c. 1457–1460. It is located in the Basilica di San Zeno, the main church of Verona. The three predellas, stripped by the French in 1797 along with the main picture (restored to Verona in 1815), have been replaced by copies. The originals are in the Louvre (''Crucifixion'') and in the Musée des Beaux-Arts in Tours (''Resurrection'' and ''Agony in the Garden''). The work was commissioned by the Abbot Gregorio Correr. In the centre is the Madonna enthroned with the Child, portrayed according to the Byzantine iconography of the Victorious Madonna and surrounded by chanting angels. Eight saints are placed at the sides, according to the commissioner's preferences: on the left are Peter, Paul, John the Evangelist and Zeno; on the right, Benedict, Lawrence, Gregory and John the Baptist. The entire composition is full of detail referring to classical antiquity: the frieze with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was an Italian painter of the late Gothic to early Renaissance age. He was born Piero di Giovanni in Siena, Italy. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He was influenced by Giotto and that artist's followers Spinello Aretino and Agnolo Gaddi. Life In 1390, Piero di Giovanni joined the Camaldolese monastery of Santa Maria degli Angeli. He was thenceforth generally known as ''Lorenzo Monaco'' ('Lawrence the Monk'). Starting from around 1404, his works show the influence of the International Gothic, of Lorenzo Ghiberti's earliest works and of Gherardo Starnina. From this period is the ''Pietà'' in the Galleria dell'Accademia in Florence. His works, often over a gilded background, showed in general a spiritual value, and usually did not feature profane elements. In 1414, he painted the ''Coronation of the Virgin'' (now at the Uffizi), characterized by a great number of saints and brilliant colou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maestà (Duccio)
The ''Maestà'', or ''Maestà of Duccio'' is an altarpiece composed of many individual paintings commissioned by the city of Siena in 1308 from the artist Duccio di Buoninsegna and is his most famous work. The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of the ''Childhood of Christ'' with prophets. The reverse has the rest of a combined cycle of the ''Life of the Virgin'' and the '' Life of Christ'' in a total of forty-three small scenes; several panels are now dispersed or lost. The base of the panel has an inscription that reads (in translation): "Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus.""Art History: Fourteenth to Seventeenth Century Art" by Marilyn Stokstad (2011) page 543 Though it took a generation for its effect to be truly felt, Duccio's ''Maestà'' set Italian painting on a course leading away from the hieratic representations of Byzantine art towards mo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Duccio
Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio ''Encyclopedia Britannica''. and is credited with creating the painting styles of and the Sienese school. He also contributed significantly to the Sienese . Biography Alt ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Orsanmichele
Orsanmichele (; "Kitchen Garden of St. Michael", from the Tuscan contraction of the Italian word ''orto'') is a church in the Italian city of Florence. The building was constructed on the site of the kitchen garden of the monastery of San Michele which no longer exists. Located on the Via Calzaiuoli in Florence, the church was originally built as a grain market in 1337 by Francesco Talenti, Neri di Fioravante, and Benci di Cione. Between 1380 and 1404, it was converted into a church used as the chapel of Florence's powerful craft and trade guilds. On the ground floor of the square building are the 13th-century arches that originally formed the loggia of the grain market. The second floor was devoted to offices, while the third housed one of the city's municipal grain storehouses, maintained to withstand famine or siege. Late in the 14th century, the guilds were charged by the city to commission statues of their patron saints to embellish the facades of the church. The sculptures ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Saint George (Donatello)
''St George'' is a marble sculpture by Donatello. It is one of fourteen sculptures commissioned by the guilds of Florence to decorate the external niches of the Orsanmichele church. St. George was commissioned by the guild of the armorers and sword makers, the Arte dei Corazzai e Spadai. A stone thrown at the sculpture in 1858 broke its nose, and in 1892 Donatello's ''St. George'' was moved to the Bargello Museum in Florence. From 1892 to 2008 a bronze replica was placed in the original niche, to be replaced by a marble replica on 23 April 2008. The original sculpture was stolen from the Villa Medici in Poggio a Caiano, but in May 1945 it was recovered by Frederick Hartt in Neumelans in the South Tyrol and returned to Florence on 20 July 1945. The box base was added back onto the statue in 1976. Description Saint George is sculptured as a young, brave, determined and strong man in armor. He is not standing in contrapposto, although his right leg is turned to the same angle as hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |