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Prayers On Fire
''Prayers on Fire'' is the debut studio album by Australian rock group The Birthday Party, which was released on 6 April 1981 on the Missing Link label in Australia, later licensed to the 4AD label. This was the band's first full-length release on an international record label and the first after changing the group's name from Boys Next Door to The Birthday Party. It was recorded at Armstrong's Audio Visual Studios in Melbourne and Richmond Recorders in the nearby suburb of Richmond, between December 1980 and January 1981. Background In February 1980 Melbourne-based new wave group, The Boys Next Door, changed their name to The Birthday Party. They consisted of the same lineup of Phill Calvert on drums, Nick Cave on vocals, Mick Harvey on guitar, Rowland S. Howard on guitar and Tracy Pew on bass guitar. They relocated to London and soon signed with the 4AD label which issued the extended play, ''The Friend Catcher'' in the United Kingdom. In July, their Australian label, Missi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Birthday Party (band)
The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1977 to 1983. The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their 1981 single " Release the Bats" was particularly influential on the emerging gothic scene. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." In 1980, The Birthday Party moved from Melbourne to London, where they were championed by broadcaster John Peel. They subsequently released two albums: '' Prayers on Fire'' (1981) and '' Junkyard'' (1982). Disillusioned by their stay in London, the band's sound and live shows became increasingly violent. They broke up soon after relocating to West Berlin in 1982. The crea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toby Creswell
Toby Creswell (born 21 May 1955) is an Australian music journalist and pop-culture writer. He was editor of ''Rolling Stone'' (Australia) and a founding editor of ''Juice''. In 1986, he co-wrote, with Martin Fabinyi, his first book, ''Too Much Ain't Enough'' a biography of pub rocker and former Cold Chisel vocalist Jimmy Barnes. He also wrote ''The Real Thing: Adventures in Australian Rock & Roll, 1957-Now'' (1999) and ''1001 Australians You Should Know'' (2006). The latter was written with his domestic partner, fellow writer and journalist, Samantha Trenoweth. Biography Creswell wrote his first article on rock & roll for ''Nation Review'' in 1972. He subsequently wrote articles about all aspects of popular culture and music for ''RAM'', ''Billboard'', ''Roadrunner'' and a range of national and international magazines and newspapers. He has worked for ''MTV'' and a variety of television programs as a writer and presenter. As a keyboard player for seminal post-punk band, Sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Head-On (film)
''Head-On'' (german: link=no, Gegen die Wand, literally ''Against the Wall''; tr, link=no, Duvara Karşı) is a 2004 German-Turkish drama film written and directed by Fatih Akın. It stars Birol Ünel as a Turkish-born, alcoholic German widower who enters into a marriage of convenience with a young woman of Turkish descent. She is desperate to escape her restrictive and abusive male relatives. The film won the Golden Bear at the 54th Berlin International Film Festival. Plot Cahit Tomruk is a Turkish German in his 40s. He has given up on life after the death of his wife and seeks solace in cocaine and alcohol. One night, he intentionally drives his car head-on into a wall and barely survives. At the psychiatric clinic where he is treated, a young woman named Sibel Güner approaches him, recognizing him as being Turkish-German. She asks Cahit to marry her, but he rudely declines. Cahit later realizes she is at the hospital after also trying to commit suicide. He sees her interac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dylan Thomas
Dylan Marlais Thomas (27 October 1914 – 9 November 1953) was a Welsh poet and writer whose works include the poems "Do not go gentle into that good night" and "And death shall have no dominion", as well as the "play for voices" ''Under Milk Wood''. He also wrote stories and radio broadcasts such as ''A Child's Christmas in Wales'' and ''Portrait of the Artist as a Young Dog''. He became widely popular in his lifetime and remained so after his death at the age of 39 in New York City. By then, he had acquired a reputation, which he had encouraged, as a "roistering, drunken and doomed poet". Thomas was born in Swansea, Wales, in 1914. In 1931, when he was 16, Thomas, an undistinguished pupil, left school to become a reporter for the '' South Wales Daily Post''. Many of his works appeared in print while he was still a teenager. In 1934, the publication of "Light breaks where no sun shines" caught the attention of the literary world. While living in London, Thomas met Caitli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackson Pollock
Paul Jackson Pollock (; January 28, 1912August 11, 1956) was an American painter and a major figure in the abstract expressionist movement. He was widely noticed for his " drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled ''Number 17A'' was reported to have fetched US$200 million in a private purchase. A reclusive and volatile personality, Pollock struggled with alcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died at the age of 44 in an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MusicHound
MusicHound (sometimes stylized as musicHound) was a compiler of genre-specific music guides published in the United States by Visible Ink Press between 1996 and 2002. After publishing eleven album guides, the MusicHound series was sold to London-based Music Sales Group, whose company Omnibus Press had originally distributed the books outside America. The series' founding editor was Gary Graff, formerly a music critic with the ''Detroit Free Press''. Subtitled "''The Essential Album Guide''", each publication typically contained entries providing an overview of an artist's career and dividing their work into categories such as "what to buy", "what's next", "what to avoid" and "worth searching for". Among the MusicHound album guides were titles dedicated to rock, blues, classical, jazz, world music, swing, and soundtrack recordings. Further to the canine analogy in the series title, albums were graded according to a "bone" rating system: five bones constituting the highest score, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin C
Martin may refer to: Places * Martin City (other) * Martin County (other) * Martin Township (other) Antarctica * Martin Peninsula, Marie Byrd Land * Port Martin, Adelie Land * Point Martin, South Orkney Islands Australia * Martin, Western Australia * Martin Place, Sydney Caribbean * Martin, Saint-Jean-du-Sud, Haiti, a village in the Sud Department of Haiti Europe * Martin, Croatia, a village in Slavonia, Croatia * Martin, Slovakia, a city * Martín del Río, Aragón, Spain * Martin (Val Poschiavo), Switzerland England * Martin, Hampshire * Martin, Kent * Martin, East Lindsey, Lincolnshire, hamlet and former parish in East Lindsey district * Martin, North Kesteven, village and parish in Lincolnshire in North Kesteven district * Martin Hussingtree, Worcestershire * Martin Mere, a lake in Lancashire ** WWT Martin Mere, a wetland nature reserve that includes the lake and surrounding areas * Martin Mill, Kent North America Canada * Rural Municipality of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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