Pramlocha
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Pramlocha
Pramlocha () is an apsara in Hindu mythology, described as a beautiful, celestial damsel. She appears in the story of the rishi Kandu. Legend In the Brahma Purana, Pramlocha is asked by Indra, the king of Svarga, to disturb the penance of the rishi Kandu, whose practice scorched the three worlds with its intensity. He recruits her because she is proud of her beauty and youth, bearing a slender waist and attractive breasts. Aware of the prowess of the sage, the apsara is anxious, and requests Indra to choose Menaka, Urvashi, or Rambha instead. Indra assures her that she would be assisted in this task by Kama, Vasanta, and the gentle breeze, upon which she consents. She reaches the forest that Kandu meditated in filled with trees, flowers, and lakes. She vowed that she would "get him split up by the arrows of Kama": When enquired about her identity. Pramlocha declares herself to be his servant-maid, willing to do his bidding. Enraptured, Kandu takes the apsara by her hand ...
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Apsara
An apsaras or apsara ( sa, अप्सरा ' lso ' pi, अक्चरा, translit=accharā) is a type of female spirit of the clouds and waters in Hinduism and Buddhist culture. They figure prominently in the sculpture, dance, literature and painting of many Indian and Southeast Asian cultures. There are two types of apsaras: ''laukika'' (worldly) and ''daivika'' (divine). Urvasi, Menaka, Rambha, Tilottama and Ghritachi are the most famous among them. They are most often depicted in the court and discretion of Indra. Apsaras are widely known as ''Apsara'' ( ) in Khmer, and also called as ''Accharā'' in Pāli, or ''Bidadari'' (Malay, Maranao), ''Biraddali'' ( Tausug, Sinama), ''Hapsari/Apsari'' or ''Widadari/Widyadari'' ( Javanese), ''Helloi'' ( Meitei) and ''Apsorn'' ( th , อัปสร). English translations of the word "Apsara" include "nymph", "fairy", "celestial nymph", and "celestial maiden". In Hinduism, apsaras are beautiful, supernatural female beings. ...
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Rambha (apsara)
Rambha () is one of the prominent apsaras, the celestial nymphs of Svarga (a heaven), in Hindu mythology. She is extolled to be unrivalled in her accomplishments in the arts of dancing, music, and beauty. Legends Birth According to the '' Adi Parva'' of the epic ''Mahabharata'', Rambha and her apsaras sisters Alambusha, Mishrakeshi, Vidhyutparna, Tilottama, Aruna, Rakshita, Manorama, Subahu, Keshini, Surata and Suraja are the daughters of the sage Kashyapa and his wife Pradha. In the ''Bhagavata Purana'', the name of the mother of the Apsaras is Muni. In some ''Puranic'' scriptures, a varying account is found, according to which Rambha and other apsaras emerged from Kshira Sagara (the ocean of milk) during Samudra Manthana (the churning of the ocean). Encounter with Vishvamitra Rambha and other apsaras are frequently sent by the king of the devas, Indra, to seduce rishis (sages) and ensuring that they don't gain divine powers by self-abnegation and austerities. The '' Bal ...
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Daksha
In Hinduism, Daksha (Sanskrit: दक्ष, IAST: , lit. "able, dexterous, or honest one") is one of the '' Prajapati'', the agents of creation, as well as a divine king-rishi. His iconography depicts him as a man with a stocky body and a handsome face or the head of a goat. In the ''Rigveda'', Daksha is an ''Aditya'' and is associated with priestly skills. In the epics and ''Puranic'' scriptures, he is a ''son'' of the creator god Brahma and the father of many children, who became the progenitors of various creatures. According to one legend, an egoistic Daksha conducted a yajna (fire sacrifice) and didn't invite his youngest daughter Sati and her husband Shiva. He was beheaded by Virabhadra for insulting Sati and Shiva but was later resurrected with the head of a goat. Many ''Puranas'' state that Daksha was reborn to Prachetas in another ''Manvantara'' (age). Etymology and textual history The meaning of the word "Daksha" (दक्ष) is "able", "expert", "skillful" or ...
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Prachetas
Pracetas (Sanskrit: प्रचेतस्) is a term in Hindu mythology with a number of definitions: * It is an epithet of Varuna. * It is a name of one of the ten Prajapatis, the son of Suvarna, a law giver. * It is the name of the grandson of the sage Marichi * It is the designation for a group of beings in the Vedas * It is the collective term for the ten great-grandsons of Prithu Vedas ''Pracetas'' are those which bring consciousness to the outside, through the development of the senses that are active as sensations. These senses are the five forces of mind, five different angles of reflection; their formation took place with the help of the ''Pracetas''. In the Rig Veda Mantra I.41.1 which reads: :''यं रक्षन्ति प्रचेतसो वरुणो मित्रो अर्यमा , '' :''नू चित्स दभ्यते जनः , , '' The word, ''pracetas'', refers to men of knowledge, the men who are learned and wise. but ...
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Sandhyavandanam
Sandhyavandanam (Sanskrit: , ', lit. 'salutation to (Goddess) Twilight' or 'salutation during the twilight') is a mandatory religious ritual centring around the recitation of the Gayatri mantra, traditionally supposed to be performed three times a day by ''Dvija'' communities of Hindus,Dvija
Encyclopedia Britannica (2014)
particularly those initiated through the sacred thread ceremony referred to as the and instructed in its execution by a '''', in this case one qualified to teach Vedic ritual. Sandhyopasana is considered as a path to attain salvation (moksha). ...
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Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests (purohit, pandit, or pujari) and religious teachers (guru or acharya). The other three varnas are the Kshatriya, Vaishya and Shudra. The traditional occupation of Brahmins is that of priesthood at the Hindu temples or at socio-religious ceremonies, and rite of passage rituals such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, the Brahmins are accorded the highest ritual status of the four social classes. Their livelihood is prescribed to be one of strict austerity and voluntary poverty ("A Brahmin should acquire what just suffices for the time, what he earns he should spend all that the same day"). In practice, Indian texts suggest that some Brahmins historicall ...
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Mount Mandara
Mandara ( sa, मन्दर, मन्दार; ) is the name of the mountain that appears in the Samudra Manthana episode in the Hindu Puranas, where it was used as a churning rod to churn the ocean of milk. Shiva's serpent, Vasuki, offered to serve as the rope pulled on one side by a team of ''asuras'', and on the other, by a team of ''devas''. The Puranas refer to various sacred places on the hill that are also believed to be the abode of the avatar Krishna as Madhusudana or the destroyer of the demon called Madhu, who was killed by Krishna and then covered by the Mount Mandara. Some legends identify Mandar Parvat, a hill in Banka district (near Bhagalpur district) in Bihar with Mount Mandara. The Mandar Parvat has the sculpture of what is believed to be of the demon Madhu. Kalidasa's Kumarasambhava refers to foot marks of Vishnu on the slopes of Mandara. The hill is replete with relics of bygone ages. Besides inscriptions and statues there are numerous rock cut sculp ...
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Kama
''Kama'' (Sanskrit ) means "desire, wish, longing" in Hindu, Buddhist, Jain, and Sikh literature.Monier Williamsकाम, kāmaMonier-Williams Sanskrit English Dictionary, pp 271, see 3rd column Kama often connotes sensual pleasure, sexual desire, and longing both in religious and secular Hindu and Buddhist literature, as well as contemporary Indian literature, but the concept more broadly refers to any desire, wish, passion, longing, pleasure of the senses, desire for, longing to and after, the aesthetic enjoyment of life, affection, or love, enjoyment of love is particularly with or without enjoyment of sexual, sensual and erotic desire, and may be without sexual connotations. Kama is one of the four goals of human life and is also contemplated as one of the primary needs to fulfill during the stages of life according to the Hindu tradition. It is considered an essential and healthy goal of human life when pursued without sacrificing the other three goals: Dharma (virtu ...
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Kamadeva
Kama ( sa, काम, ), also known as Kamadeva and Manmatha, is the Hindu god of love and desire, often portrayed alongside his consort, Rati. The Atharvaveda, Atharva Veda regards Kamadeva as the wielder of the creative power of the universe, also describing him to have been "born at first, him neither the gods nor the fathers ever equalled". He is described to be attended by the celestial nymphs of Hindu mythology, the Apsara, apsaras, depicted as a youthful deity of blue or red skin, decked with ornaments and flowers, armed with a bow of sugarcane and shooting arrows of flowers. His most popular legend is his story of incineration by Shiva's third eye while the latter was meditating, later embodied on earth as the eldest son of Krishna and his chief consort Rukmini, Pradyumna. Etymology and other names The name ''Kama-deva'' () can be translated as 'god of love'. ''Deva'' means heavenly or divine, and refers to a deity in Hinduism. ''Kama'' () means "desire" or "longing", ...
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Urvashi
Urvashi ( sa, उर्वशी, Urvaśī}) is the most prominent apsara (celestial nymph) in Hindu mythology, considered to be the most beautiful of all the apsaras, and an expert dancer. She is mentioned in both ''Vedic'' and ''Puranic'' scriptures and is often portrayed as a ' swan maiden'. Urvashi is described to be born out of the thigh of sage Narayana and occupies a special place in the court of Indra, the king of the gods and ruler of svarga (heaven). She is famous for her marriage to Pururavas, a mortal king, whom she later abandons. Urvashi is also regarded as the mother of Vedic sages Vashishtha and Agastya. Etymology The Sanskrit name ''"Urvaśī"'' can have multiple meanings. It is derived from roots''uru'' and ''aś''. Some believe that the name has a non- Aryan origin. According to the scripture ''Devi Bhagavata Purana'', the apsara is known as Urvashi because she is born from the ''uru''—'thigh'—of the divine-sage Narayana. Indologist Monier Monier-Wi ...
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Devaloka
In Indian religions, a devaloka or deva loka is a plane of existence where gods and devas exist. The deva lokas are usually described as places of eternal light and goodness, similar to the concept of Heaven. Teachers of different Hindu denominations may call such homes of the gods by other names, including Svarga, each differing in non-fundamental aspects. Hindu beliefs are vast and diverse, and thus Hinduism is often referred to as a family of religions rather than a single religion. Thus, devaloka is viewed by many Hindu sects as a stopping point onto the final destination of an eternal heaven. These higher planes include Vishnuloka (''Vaikuntha''), Brahmaloka (''Satyaloka'') and Sivaloka ('' Kailasa''), places of union with Vishnu, Brahma and Shiva. Within Hindu traditions, a Devaloka is understood as either a temporary planes of existence due to one's good karma, or a permanent plane of existence that is reached when one is sufficiently attuned to light and good. Within ...
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Menaka
Menaka () is an Apsara (heavenly nymph) in Hindu literature. Legends Menaka was born during the churning of the ocean by the devas and asuras. She is one of the most mesmerising apsaras (celestial nymphs) in the three worlds, with quick intelligence and innate talent, but desired a family. Vishvamitra, one of the most respected and revered sages in ancient India, frightened the devas and even tried to create another heaven - Indra, frightened by his powers, sent Menaka from heaven to earth to lure him and break his meditation. Menaka successfully incited Vishwamitra's lust and passion when he saw her beauty. She succeeded in breaking the meditation of Vishvamitra. However, she fell in genuine love with him and a baby was born to them, who later grew in Sage Kanva's ashram and came to be called Shakuntala. Later, Shakuntala falls in love with King Dushyanta and gives birth to a child called Bharata, who in Hindu tradition, lent his name to the country. When Vishvamitra realiz ...
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