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Kama
Kama
(/ˈkɑːmə/; Sanskrit, Pali; Devanagari: काम, IAST: kāma) means wish, desire or longing in Hindu literature.[3] Kama often connotes sexual desire and longing in contemporary literature, but the concept more broadly refers to any desire, wish, passion, longing, pleasure of the senses, the aesthetic enjoyment of life, affection, or love, with or without sexual connotations.[4][5] Kama
Kama
is one of the four goals of human life in Hindu traditions.[1] It is considered an essential and healthy goal of human life when pursued without sacrificing the other three goals: Dharma
Dharma
(virtuous, proper, moral life), Artha
Artha
(material prosperity, income security, means of life) and Moksha
Moksha
(liberation, release, self-actualization).[6][7] Together, these four aims of life are called Puruṣārtha.[8]

Contents

1 Definition and meaning 2 In Hinduism

2.1 Relative precedence between Kama, Artha, and Dharma 2.2 Kama
Kama
is necessary for existence 2.3 Kama
Kama
is holistic 2.4 Kama
Kama
and stage of life 2.5 Kama
Kama
as deity

3 In Buddhism 4 Theosophy: kama, kamarupa and kamaloka 5 See also 6 References

6.1 Sources

7 External links

Definition and meaning[edit] Kama
Kama
means "desire, wish or longing".[3] In contemporary literature, kama refers usually to sexual desire.[1] However, the term also refers to any sensory enjoyment, emotional attraction and aesthetic pleasure such as from arts, dance, music, painting, sculpture and nature.[2][9] The concept kama is found in some of the earliest known verses in the Vedas. For example, Book 10 of the Rig Veda
Veda
describes the creation of the universe from nothing by the great heat. There in hymn 129, it states:

कामस्तदग्रे समवर्तताधि मनसो रेतः परथमं यदासीत सतो बन्धुमसति निरविन्दन हर्दि परतीष्याकवयो मनीषा [10]

Thereafter rose Desire in the beginning, Desire the primal seed and germ of Spirit, Sages who searched with their heart's thought discovered the existent's kinship in the non-existent.

— Rig Veda, ~ 15th Century BC[11]

The Brhadaranyaka Upanishad, one of the oldest Upanishads
Upanishads
of Hinduism, uses the term kama, also in a broader sense, to refer to any desire:

Man consists of desire (kama), As his desire is, so is his determination, As his determination is, so is his deed, Whatever his deed is, that he attains.

— Brihadaranyaka Upanishad, 7th Century BC[12]

Ancient Indian literature such as the Epics, which followed the Upanishads, develop and explain the concept of kama together with Artha
Artha
and Dharma. The Mahabharata, for example, provides one of the expansive definitions of kama. The Epic claims kama to be any agreeable and desirable experience (pleasure) generated by the interaction of one or more of the five senses with anything congenial to that sense and while the mind is concurrently in harmony with the other goals of human life (dharma, artha and moksha).[13] Kama
Kama
often implies the short form of the word kamana (desire, appetition or appetite). Kama, however, is more than kamana. Kama
Kama
is an experience that includes the discovery of an object, learning about the object, emotional connection, the process of enjoyment and the resulting feeling of well-being before, during, and after the experience.[9] Vatsyayana, the author of the Kamasutra, describes kama as happiness that is a manasa vyapara (phenomenon of the mind). Just like the Mahabharata, Vatsyayana's Kamasutra
Kamasutra
defines kama as pleasure an individual experiences from the world, with one or more senses: ̨hearing, seeing, tasting, smelling, and feeling—in harmony with one's mind and soul.[6] Experiencing harmonious music is kama, as is being inspired by natural beauty, the aesthetic appreciation of a work of art, and admiring with joy something created by another human being. Kama
Kama
Sutra, in its discourse on kama, describes many forms of art, dance, and music, along with sex, as the means to pleasure and enjoyment.[13] John Lochtefeld explains[1] kama as desire, noting that it often refers to sexual desire in contemporary literature, but in ancient Indian literature kāma includes any kind of attraction and pleasure such as those deriving from the arts. Karl Potter describes[14] kama as an attitude and capacity. A little girl who hugs her teddy bear with a smile is experiencing kama, as are two lovers in embrace. During these experiences, the person connects and identifies the beloved as part of oneself and feels more complete, fulfilled, and whole by experiencing that connection and nearness. This, in the Indian perspective, is kāma.[14] Hindery notes the inconsistent and diverse expositions of kama in various ancient texts of India. Some texts, such as the Epic Ramayana, paint kama through the desire of Rama
Rama
for Sita
Sita
&mdash a desire that transcends the physical and marital into a love that is spiritual, and something that gives Rama
Rama
his meaning of life, his reason to live.[15] Sita
Sita
and Rama
Rama
both frequently express their unwillingness and inability to live without the other.[16] This romantic and spiritual view of kama in the Ramayana
Ramayana
by Valmiki
Valmiki
is quite different, claim Hindery[15] and others,[17] than the normative and dry description of kama in the law codes of smriti by Manu for example. Gavin Flood explains[18] kama as "love" without violating dharma (moral responsibility), artha (material prosperity) and one's journey towards moksha (spiritual liberation). In Hinduism[edit]

Kama
Kama
is celebrated in many Hindu temples, such as Khajuraho and the Konark
Konark
Temple (above).[19]

In Hinduism, kama is regarded as one of the four proper and necessary goals of human life (purusharthas), the others being Dharma
Dharma
(virtuous, proper, moral life), Artha
Artha
(material prosperity, income security, means of life) and Moksha
Moksha
(liberation, release, self-actualization).[7][20] Relative precedence between Kama, Artha, and Dharma[edit] Ancient Indian literature emphasizes that dharma precedes and is essential. If dharma is ignored, artha and kama lead to social chaos.[21] Vatsyayana in Kama Sutra
Kama Sutra
recognizes relative value of three goals as follows: artha precedes kama, while dharma precedes both kama and artha.[6] Vatsyayana, in Chapter 2 of Kama
Kama
Sutra, presents a series of philosophical objections argued against kama and then offers his answers to refute those objections. For example, one objection to kama (pleasure, enjoyment), acknowledges Vatsyayana, is this concern that kāma is an obstacle to moral and ethical life, to religious pursuits, to hard work, and to productive pursuit of prosperity and wealth. The pursuit of pleasure, claim objectors, encourages individuals to commit unrighteous deeds, bring distress, carelessness, levity and suffering later in life.[22] These objections were then answered by Vatsyayana, with the declaration that kama is as necessary to human beings as food, and kama is holistic with dharma and artha. Kama
Kama
is necessary for existence[edit] Just like good food is necessary for the well being of the body, good pleasure is necessary for the healthy existence of a human being, suggests Vatsyayana.[23] A life devoid of pleasure and enjoyment—sexual, artistic, of nature—is hollow and empty. Just like no one should stop farming crops even though everyone knows herds of deer exist and will try to eat the crop as it grows up, in the same way claims Vatsyayana, one should not stop one's pursuit of kama because dangers exist. Kama
Kama
should be followed with thought, care, caution and enthusiasm, just like farming or any other life pursuit.[23] Vatsyayana's book the Kama
Kama
Sutra, in parts of the world, is presumed or depicted as a synonym for creative sexual positions; in reality, only 20% of Kama Sutra
Kama Sutra
is about sexual positions. The majority of the book, notes Jacob Levy,[24] is about the philosophy and theory of love, what triggers desire, what sustains it, how and when it is good or bad. Kama Sutra
Kama Sutra
presents kama as an essential and joyful aspect of human existence.[25] Kama
Kama
is holistic[edit]

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Vatsyayana claims kama is never in conflict with dharma or artha, rather all three coexist and kama results from the other two.[6]

A man practicing Dharma, Artha
Artha
and Kama
Kama
enjoys happiness now and in future. Any action which conduces to the practice of Dharma, Artha
Artha
and Kama
Kama
together, or of any two, or even one of them should be performed. But an action which conduces to the practice of one of them at the expense of the remaining two should not be performed. — Vatsyayana, The Kama
Kama
sutra, Chapter 2[26]

In Hindu philosophy, pleasure in general, and sexual pleasure in particular, is neither shameful nor dirty. It is necessary for human life, essential for well being of every individual, and wholesome when pursued with due consideration of dharma and artha. Unlike the precepts of some religions, kama is celebrated in Hinduism, as a value in its own right.[27] Together with artha and dharma, it is an aspect of a holistic life.[9][28] All three purusharthas—Dharma, Artha
Artha
and Kama—are equally and simultaneously important.[29] Kama
Kama
and stage of life[edit] Some[6][30] ancient Indian literature observe that the relative precedence of artha, kama and dharma are naturally different for different people and different age groups. In a baby or child, education and kāma (artistic desires) take precedence; in youth kāma and artha take precedence; while in old age dharma takes precedence. Kama
Kama
as deity[edit] Kama
Kama
is personified as deity Kamadeva
Kamadeva
and his consort Rati. Deity Kama is comparable to the Greek deity Eros—they both trigger human sexual attraction and sensual desire.[1][8] Kama
Kama
rides a parrot, and the deity is armed with bow and arrows to pierce hearts. The bow is made of sugarcane stalk, the bowstring is a line of bees, and the arrows are tipped with five flowers representing five emotions-driven love states.[31] The five flowers on Kama
Kama
arrows are lotus flower (infatuation), ashoka flower (intoxication with thoughts about the other person), mango flower (exhaustion and emptiness in absence of the other), jasmine flower (pining for the other) and blue lotus flower (paralysis with confusion and feelings). Kama
Kama
is also known as Ananga (literally "one without body") because desire strikes formlessly, through feelings in unseen ways.[1] The other names for deity Kama
Kama
include Madan (he who intoxicates with love), Manmatha (he who agitates the mind), Pradyumna (he who conquers all) and Kushumesu (he whose arrows are flowers).[32] In Buddhism[edit] In Buddhism's Pali
Pali
Canon, the Gautama Buddha
Gautama Buddha
renounced (Pali: nekkhamma) sensuality (kama) in route to his Awakening.[33] Some Buddhist lay practitioners recite daily the Five Precepts, a commitment to abstain from "sexual misconduct" (kāmesu micchacara กาเมสุ มิจฺฉาจารา).[34] Typical of Pali
Pali
Canon discourses, the Dhammika Sutta
Dhammika Sutta
(Sn 2.14) includes a more explicit correlate to this precept when the Buddha enjoins a follower to "observe celibacy or at least do not have sex with another's wife."[35] Theosophy: kama, kamarupa and kamaloka[edit] In the Theosophy
Theosophy
of Blavatsky, Kama
Kama
is the fourth principle of the septenary, associated with emotions and desires, attachment to existence, volition, and lust.[36] Kamaloka is a semi-material plane, subjective and invisible to humans, where disembodied "personalities", the astral forms, called Kama-rupa remain until they fade out from it by the complete exhaustion of the effects of the mental impulses that created these eidolons of human and animal passions and desires. It is associated with Hades
Hades
of ancient Greeks and the Amenti
Amenti
of the Egyptians, the land of Silent Shadows; a division of the first group of the Trailokya. See also[edit]

Alcmaeon (mythology) Buddhist cosmology
Buddhist cosmology
of the Theravada
Theravada
school Cupid Kaam, a word with a similar meaning

References[edit]

^ a b c d e f James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism, Volume 1, Rosen Publishing, New York, ISBN 0-8239-2287-1, pp 340 ^ a b See:

Kate Morris (2011), The Illustrated Dictionary of History, ISBN 978-8189093372, pp 124; Robert E. Van Voorst, RELG: World, Wadsworth, ISBN 978-1-111-72620-1, pp 78

^ a b Monier Williams, काम, kāma Monier-Williams Sanskrit English Dictionary, pp 271, see 3rd column ^ Macy, Joanna (1975). "The Dialectics of Desire". Numen. BRILL. 22 (2): 145–60. JSTOR 3269765.  ^ Lorin Roche. "Love-Kama". Retrieved 15 July 2011.  ^ a b c d e The Hindu Kama
Kama
Shastra Society (1925), The Kama Sutra
Kama Sutra
of Vatsyayana, University of Toronto Archives, pp. 8 ^ a b see:

A. Sharma (1982), The Puruṣārthas: a study in Hindu axiology, Michigan State University, ISBN 9789993624318, pp 9-12; See review by Frank Whaling in Numen, Vol. 31, 1 (Jul., 1984), pp. 140-142; A. Sharma (1999), The Puruṣārthas: An Axiological Exploration of Hinduism, The Journal of Religious Ethics, Vol. 27, No. 2 (Summer, 1999), pp. 223-256; Chris Bartley (2001), Encyclopedia of Asian Philosophy, Editor: Oliver Learman, ISBN 0-415-17281-0, Routledge, Article on Purushartha, pp 443

^ a b Kama
Kama
in Encyclopædia Britannica, Chicago, 2009 ^ a b c R. Prasad (2008), History of Science, Philosophy and Culture in Indian Civilization, Volume 12, Part 1, ISBN 978-8180695445, pp 249-270 ^ Rig Veda
Veda
Book 10 Hymn 129 Verse 4 ^ Ralph Griffith (Translator, 1895), The Hymns of the Rig veda, Book X, Hymn CXXIX, Verse 4, pp 575 ^ Klaus Klostermaier, A Survey of Hinduism, 3rd Edition, State University of New York Press, ISBN 978-0-7914-7082-4, pp. 173-174 ^ a b R. Prasad (2008), History of Science, Philosophy and Culture in Indian Civilization, Volume 12, Part 1, ISBN 978-8180695445, Chapter 10, particularly pp 252-255 ^ a b Karl H. Potter (2002), Presuppositions of India's Philosophies, Motilal Banarsidass, ISBN 978-8120807792, pp. 1-29 ^ a b Roderick Hindery, "Hindu Ethics in the Ramayana", The Journal of Religious Ethics, Vol. 4, No. 2 (Fall, 1976), pp. 299 ^ See verses at 2.30, 4.1, 6.1, 6.83 for example; Abridged Verse 4.1: " Sita
Sita
invades my entire being and my love is entirely centered on her; Without that lady of lovely eyelashes, beautiful looks, and gentle speech, I cannot survive, O Saumitri."; for peer reviewed source, see Hindery, The Journal of Religious Ethics, Vol. 4, No. 2 (Fall, 1976), pp 299-300 ^ Benjamin Khan (1965), The concept of Dharma
Dharma
in Valmiki
Valmiki
Ramayana, Delhi, ISBN 978-8121501347 ^ Gavin Flood (1996), The meaning and context of the Purusarthas, in Julius Lipner (Editor), The Fruits of Our Desiring, ISBN 978-1896209302, pp 11-13 ^ Thomas Donaldson (2005), Konark, Oxford University Press, ISBN 978-0195675917 ^ Brodd, Jefferey (2003). World Religions. Winona, MN: Saint Mary's Press. ISBN 978-0-88489-725-5.  ^ Gavin Flood (1996), The meaning and context of the Purusarthas, in Julius Lipner (Editor) - The Fruits of Our Desiring, ISBN 978-1896209302, pp 16-21 ^ The Hindu Kama
Kama
Shastra Society (1925), The Kama Sutra
Kama Sutra
of Vatsyayana, University of Toronto Archives, pp. 9-10 ^ a b The Hindu Kama
Kama
Shastra Society (1925), The Kama Sutra
Kama Sutra
of Vatsyayana, University of Toronto Archives, Chapter 2, pp 8-11; pp 172 ^ Jacob Levy (2010), Kama
Kama
sense marketing, iUniverse, ISBN 978-1440195563, see Introduction ^ Alain Daniélou, The Complete Kama
Kama
Sutra: The First Unabridged Modern Translation of the Classic Indian Text, ISBN 978-0892815258 ^ The Hindu Kama
Kama
Shastra Society (1925), Answer 4, The Kama Sutra
Kama Sutra
of Vatsyayana, University of Toronto Archives, pp. 11 ^ Bullough and Bullough (1994), Human Sexuality: An Encyclopedia, Routledge, ISBN 978-0824079727, pp 516 ^ Gary Kraftsow, Yoga
Yoga
for Transformation - ancient teachings and practices for healing body, mind and heart, Penguin, ISBN 978-0-14-019629-0, pp 11-15 ^ C. Ramanathan, Ethics in the Ramayana, in History of Science, Philosophy and Culture in Indian Civilization (Editor: R. Prasad), Volume 12, Part 1, ISBN 978-8180695445, pp 84-85 ^ P.V. Kane (1941), History of Dharmashastra, Volume 2, Part 1, Bhandarkar Oriental Research Institute, pp. 8-9 ^ Coulter and Turner, Encyclopedia of Ancient Deities, Francis & Taylor, ISBN 978-1135963903, pp 258-259 ^ William Joseph Wilkins (193), Hindu mythology, Vedic and Puranic, Thacker & Spink, Indiana University Archives, pp 268 ^ See, for instance, Dvedhavitakka Sutta (MN 19) (Thanissaro, 1997a). ^ See, for instance, Khantipalo (1995). ^ "Dhammika Sutta: Dhammika". www.accesstoinsight.org.  ^ Farthing 1978 p.210.

Sources[edit]

Ireland, John D. (trans.) (1983). Dhammika Sutta: Dhammika (excerpt) (Sn 2.14). Retrieved 5 Jul 2007 from "Access to Insight" at http://www.accesstoinsight.org/tipitaka/kn/snp/snp.2.14.irel.html. Khantipalo, Bhikkhu
Bhikkhu
(1982, 1995). Lay Buddhist Practice: The Shrine Room, Uposatha
Uposatha
Day, Rains Residence (The Wheel No. 206/207). Kandy: Buddhist Publication Society. Retrieved 5 Jul 2007 from "Access to Insight" at http://www.accesstoinsight.org/lib/authors/khantipalo/wheel206.html. Sri Lanka Buddha Jayanti Tipitaka Series (n.d.) (SLTP). Pañcaṅgikavaggo (AN 5.1.3.8, in Pali). Retrieved 3 Jul 2007 from "MettaNet-Lanka" at http://metta.lk/tipitaka/2Sutta-Pitaka/4Anguttara-Nikaya/Anguttara3/5-pancakanipata/003-pancangikavaggo-p.html. Thanissaro Bhikkhu
Thanissaro Bhikkhu
(trans.) (1997a). Dvedhavitakka Sutta: Two Sorts of Thinking (MN 19). Retrieved 3 Jul 2007 from "Access to Insight" at http://www.accesstoinsight.org/tipitaka/mn/mn.019.than.html. Thanissaro Bhikkhu
Thanissaro Bhikkhu
(trans.) (1997b). Samadhanga Sutta: The Factors of Concentration (AN 5.28). Retrieved 3 Jul 2007 from "Access to Insight" at http://www.accesstoinsight.org/tipitaka/an/an05/an05.028.than.html. H. P. Blavatsky, 1892. The Theosophical Glossary. London: The Theosophical Publishing Society

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Look up kama in Wiktionary, the free dictionary.

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