Postmodern Theatre
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Postmodern Theatre
Postmodern theatre is a recent phenomenon in world theatre, coming as it does out of the postmodern philosophy that originated in Europe in the middle of the twentieth century. Postmodern theatre emerged as a reaction against modernist theatre. Most postmodern productions are centered on highlighting the fallibility of definite truth, instead encouraging the audience to reach their own individual understanding. Essentially, thus, postmodern theatre raises questions rather than attempting to supply answers. Postmodern techniques A postmodern theatrical production might make use of some or all of the following techniques: # The accepted norms of seeing and representing the world are challenged and disregarded, while experimental theatrical perceptions and representations are created. # A pastiche of different textualities and media forms are used, including the simultaneous use of multiple art or media forms, and there is the 'theft' of a heterogeneous group of artistic forms. # The ...
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Postmodernism
Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticism toward the "meta-narrative, grand narratives" of modernism, opposition to epistemological, epistemic certainty or stability of meaning (semiotics), meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the instrumental conditionality, conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-reference, self-referentiality, epistemological relativism, moral relativism, pluralism (philosophy), pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity (philosophy), identity, hierar ...
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With The People From The Bridge
''With the People from the Bridge'' (Greek: ''Με τους ανθρώπους από τη γέφυρα'') is the second part of the ''Poena Damni'' trilogy by Greek author Dimitris Lyacos. The book deals with the theme of loss and the return of the dead in the context of Christian teleology. The text is encased in a post-theatrical ritual drama form, drawing on various philosophical and literary sources as well as ancient and modern Greek folklore. The plot-line centers around an Orpheus-like journey of the protagonist LG who joins his deceased companion in the grave and is subsequently led by her to a liminal realm ahead of the imminent Resurrection Day. The work has been categorized by critics to belong to both the Modernist and the Post-Modernist tradition, while at the same time bearing strong affinities to a variety of canonical texts, among others Homer, Dante, Kafka, Joyce and Beckett. Synopsis ''With the People from the Bridge'' follows the main line of narrative of ' ...
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Postmodern Art
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as Postmodernism, postmodern. There are several characteristics which lend art to being postmodern; these include bricolage, the use of text prominently as the central artistic element, collage, abstract art, simplification, appropriation art, appropriation, performance art, the recycling of past styles and themes in a modern-day context, as well as the break-up of the barrier between fine arts, fine and high culture, high arts and low culture, low art and popular culture. Use of the term The predominant term for art produced since the 1950s is "contemporary art". Not all art labeled as contemporary art is postmodern, and the broader term encompasses both artists who continue to work in modernist ...
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Postmodern Plays
Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the "grand narratives" of modernism, opposition to epistemic certainty or stability of meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization. Initially emerging from a mode of literary criticism, postmodernism developed in the mid-twentieth century as a rejection of modernism and has been observed ac ...
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Postmodern Theatre
Postmodern theatre is a recent phenomenon in world theatre, coming as it does out of the postmodern philosophy that originated in Europe in the middle of the twentieth century. Postmodern theatre emerged as a reaction against modernist theatre. Most postmodern productions are centered on highlighting the fallibility of definite truth, instead encouraging the audience to reach their own individual understanding. Essentially, thus, postmodern theatre raises questions rather than attempting to supply answers. Postmodern techniques A postmodern theatrical production might make use of some or all of the following techniques: # The accepted norms of seeing and representing the world are challenged and disregarded, while experimental theatrical perceptions and representations are created. # A pastiche of different textualities and media forms are used, including the simultaneous use of multiple art or media forms, and there is the 'theft' of a heterogeneous group of artistic forms. # The ...
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Forced Entertainment
Forced Entertainment is an experimental theatre company based in Sheffield, England, founded by Tim Etchells in 1984. Details and history Forced Entertainment originally focused on making and touring theatre performances before expanding to long durational performance, live art, video and digital media. Their work has been presented throughout the UK and Europe as well as Australia, Japan, Canada and the US. They develop projects using a collaborative process – devising work as a group through improvisation, experimentation and debate. Their core members are Tim Etchells (artistic director), Richard Lowdon (designer and performer) and performers Robin Arthur, Claire Marshall, Cathy Naden and Terry O'Connor, who have all been with the company from the start. A book was published about them in 2004, ''"Not Even a Game Anymore": The Theatre of Forced Entertainment''. In 2012 BBC Radio 4 aired a programme following their creative process developing, writing and rehearsing ''The Co ...
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:Category:Postmodern Theatre
{{DEFAULTSORT:Postmodern drama, theatre and performance Drama Drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been ... Drama History of theatre 20th-century theatre Performance art Theatrical genres ...
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Poststructuralism
Post-structuralism is a term for philosophical and literary forms of theory that both build upon and reject ideas established by structuralism, the intellectual project that preceded it. Though post-structuralists all present different critiques of structuralism, common themes among them include the rejection of the self-sufficiency of structuralism, as well as an interrogation of the binary oppositions that constitute its structures. Accordingly, post-structuralism discards the idea of interpreting media (or the world) within pre-established, socially constructed structures.Bensmaïa, Réda. 2005. "Poststructuralism." Pp. 92–93 in The Columbia History of Twentieth-Century French Thought', edited by L. Kritzman. Columbia University Press. Poster, Mark. 1988. "Introduction: Theory and the problem of Context." pp. 5–6 i''Critical theory and poststructuralism: in search of a context'' Merquior, José G. 1987. ''Foucault'', (Fontana Modern Masters series). University of Californi ...
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Postmodernity
Postmodernity (post-modernity or the postmodern condition) is the economic or cultural state or condition of society which is said to exist ''after'' modernity. Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by postmodernity. The idea of the postmodern condition is sometimes characterized as a culture stripped of its capacity to function in any linear or autonomous state like regressive isolationism, as opposed to the progressive mind state of modernism. Postmodernity can mean a personal response to a postmodern society, the conditions in a society which make it postmodern or the state of being that is associated with a postmodern society as well as a historical epoch. In most contexts it should be distinguished from postmodernism, the adoption of Postmodern philosophy, postmodern philosophies or traits ...
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Postmodernism
Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticism toward the "meta-narrative, grand narratives" of modernism, opposition to epistemological, epistemic certainty or stability of meaning (semiotics), meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the instrumental conditionality, conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-reference, self-referentiality, epistemological relativism, moral relativism, pluralism (philosophy), pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity (philosophy), identity, hierar ...
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Quotations From A Ruined City
A quotation is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. In oral speech, it is the representation of an utterance (i.e. of something that a speaker actually said) that is introduced by a quotative marker, such as a verb of saying. For example: John said: "I saw Mary today". Quotations in oral speech are also signaled by special prosody in addition to quotative markers. In written text, quotations are signaled by quotation marks. Quotations are also used to present well-known statement parts that are explicitly attributed by citation to their original source; such statements are marked with ( punctuated with) quotation marks. Quotations are often used as a literary device to represent someone's point of view. They are also widely used in spoken language when an interlocutor wishes to present a proposition that they have come to know via hearsay. As a literary device A quotation can also refer to the repeated use of unit ...
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Reza Abdoh
Reza is a Persian name, originating from the Arabic word , ''Riḍā'', which literally means "the fact of being pleased or contented; contentment, approval". In religious context, this name is interpreted as ''satisfaction'' or "''perfect contentment'' with God's will or decree". The name is neutral and not one used only by a particular sect, and is used widely by Iranians, Arab Christians and Arab Druze. According to Annemarie Schimmel, "riḍā is closely related to shukr"; "shukr" is an Arabic term denoting thankfulness and gratitude. Given name Religion * Ali al-Ridha, Eighth Shia Ithna Ashari Imam. * Ala Hazrat Imam Ahmed Raza Khan Academics * Reza Afshari, Iranian historian * Reza Davari Ardakani, Iranian philosopher * Reza Ghadiri, Iranian-American chemist * Reza Iravani, Iranian academic * Rida Khawaldeh, Jordanian academic * Reza Malekzadeh, Iranian physician * Reza Mansouri, Iranian physicist * Reza Olfati-Saber, Iranian roboticist * Rida Said, Syrian phys ...
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