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Forced Entertainment
Forced Entertainment is an experimental theatre company based in Sheffield, England, founded by Tim Etchells in 1984. Details and history Forced Entertainment originally focused on making and touring theatre performances before expanding to long durational performance, live art, video and digital media. Their work has been presented throughout the UK and Europe as well as Australia, Japan, Canada and the US. They develop projects using a collaborative process – devising work as a group through improvisation, experimentation and debate. Their core members are Tim Etchells (artistic director), Richard Lowdon (designer and performer) and performers Robin Arthur, Claire Marshall, Cathy Naden and Terry O'Connor, who have all been with the company from the start. A book was published about them in 2004, ''"Not Even a Game Anymore": The Theatre of Forced Entertainment''. In 2012 BBC Radio 4 aired a programme following their creative process developing, writing and rehearsing ''The ...
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Tim Etchells
Tim Etchells (born 1962) is an English artist and writer based in Sheffield and London. Etchells is the artistic director of Forced Entertainment, an experimental performance company founded in 1984. He has published several works of fiction, written about contemporary performance and exhibited his visual art projects in various locations. Etchells' work spans performance, video, photography, text projects, installation and fiction. He is currently Professor of Performance and Writing at Lancaster University Biography Etchells is currently Professor of Performance at Lancaster University and has been teaching extensively in a variety of contexts. In 2006, he convened ''The Presence Project'', a series of workshops at Stanford University. Etchells' publication, ''Vacuum Days'', based on his year-long web-based project of 2011, was published by Storythings in 2012. Etchells has published several works of fiction, ''Endland Stories'', ''The Dream Dictionary for the Modern ...
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The Daily Telegraph
''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as ''The Daily Telegraph & Courier''. Considered a newspaper of record over '' The Times'' in the UK in the years up to 1997, ''The Telegraph'' generally has a reputation for high-quality journalism, and has been described as being "one of the world's great titles". The paper's motto, "Was, is, and will be", appears in the editorial pages and has featured in every edition of the newspaper since 19 April 1858. The paper had a circulation of 363,183 in December 2018, descending further until it withdrew from newspaper circulation audits in 2019, having declined almost 80%, from 1.4 million in 1980.United Newspapers PLC and Fleet Holdings PLC', Monopolies and Mergers Commission (1985), pp. 5–16. Its ...
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Contemporary Art Organizations
Contemporary history, in English-language historiography, is a subset of modern history that describes the historical period from approximately 1945 to the present. Contemporary history is either a subset of the late modern period, or it is one of the three major subsets of modern history, alongside the early modern period and the late modern period. In the social sciences, contemporary history is also continuous with, and related to, the rise of postmodernity. Contemporary history is politically dominated by the Cold War (1947–1991) between the Western Bloc, led by the United States, and the Eastern Bloc, led by the Soviet Union. The confrontation spurred fears of a nuclear war. An all-out "hot" war was avoided, but both sides intervened in the internal politics of smaller nations in their bid for global influence and via proxy wars. The Cold War ultimately ended with the Revolutions of 1989 and the dissolution of the Soviet Union in 1991. The latter stages and ...
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Postmodern Theatre
Postmodern theatre is a recent phenomenon in world theatre, coming as it does out of the postmodern philosophy that originated in Europe in the middle of the twentieth century. Postmodern theatre emerged as a reaction against modernist theatre. Most postmodern productions are centered on highlighting the fallibility of definite truth, instead encouraging the audience to reach their own individual understanding. Essentially, thus, postmodern theatre raises questions rather than attempting to supply answers. Postmodern techniques A postmodern theatrical production might make use of some or all of the following techniques: # The accepted norms of seeing and representing the world are challenged and disregarded, while experimental theatrical perceptions and representations are created. # A pastiche of different textualities and media forms are used, including the simultaneous use of multiple art or media forms, and there is the 'theft' of a heterogeneous group of artistic forms. # The ...
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British Library
The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. The British Library is a major research library, with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books, along with substantial holdings of manuscripts and items dating as far back as 2000 BC. The library maintains a programme for content acquis ...
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Marie-Hélène Falcon
Marie-Hélène Falcon (born 1942) is a former artistic director for theatre and dance in Quebec. She was born in Montreal and studied philosophy and theatre at the Université du Québec à Montréal. She was artistic director for the Festival du théâtre étudiant du Québec and co-director for the Association québécoise du jeune théâtre. Falcon was co-founder of the Festival de théâtre des Amériques which later evolved into the Festival TransAmériques and served as its director and artistic director until her departure in June 2014. She also founded Théâtres du monde in 1996 and Nouvelles Scènes in 1997. Falcon has been frequently invited to participate in international festivals and conferences on contemporary theatre. She has been a member of various award juries and advisory committees in Canada, the United States and Latin America. She received the Gascon-Thomas Award from the National Theatre School of Canada in 1998. She was named a Chevalier in the French Ordre ...
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Financial Times
The ''Financial Times'' (''FT'') is a British daily newspaper printed in broadsheet and published digitally that focuses on business and economic current affairs. Based in London, England, the paper is owned by a Japanese holding company, Nikkei, with core editorial offices across Britain, the United States and continental Europe. In July 2015, Pearson sold the publication to Nikkei for £844 million ( US$1.32 billion) after owning it since 1957. In 2019, it reported one million paying subscriptions, three-quarters of which were digital subscriptions. The newspaper has a prominent focus on financial journalism and economic analysis over generalist reporting, drawing both criticism and acclaim. The daily sponsors an annual book award and publishes a " Person of the Year" feature. The paper was founded in January 1888 as the ''London Financial Guide'' before rebranding a month later as the ''Financial Times''. It was first circulated around metropolitan London by James Sher ...
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International Ibsen Award
The International Ibsen Award (Norwegian: ''Den internasjonale Ibsenprisen'') honours an individual, institution or organization that has brought new artistic dimensions to the world of drama or theater. The committee consists of figures in the theatre community. The prize was established by the Norwegian government in 2008, using the name of playwright Henrik Ibsen. It has no relation to Henrik Ibsen or the Ibsen family, and is solely the initiative of the Norwegian government. The winner is announced on 20 March, which is also Henrik Ibsen's birthday, and the prize consists of NOK 2,5 millions making it one of the richest literary prizes in the world. It is awarded at the Norwegian National Theatre's Ibsen festival every other year. The first laureate was British theatre and film director Peter Brook who received the prize on 31 August 2008 during the Ibsen Festival at the Nationaltheatret. The chair of the jury was Liv Ullmann. In 2011 the prize was made biennial, with the ...
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Ruhrtriennale
The Ruhrtriennale (compound of ''Ruhr'' and ''triennale'' "lasting 3 years"), also known as Ruhr Triennale, was founded in 2002 and is a music and arts festival in the Ruhr-area of Germany which runs between mid-August and mid-October, and happens in three-year cycles. The topics of the festival focus on contemporary social and global upheavals. History It was founded in 2002 by the government of North Rhine-Westphalia with Gerard Mortier, the impresario and former artistic director of the Salzburg Festival, as its founding director. The festival is organized into three-year cycles, each with its own theme and under different artistic directors. Each yearly festival comprises 80 performances of 30 productions. Its central feature are the ''Kreationen'' (creations) – interdisciplinary productions uniting contemporary developments in fine art, pop, jazz and concert music. Another continuous element is the concert series, ''Century of Song'', dedicated to the art of songwriting. ...
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National Review Of Live Art
The National Review of Live Art, also known by the abbreviation NRLA, was an annual festival of live art which ran from 1979 to 2010 in the UK. History The festival owed its origins to a one-day event called simply the Performance Platform, which was organised by Steve Rogers at Nottingham's Midland Group Arts Centre in 1979. After a further Platform in 1980, the event grew into a larger, annual festival of live art which usually lasted four or five days. These were held at the Midland Group until 1987, when the NRLA, which has been under the direction of Nikki Milican since 1984, moved to London's Riverside Studios. This was the beginning of a more peripatetic existence: from 1988 - 1990 the Review took place at Glasgow's Third Eye Centre (now the Centre for Contemporary Arts); after a two-year hiatus, it returned to London, in 1993, where it was held at the Institute of Contemporary Arts (ICA), and in 1994 went back to Glasgow, where it was held at The Arches. In 1996 the la ...
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The Independent
''The Independent'' is a British online newspaper. It was established in 1986 as a national morning printed paper. Nicknamed the ''Indy'', it began as a broadsheet and changed to tabloid format in 2003. The last printed edition was published on Saturday 26 March 2016, leaving only the online edition. The newspaper was controlled by Tony O'Reilly's Irish Independent News & Media from 1997 until it was sold to the Russian oligarch and former KGB Officer Alexander Lebedev in 2010. In 2017, Sultan Muhammad Abuljadayel bought a 30% stake in it. The daily edition was named National Newspaper of the Year at the 2004 British Press Awards. The website and mobile app had a combined monthly reach of 19,826,000 in 2021. History 1986 to 1990 Launched in 1986, the first issue of ''The Independent'' was published on 7 October in broadsheet format.Dennis Griffiths (ed.) ''The Encyclopedia of the British Press, 1422–1992'', London & Basingstoke: Macmillan, 1992, p. 330 It was pro ...
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Experimental Theatre
Experimental theatre (also known as avant-garde theatre), inspired largely by Wagner's concept of Gesamtkunstwerk, began in Western theatre in the late 19th century with Alfred Jarry and his Ubu plays as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays. The term has shifted over time as the mainstream theatre world has adopted many forms that were once considered radical. Like other forms of the avant-garde, it was created as a response to a perceived general cultural crisis. Despite different political and formal approaches, all avant-garde theatre opposes bourgeois theatre. It tries to introduce a different use of language and the body to change the mode of perception and to create a new, more active relation with the audience. Relationships to audience Famed experimental theatre director and playwright Peter Brook describes his task as building "… a necessary theatre, one in which there is only a practical differen ...
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