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Post-Impressionists
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Automne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grafton Galleries
The Grafton Galleries, often referred to as the Grafton Gallery, was an art gallery in Mayfair, London. The French art dealer Paul Durand-Ruel showed the first major exhibition in Britain of Impressionist paintings there in 1905. Roger Fry's two famous exhibitions of Post-Impressionist works in 1910 and 1912 were both held at the gallery. History The date of foundation of the Grafton Galleries is not certain; some sources give 1873, when it had an address in Liverpool. The gallery was incorporated in London on 16 June 1891, and opened in February 1893, first at 8 Grafton Street, and later, from 1896, in Bond Street. The manager was Francis Gerard Prange. From 1905 or earlier, Roger Fry was an advisor to the gallery; he asked William Rothenstein to advise him on exhibition content. Exhibitions The first London exhibition of the Grafton Galleries opened on 18 February 1893; the last was probably in 1930. The most celebrated exhibitions held there were Paul Durand-Ruel's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Fry
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was the first figure to raise public awareness of modern art in Britain, and emphasised the formal properties of paintings over the "associated ideas" conjured in the viewer by their representational content. He was described by the art historian Kenneth Clark as "incomparably the greatest influence on taste since Ruskin ...In so far as taste can be changed by one man, it was changed by Roger Fry". The taste Fry influenced was primarily that of the Anglophone world, and his success lay largely in alerting an educated public to a compelling version of recent artistic developments of the Parisian avant-garde. Life Born in London, the son of the judge Edward Fry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Rutter
Francis Vane Phipson Rutter (17 February 1876 – 18 April 1937)"Rutter, Frank V. P.", ''Who Was Who'', A & C Black, 1920–2007; online edn, Oxford University Press, Dec 2007. Retrieved froukwhoswho8 August 2008. was a British art critic, curator and activist. In 1903, he became art critic for ''The Sunday Times'', a position which he held for the rest of his life.''The Times'', 19 April 1937, p. 16, issue 47662, col B, "Obituary: Mr. Frank Rutter". Retrieved froinfotrac.galegroup.com 8 August 2008. He was an early champion in England of modern art, founding the French Impressionist Fund in 1905 to buy work for the national collection, and in 1908 starting the Allied Artists Association to show "progressive" art, as well as publishing its journal, ''Art News'', the "First Art Newspaper in the United Kingdom". In 1910, he began to actively support women's suffrage, chairing meetings, and giving sanctuary to suffragettes released from prison under the Cat and Mouse Act—helping ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Pissarro
Jacob Abraham Camille Pissarro ( , ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of Saint Thomas, U.S. Virgin Islands, St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. While his early works are still influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism, he arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He gave up the use of Perspective (graphical), perspective and broke with the established rules of Academic Art and strived for a renewal of traditional design methods on the basis of the impressionistic color space and color modulation principles. Cézanne's often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Othon Friesz
Achille-Émile Othon Friesz (6 February 1879 – 10 January 1949), who later called himself Othon Friesz, a native of Le Havre, was a French artist of the Fauvist movement. Biography Othon Friesz was born in Le Havre, the son of a long line of shipbuilders and sea captains. He went to school in his native city. It was while he was at the Lycée that he met his lifelong friend Raoul Dufy. He and Dufy studied at the Le Havre School of Fine Arts in 1895-96 and then went to Paris together for further study. In Paris, Friesz met Henri Matisse, Albert Marquet, and Georges Rouault. Like them, he rebelled against the academic teaching of Bonnat and became a member of the Fauves, exhibiting with them in 1907. The following year, Friesz returned to Normandy and to a much more traditional style of painting, since he had discovered that his personal goals in painting were firmly rooted in the past. He opened his own studio in 1912 and taught until 1914 at which time he joined the army for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauguin
Eugène Henri Paul Gauguin (, ; ; 7 June 1848 – 8 May 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetism, Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscape painting, landscapes from that region. His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent van Gogh, Vincent and Theo van Gogh (art dealer), Theo van Gogh. Gauguin's art became popular after his death, partially from the efforts of Art dealer, dealer Ambroise Vollard, who organized Art exhibition, exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris. Gauguin was an important figure in the Symbolism (arts), Sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an art dealer, often traveling, but became depressed after he was transferred to London. He turned to religion and spent time as a Protestant missionary in southern Belgium. He drifted in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rewald
John Rewald (May 12, 1912 – February 2, 1994) was an American academic, author and art historian. He was known as a scholar of Impressionism, Post-Impressionism, Cézanne, Renoir, Pissarro, Seurat, and other French painters of the late 19th century. He was recognized as a foremost authority on late 19th-century art. His ''History of Impressionism'' is a standard work. Biography He was born Gustav Rewald at Berlin, of a middle-class, professional family. Rewald came from a Jewish background. He completed his ''Abitur'' in Hamburg, and studied thereafter at several German universities, going to the Sorbonne in Paris in 1932. At the Sorbonne he wrote his dissertation on the friendship of Zola and Cézanne, having to persuade the academic authorities on this because Cézanne (died 1906) was considered too recent a figure. When France declared war on Germany in 1939, he was interned as an enemy alien. He emigrated to the United States in 1941 and Alfred Barr, director of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
