Portrait Of Pope Paul III (Titian)
''Portrait of Pope Paul III'' (or ''Portrait of Pope Paul III Without Cap'') is a 1543 Oil painting, oil-on-canvas portrait by Titian of Pope Paul III, produced during the pope's visit to Northern Italy.Portrait of Pope Paul III Without Cap Google Arts and Culture. Retrieved 31 March 2022 It is in the collection of the Capodimonte Museum, Naples, southern Italy. Background The work was completed by Titian during a meeting with Paul III in Ferrara, in April 1543 during a period of tension and political uncertainty leading up to the Council of Trent.Bondanella (1996), p. 86 The pope is depicted with unflinching realism and an old, tired and distrustful man, but who nevertheless has an intelligent and sharp expressio ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portrait Of Pope Julius II
''Portrait of Pope Julius II'' is an oil painting of 1511–1512 by the Italian High Renaissance painter Raphael. The portrait of Pope Julius II was unusual for its time and would carry a long influence on papal portraiture. From early in its life, it was specially hung at the pillars of the church of Santa Maria del Popolo, on the main route from the north into Rome, on feast and high holy days. Giorgio Vasari, writing long after Julius' death, said that "it was so lifelike and true it frightened everyone who saw it, as if it were the living man himself". The painting exists in many versions and copies, and for many years, a version of the painting which now hangs in the Uffizi Gallery in Florence was believed to be the original or prime version, but in 1970 opinion shifted. The original is currently believed to be the version located in the National Gallery, London. Composition The presentation of the subject was unusual for its time. Previous Papal portraits showed them front ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1545 Paintings
Year 1545 ( MDXLV) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. Events January–June * February 22 – A firman of the Ottoman Empire is issued for the dethronement of Radu Paisie as Prince of Wallachia. * February 27 – Battle of Ancrum Moor: The Scots are victorious over numerically superior English forces. * March 24 – At a diet in Worms, Germany, summoned by Pope Paul III, the German Protestant princes demand a national religious settlement for Germany. Holy Roman Emperor, Charles V refuses. *April 1 – Potosí is founded by the Spanish as a mining town after the discovery of huge silver deposits in this area of modern-day Bolivia. Silver mined from Huayna Potosí Mountain provides most of the wealth on which the Spanish Empire is based until its fall in the early 19th century. * June 13 – Spanish explorer Yñigo Ortiz de Retez sets out to navigate the northern coast of New Guinea. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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16th-century Portraits
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a ch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portraits By Titian
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Toledo Cathedral
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Camauro
A camauro (from the Latin ''camelaucum'' and from the Greek ''kamelauchion'', meaning "camel skin hat") is a cap traditionally worn by the Pope of the Catholic Church. Papal camauros are made from red wool or velvet with white ermine trim, and are usually worn during the winter in place of the ''zucchetto''. Like the ''biretta'' worn by lower clergy and the mortarboard worn by academics, the camauro derives from the academic cap (the '' pileus''), originally worn to protect tonsured clerical heads in the cold season. It is often worn with a red ''mozzetta''. History The camauro has been part of the papal wardrobe since the 12th century. Until 1464, it was worn by cardinals, without the ermine trim; from that date, the camauro became exclusively a papal garment and cardinals wore the scarlet biretta instead. The papal camauro fell into disuse after the death of John XXIII in 1963. It was revived once only in December 2005 by Benedict XVI. Benedict's choice prompted media comp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portrait Of Pope Paul III With Camauro
''Portrait of Pope Paul III with Camauro'' (or ''Portrait of Pope Paul III with Cap'') is a 1545 – 1546 oil on canvas painting by Titian, now in the Museo nazionale di Capodimonte in Naples. AA. VV., ''I Farnese. Arte e collezionismo'', Milano, Editrice Electa, 1995, ISBN 978-8843551323, pp. 210-212. History Judging by the relative apparent ages of the Pope in the three works, the canvas was produced immediately after the '' Portrait of Pope Paul III'' (the first official version of the work) and before the '' Portrait of Pope Paul III with his Grandsons''. This assumption is fundamentally based on the age that transpires from the figure of the pope, who appears to be more advanced than that of the official portrait, already seventy-five, while it is less so than that where the pontiff himself appears with his two nephews. According to Vasari's ''Lives of the Artists'' it was produced for cardinal camerlengo Guido Ascanio Sforza di Santa Fiora, president of the Aposto ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Museo Di Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Naples and Sicily (later Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese art collection which he had inherited from his mother, Elisabetta Farnese, last descendant of the sovereign ducal family of Parma. Over the yea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Council Of Trent
The Council of Trent ( la, Concilium Tridentinum), held between 1545 and 1563 in Trento, Trent (or Trento), now in northern Italian Peninsula, Italy, was the 19th ecumenical council of the Catholic Church. Prompted by the Protestant Reformation, it has been described as the embodiment of the Counter-Reformation."Trent, Council of" in Cross, F. L. (ed.) ''The Oxford Dictionary of the Christian Church'', Oxford University Press, 2005 (). The Council issued condemnations of what it defined to be Heresy, heresies committed by proponents of Protestantism, and also issued key statements and clarifications of the Church's doctrine and teachings, including scripture, the biblical canon, sacred tradition, original sin, Justification (theology), justification, salvation, the Sacraments of the Catholic Church, sacraments, the Mass (liturgy), Mass, and the Veneration, veneration of saints.Wetterau, Bruce. ''World History''. New York: Henry Holt and Company, 1994. The Council met for twenty- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |