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Portrait Of Camilla Gonzaga And Her Three Sons
''Portrait of Camilla Gonzaga and Her Three Sons'' is a painting attributed to the Italian Mannerist artist Parmigianino and his workshop, executed around 1535–1537 and housed in the Museo del Prado, Madrid, Spain. It forms a pair with another painting in the Prado, the ''Portrait of Pier Maria Rossi of San Secondo, Portrait of Pier Maria Rossi di San Secondo'', Camilla's husband, a painting which is unanimously assigned to Parmigianino. History It is mentioned in a 1686 inventory of the collections of the Royal Alcazar of Madrid, as the ''wife of the count of San Sigundo''. The subject has been identified with Camilla Gonzaga, wife of imperial general Pier Maria III de' Rossi basing on this note, and by another from 1630 by one of his descendants about the existence of a portrait of him by Parmigianino. The painting arrived in Spain in 1664, after King Philip IV of Spain, Philip IV had supported to the Rossi family in a dispute with the house of Farnese, Farnese of Parma ab ...
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Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes ''Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous ''Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ...
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House Of Farnese
The House of Farnese family (, also , ) was an influential family in Renaissance Italy. The titles of Duke of Parma and Piacenza and Duke of Castro were held by various members of the family. Its most important members included Pope Paul III, Alessandro Farnese (a cardinal), Alexander Farnese, Duke of Parma and Piacenza (a military commander and Governor of the Spanish Netherlands), and Elisabeth Farnese, who became Queen of Spain and whose legacy was brought to her Bourbon descendants. A number of important architectural works and antiquities are associated with the Farnese family, either through construction or acquisition. Buildings include the Palazzo Farnese in Rome and the Villa Farnese at Caprarola, and ancient artifacts include the Farnese Marbles. History Origins The family could trace its origins back to around AD 984 and took its name from one of its oldest feudal possessions - ''Castrum Farneti''. There has been some debate as to the origins of the name Far ...
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1530s Paintings
Year 153 ( CLIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Rusticus and Rufinus (or, less frequently, year 906 '' Ab urbe condita''). The denomination 153 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Minor uprisings occur in Roman Egypt against Roman rule. Asia * Change of era name from ''Yuanjia'' (3rd year) to ''Yongxing'' of the Chinese Han Dynasty. Births * Didia Clara, daughter of Didius Julianus * Kong Rong, Chinese official and warlord (d. 208) * Zhang Hong, Chinese official and politician (d. 212 Year 212 ( CCXII) was a leap year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Asper and Camilius (or, le ...
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Portraits Of Women
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Portraits By Parmigianino
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Portrait Of Pier Maria Rossi Di San Secondo
''Portrait of Pier Maria Rossi di San Secondo'' is a painting by the Italian Mannerist artist Parmigianino, executed around 1535–1539 and housed in the Museo del Prado, Madrid, Spain. The subject was Count of San Secondo, and the painting forms a pair with a group portrait of his Countess and their children, ''Portrait of Camilla Gonzaga and Her Three Sons'', although the latter is not unanimously attributed to Parmigianino. History It is mentioned in a 1686 inventory of the collections of the Royal Alcazar of Madrid, as the ''portrait of count of San Sigundo''. The subject has been identified with Pier Maria III de' Rossi basing on this note, and by another from 1630 by one of his descendants about the existence of a portrait of him by Parmigianino. The painting arrived in Spain in 1664, after King Philip IV of Spain, Philip IV had supported the Rossi family in a dispute with the house of Farnese, Farnese of Parma about some territories. It has been dated from around 1535 ...
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Sant'Arcangelo Di Romagna
Santarcangelo di Romagna ( rgn, Santarcànzul) is a town and ''comune'' in the province of Rimini, Emilia-Romagna, Italy, on the Via Emilia. As of 2009, it had a population of some 21,300. It is crossed by two rivers, the Uso and the Marecchia. Main monuments * Triumphal Arch (1772–77) was designed by the architect Cosimo Morelli. In front of the Arch there is the Town Hall of the mid-1800s, built on designs by Giovanni Benedettini * Belltower * Monumental Public Grotto * Historic and Archaeological Museum * Collegiate Church, built between 1744 and 1758 by the architect Giovan Francesco * Malatesta Fortress (private property of the Colonna family), built in 1386 and of a structure with three polygonal bastions completed by Sigismondo Pandolfo Malatesta in 1447 Festivals Santarcangelo dei Teatri is an international festival dedicated to the contemporary scene. The spectacles are held in the streets and squares of the city. It produces and promotes theatre and dance, with a ...
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Muslin
Muslin () is a cotton fabric of plain weave. It is made in a wide range of weights from delicate sheers to coarse sheeting. It gets its name from the city of Mosul, Iraq, where it was first manufactured. Muslin of uncommonly delicate handspun yarn was handwoven in the Bengal region of South Asia and imported into Europe for much of the 17th and early 18th centuries. In 2013, the traditional art of weaving ''Jamdani'' muslin in Bangladesh was included in the list of Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO. History In 1298 CE, Marco Polo described the cloth in his book ''The Travels''. He said it was made in Mosul, Iraq. The 16th-century English traveller Ralph Fitch lauded the muslin he saw in Sonargaon. During the 17th and 18th centuries, Mughal Empire, Mughal Bengal Subah, Bengal emerged as the foremost muslin exporter in the world, with Mughal Dhaka as capital of the worldwide muslin trade. It became highly popular in 18th-century France a ...
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Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ...
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Philip IV Of Spain
Philip IV ( es, Felipe, pt, Filipe; 8 April 160517 September 1665), also called the Planet King (Spanish: ''Rey Planeta''), was King of Spain from 1621 to his death and (as Philip III) King of Portugal from 1621 to 1640. Philip is remembered for his patronage of the arts, including such artists as Diego Velázquez, and his rule over Spain during the Thirty Years' War. By the time of his death, the Spanish Empire had reached approximately 12.2 million square kilometers (4.7 million square miles) in area but in other aspects was in decline, a process to which Philip contributed with his inability to achieve successful domestic and military reform. Personal life Philip IV was born in the Royal Palace of Valladolid, and was the eldest son of Philip III of Spain, Philip III and his wife, Margaret of Austria (1584–1611), Margaret of Austria. In 1615, at the age of 10, Philip was married to 13-year-old Elisabeth of France (1602–1644), Elisabeth of France. Although the ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Pier Maria III De' Rossi
Pier Maria III de' Rossi (1504 – 15 August 1547) was an Italian general and nobleman, the second marquess and seventh count of San Secondo. Biography Born at San Secondo Parmense, he was a member of the local Rossi noble family, the son of Troilo I de' Rossi and Bianca Riario, the first daughter of Caterina Sforza and the half-sister of Giovanni delle Bande Nere. He was also the brother to bishop Giovangirolamo de' Rossi. He was educated at the Medici court together with his uncle Giovanni, who had nearly the same age. At his father's death (1521), he inherited the family lands as count of San Secondo. In 1523 he married Camilla Gonzaga, who brought a dowry of 6,000 ducati, jewels, furniture and other assets. After a first sojourn in France, Pier Maria returned to Italy and here he defended the family fiefs alongside his uncle. During the siege of Florence (1529-1530), he commanded a corps of the imperial troops. Under the service of emperor Charles V, he was at Tunis ...
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