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Portrait Of Sir Thomas Giles - 1820-1899 (portrait By Hammer
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mona Lisa
The ''Mona Lisa'' ( ; it, Gioconda or ; french: Joconde ) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The painting's novel qualities include the subject's enigmatic expression, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism. The painting has been definitively identified to depict Italian noblewoman Lisa Gherardini, the wife of Francesco del Giocondo. It is painted in oil on a white Lombardy poplar panel. Leonardo never gave the painting to the Giocondo family, and later it is believed he left it in his will to his favored apprentice Salaì. It had been believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. It was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statues Of Gudea
Approximately twenty-seven statues of Gudea, a ruler ( ensi) of the state of Lagash have been found in southern Mesopotamia. Gudea ruled between c. 2144–2124 BC and the statues demonstrate a very sophisticated level of craftsmanship for the time. The known statues have been categorised 'A-AB' by archaeologists. Many statues are headless, and there are also detached heads. Gudea is named in the dedicatory inscription carved on most statues, but in somes cases the identity of the ruler portrayed is uncertain. Provenance Statues A-K were found during Ernest de Sarzec's excavations in the court of the palace of Adad-nadin-ahhe in Telloh (ancient Girsu). Statues M-Q come from clandestine excavations in Telloh in 1924; the rest come from the art trade, with unknown provenances and sometimes of doubtful authenticity. Figures L and R do not represent Gudea with reasonable certainty. Description and purpose The statues were to represent the ruler in temples, to offer a constant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pharaoh
Pharaoh (, ; Egyptian: ''pr ꜥꜣ''; cop, , Pǝrro; Biblical Hebrew: ''Parʿō'') is the vernacular term often used by modern authors for the kings of ancient Egypt who ruled as monarchs from the First Dynasty (c. 3150 BC) until the annexation of Egypt by the Roman Empire in 30 BC. However, regardless of gender, "king" was the term used most frequently by the ancient Egyptians for their monarchs through the middle of the Eighteenth Dynasty during the New Kingdom. The term "pharaoh" was not used contemporaneously for a ruler until a possible reference to Merneptah, c. 1210 BC during the Nineteenth Dynasty, nor consistently used until the decline and instability that began with the Twenty-Fifth Dynasty. In the early dynasties, ancient Egyptian kings had as many as three titles: the Horus, the Sedge and Bee ( ''nswt-bjtj''), and the Two Ladies or Nebty ( ''nbtj'') name. The Golden Horus and the nomen and prenomen titles were added later. In Egyptian society, religio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akhenaten
Akhenaten (pronounced ), also spelled Echnaton, Akhenaton, ( egy, ꜣḫ-n-jtn ''ʾŪḫə-nə-yātəy'', , meaning "Effective for the Aten"), was an ancient Egyptian pharaoh reigning or 1351–1334 BC, the tenth ruler of the Eighteenth Dynasty. Before the fifth year of his reign, he was known as Amenhotep IV ( egy, jmn-ḥtp, links=no, meaning "Amun is satisfied", Hellenized as ''Amenophis IV''). As a pharaoh, Akhenaten is noted for abandoning Egypt's traditional polytheism and introducing Atenism, or worship centered around Aten. The views of Egyptologists differ as to whether the religious policy was absolutely monotheistic, or whether it was monolatry, syncretistic, or henotheistic. This culture shift away from traditional religion was reversed after his death. Akhenaten's monuments were dismantled and hidden, his statues were destroyed, and his name excluded from lists of rulers compiled by later pharaohs. Traditional religious practice was gradually restored, not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
