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Portrait Of Gabriel Severus
''Portrait of Gabriel Severus'' is an oil painting by Thomas Bathas. Bathas was active in Heraklion, Venice, and Corfu during the second half of the 16th century. He was close friends with Gabriel Severus, the Metropolitan of Philadelphia, whose seat was moved from Philadelphia to Venice in 1577. According to the will of Bathas, he bequeathed Gabriel Severus a silver cup. He also made Severus the executor of his will. The portrait is one of the few works Bathas created following the prevalent technique in Venice during the Italian Renaissance. His typical style was the traditional ''maniera greca''. The paintings were in high demand in Venice during the period. Michael Damaskinos and Thomas Bathas were more loyal to the ''maniera greca'' than El Greco, who completely converted to the Spanish Renaissance style. The ''Portrait of Gabriel Severus'' is a testimony that Baths was conversant in both styles. The portrait is now part of the collection of the Hellenic Institute of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Bathas
Thomas Bathas ( el, Θωμάς Μπαθάς, 1554 – 1599; also known as Tomios or Tomio, Batta Tornio) was a Greek painter, educator, and Vikar. He employed the maniera greca in some of his work but he also broke from tradition by employing the Venetian style. He traveled around the Venetian Empire going from Heraklion to Corfu and Venice. He was a prominent member of the Greek Confraternity in Venice. He was friends with Gabriel Severus, Metropolitan of Philadelphia. He was very popular among both Greek and Italian patrons. He influenced the works of countless artists both Italian and Greek. Some of his works are in San Giorgio dei Greci and the Hellenic Institute of Venice. Emmanuel Tzanes, Konstantinos Tzanes, Ioannis Moskos, and Philotheos Skoufos were some Greek artists influenced by his work. One of his students was the famous painter Emmanuel Tzanfournaris. He left him a fortune in his will. His most famous works include: '' Portrait of Gabriel Sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Damaskinos
Michael Damaskenos or Michail Damaskenos ( el, Μιχαήλ Δαμασκηνός, 1530/35–1592/93) was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries. Painters Georgios Klontzas and Damaskenos were major contributors to the Cretan School during the same period. Damaskinos traveled all over the Venetian Empire painting. He remained loyal to his Greek roots stylistically but incorporated some Italian elements in his work. He was strongly influenced by the Venetian school. He painted parts of the Cathedral of San Giorgio dei Greci. Damaskenos has 100 known works. He influenced the works of Theodore Poulakis. Life and work Damaskinos was born in Candia (Herakleion), his father was George Damaskinos. According to legend, Damaskinos spent some time living and working in Vrontisi Monastery, where six of his icons were kept until 1800. Damaskinos moved to Venice in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan Renaissance Paintings
Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete rests about south of the Greek mainland, and about southwest of Anatolia. Crete has an area of and a coastline of 1,046 km (650 mi). It bounds the southern border of the Aegean Sea, with the Sea of Crete (or North Cretan Sea) to the north and the Libyan Sea (or South Cretan Sea) to the south. Crete and a number of islands and islets that surround it constitute the Region of Crete ( el, Περιφέρεια Κρήτης, links=no), which is the southernmost of the 13 top-level administrative units of Greece, and the fifth most populous of Greece's regions. Its capital and largest city is Heraklion, on the north shore of the island. , the region had a population of 636,504. The Dodecanese are located to the nort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sfumato
Sfumato (, ) is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance. Leonardo da Vinci was the most prominent practitioner of sfumato, based on his research in optics and human vision, and his experimentation with the camera obscura. He introduced it and implemented it in many of his works, including the ''Virgin of the Rocks'' and in his famous painting of the ''Mona Lisa''. He described sfumato as "without lines or borders, in the manner of smoke". According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, ''sfumato'' is one of four modes of painting colours available to Italian High Renaissance painters, along with cangiante, chiaroscuro, and unione. Etymology The word ''sfumato'' comes from the Italian language and is derived from ''fumo'' ("smoke", "fume"). Sfumato trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scepter
A sceptre is a staff or wand held in the hand by a ruling monarch as an item of royal or imperial insignia. Figuratively, it means royal or imperial authority or sovereignty. Antiquity Ancient Egypt and Mesopotamia The ''Was'' and other types of staves were signs of authority in Ancient Egypt. For this reason they are often described as "sceptres", even if they are full-length staffs. One of the earliest royal sceptres was discovered in the 2nd Dynasty tomb of Khasekhemwy in Abydos. Kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called ''mks''-staff. The staff with the longest history seems to be the ''heqa''-sceptre (the "shepherd's crook"). The sceptre also assumed a central role in the Mesopotamian world, and was in most cases part of the royal insignia of sovereigns and gods. This is valid throughout the whole Mesopotamian history, as illustrated by both literary and administrative texts and iconography. The Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Core
Core or cores may refer to: Science and technology * Core (anatomy), everything except the appendages * Core (manufacturing), used in casting and molding * Core (optical fiber), the signal-carrying portion of an optical fiber * Core, the central part of a fruit * Hydrophobic core, the interior zone of a protein * Nuclear reactor core, a portion containing the fuel components * Pit (nuclear weapon) or core, the fissile material in a nuclear weapon * Semiconductor intellectual property core (IP core), is a unit of design in ASIC/FPGA electronics and IC manufacturing * Atomic core, an atom with no valence electrons Geology and astrophysics * Core sample, in Earth science, a sample obtained by coring ** Ice core * Core, the central part of a galaxy; see Mass deficit * Core (anticline), the central part of an anticline or syncline * Planetary core, the center of a planet ** Earth's inner core ** Earth's outer core * Stellar core, the region of a star where nuclear fusion takes place ** ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Tzanfournaris
Emmanuel Tzanfournaris ( el, Εμμανουήλ Τζανφουρνάρης, 1570 – 1630), also known as Emmanouil Manos was a Greek painter. He was a painter in Corfu and Venice. He was taught by famous painter Thomas Bathas. Emmanuel's father Georgios was also a famous painter. Emmanuel was active within the Greek Community of Venice until 1625. Some of his paintings are in the church of San Giorgio dei Greci. He was influenced by Michael Damaskinos and other Venetian painters. Tzanfournaris adopted the Venetian school but also stayed loyal to the maniera greca. He influenced the works of countless painters namely Emmanuel Tzanes, Franghias Kavertzas, Philotheos Skoufos and his son Theofilakto Tzanfournaris. Tzanfournaris artwork can be found all over the world. Sixteen of his paintings have survived. History Emmanuel was born in Corfu. His father was Georgios Tzanfournaris. He was a famous painter. His father painted the church Pantokratoras in the town of Zigos in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Renaissance
The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. This new focus in art, literature, quotes and science inspired by the Greco-Roman tradition of Classical antiquity, received a major impulse from several events in 1492: * Unification of the longed-for Christian kingdom with the definitive taking of Granada, the last Islamic controlled territory in the Iberian Peninsula, and the successive expulsions of thousands of Muslim and Jewish believers, *The official discovery of the western hemisphere, the Americas, *The publication of the first grammar of a vernacular European language in print, the '' Gramática'' (''Grammar'') by Antonio de Nebrija. Historical background The beginning of the Renaissance in Spain is closely linked to the historical-political life of the monarchy of the Catholic Monarchs. Its figures are the first to leave the medieval ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maniera Greca
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a frame to Western Europe. Very often they are on a gold ground. It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. ''Maniera greca'' ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. Vasa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Severus
Gabriel Severus or Severos ( – 1616) was a Greek Orthodox theologian and prelate active in Venice. Life Gabriel's exact date of birth is uncertain. He was born either before 1540"Gabriel Severus" in Hans Dieter Betz, Don S. Browning, Bernd Janowski and Eberhard Jüngel (eds.), ''Religion Past and Present'' (Brill, 2011), consulted online on 12 August 2023.Erika Elia and Rosa Maria Piccione, "A Rediscovered Library: Gabriel Severos and His Books", in Rosa Maria Piccione (ed.), ''Greeks, Books and Libraries in Renaissance Venice'' (De Gruyter, 2021), pp. 33–82. or in 1541."Gabriel Severus" in Gordon Campbell (ed.), ''The Oxford Dictionary of the Renaissance'' (Oxford Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance
The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted. The French word ''renaissance'' (corresponding to ''rinascimento'' in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Renaissance author Giorgio Vasari used the term ''rinascita'' 'rebirth' in his '' Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, but the concept became widespread only in the 19th century, after the work of schola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alaşehir
Alaşehir (), in Antiquity and the Middle Ages known as Philadelphia ( el, Φιλαδέλφεια, i.e., "the city of him who loves his brother"), is a town and district of Manisa Province in the Aegean region of Turkey. It is situated in the valley of the Kuzuçay ( Cogamus in antiquity), at the foot of the Bozdağ Mountain (Mount Tmolus in antiquity). The town is connected to İzmir by a railway. It stands on elevated ground commanding the extensive and fertile plain of the Gediz River (Hermus in antiquity), presenting an imposing appearance when seen from a distance. It has about 45 mosques. There are small industries and a fair trade. From one of the mineral springs comes a heavily charged water popular around Turkey. Within Turkey, the city's name is synonymous with the dried Sultana raisins, although cultivation for the fresh fruit market, less labour-intensive than the dried fruit, has gained prominence in recent decades. As Philadelphia, Alaşehir was a highly importan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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