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Maniera Greca
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a frame to Western Europe. Very often they are on a gold ground. It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. ''Maniera greca'' ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. Vasa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlinghiero Berlinghieri 005
Berlinghiero also known as Berlinghiero Berlinghieri or Berlinghiero of Lucca (floruit, fl. 1228 – between 1236 and 1242), was an Italian painter in the Italo-Byzantine style of the early thirteenth century. He was the father of the painters Barone Berlinghieri, Bonaventura Berlinghieri, and Marco Berlinghieri. His actual name is unknown, as he is known from the inscription "Berlingerius me pinxit" on the crucifix which is the basis of attributing other works to the name. The form "Berlinghiero Berlinghieri", once common in art history, is certainly not his name according to Edward B. Garrison and most recent sources and he should be called Berlinghiero. He is also mentioned in a parchment of March 22, 1228 among the names of the residents of Lucca who swore to keep the peace with Pisa after a five-year war. The original document has been lost since the mid-19th century and only a somewhat garbled 17th-century transcription exists today, giving rise to the mistaken interpret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlinghiero
Berlinghiero also known as Berlinghiero Berlinghieri or Berlinghiero of Lucca ( fl. 1228 – between 1236 and 1242), was an Italian painter in the Italo-Byzantine style of the early thirteenth century. He was the father of the painters Barone Berlinghieri, Bonaventura Berlinghieri, and Marco Berlinghieri. His actual name is unknown, as he is known from the inscription "Berlingerius me pinxit" on the crucifix which is the basis of attributing other works to the name. The form "Berlinghiero Berlinghieri", once common in art history, is certainly not his name according to Edward B. Garrison and most recent sources and he should be called Berlinghiero. He is also mentioned in a parchment of March 22, 1228 among the names of the residents of Lucca who swore to keep the peace with Pisa after a five-year war. The original document has been lost since the mid-19th century and only a somewhat garbled 17th-century transcription exists today, giving rise to the mistaken interpretatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantium
Byzantium () or Byzantion ( grc, Βυζάντιον) was an ancient Greek city in classical antiquity that became known as Constantinople in late antiquity and Istanbul today. The Greek name ''Byzantion'' and its Latinization ''Byzantium'' continued to be used as a name of Constantinople sporadically and to varying degrees during the thousand year existence of the Byzantine Empire. Byzantium was colonized by Greeks from Megara in the 7th century BC and remained primarily Greek-speaking until its conquest by the Ottoman Empire in AD 1453. Etymology The etymology of ''Byzantium'' is unknown. It has been suggested that the name is of Thracian origin. It may be derived from the Thracian personal name Byzas which means "he-goat". Ancient Greek legend refers to the Greek king Byzas, the leader of the Megarian colonists and founder of the city. The name ''Lygos'' for the city, which likely corresponds to an earlier Thracian settlement, is mentioned by Pliny the Elder in his '' Natu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Gothic Architecture
Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular. The best-known examples are the Doge's Palace, Venice, Doge's Palace and the Ca' d'Oro. Both feature loggias of closely spaced small columns, with heavy tracery with quatrefoil openings above, decoration along the roofline, and some coloured patterning to plain wall surfaces. Together with the ogee arch, capped with a relief ornament, and ropework reliefs, these are the most iconic characteristics of the style. Ecclesiastical Gothic architecture tended to be less distinctively Venetian, and closer to that in the rest of Italy. The beginning of the style probably goes ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bristol Byzantine
Bristol Byzantine is a variety of Byzantine Revival architecture that was popular in the city of Bristol from about 1850 to 1880. Many buildings in the style have been destroyed or demolished, but notable surviving examples include the Colston Hall, the Granary on Welsh Back, the Carriage Works on Stokes Croft and several of the buildings around Victoria Street. Several of the warehouses around the harbour have survived including the Arnolfini, which now houses an art gallery. Clarks Wood Company warehouse and the St Vincent's Works in Silverthorne Lane and the Wool Hall in St Thomas Street are other survivors from the 19th century. Style Bristol Byzantine has influences from Byzantine and Moorish architecture applied mainly to industrial buildings such as warehouses and factories. The style is characterised by a robust and simple outline, materials with character and coloured polychrome brickwork including red, yellow, black and white brick primarily from the Cattybrook Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westminster Cathedral
Westminster Cathedral is the mother church of the Catholic Church in England and Wales. It is the largest Catholic church in the UK and the seat of the Archbishop of Westminster. The site on which the cathedral stands in the City of Westminster was purchased by the Diocese of Westminster in 1885, and construction completed in 1903. Designed by John Francis Bentley in neo-Byzantine style, and accordingly made almost entirely of brick, without steel reinforcements, Sir John Betjeman called it "a masterpiece in striped brick and stone" that shows "the good craftsman has no need of steel or concrete". History In the late 19th century, the Roman Catholic Church's hierarchy had only recently been restored in England and Wales, and it was in memory of Cardinal Wiseman (who died in 1865, and was the first Archbishop of Westminster from 1850) that the first substantial sum of money was raised for the new cathedral. The land was acquired in 1884 by Wiseman's successor, Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revivalism (architecture)
Revivalism in architecture is the use of visual styles that consciously echo the style of a Architectural style, previous architectural era. Notable revival styles include Neoclassical architecture (a revival of Classical architecture), and Gothic Revival architecture, Gothic Revival (a revival of Gothic architecture). Revivalism is related to Historicism (art), historicism. Architecture produced during the 19th century, including Victorian architecture, is especially associated with revivalism. History 19th-early 20th centuries The idea that architecture might represent the glory of kingdoms can be traced to the dawn of civilisation, but the notion that architecture can bear the stamp of national character is a modern idea, that appeared in the 18th century historical thinking and given political currency in the wake of the French Revolution. As the map of Europe was repeatedly changing, architecture was used to grant the aura of a glorious past to even the most recent nations. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murano
Murano is a series of islands linked by bridges in the Venetian Lagoon, northern Italy. It lies about north of Venice and measures about across with a population of just over 5,000 (2004 figures). It is famous for its glass making. It was once an independent ''comune'', but is now a ''frazione'' of the ''comune'' of Venice. History Murano was initially settled by the Veneto#Roman period, Romans and from the sixth century by people from Altinum and Oderzo. At first, the island prospered as a fishing port and through its production of salt. It was also a centre for trade through the port it controlled on Sant'Erasmo. From the eleventh century, it began to decline as islanders moved to Dorsoduro. It had a Grand Council (Murano), Grand Council, like that of Venice, but from the thirteenth century, Murano was ultimately governed by a ''podestà'' from Venice. Unlike the other islands in the Venetian Lagoon, Lagoon, Murano minted its own coins. Early in the second millenniu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torcello Cathedral
The Church of Santa Maria Assunta (''basilica di Santa Maria Assunta'') is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Late Paleochristian architecture, one of the most ancient religious edifices in the Veneto, and containing the earliest mosaics in the area of Venice. History According to an ancient inscription, it was founded by the exarch Isaac of Ravenna in 639, when Torcello was still a rival to the young nearby settlement at Venice. The original church is believed to have had a nave with one aisle on each side and a single apse on the eastern wall of the cathedral. It's difficult to tell what the original church was like because very little of it survived the subsequent renovations. Much of the plan of the original church survives as its present form is very similar to the original but the only physical parts that survive are the central apse wall and part of the baptistery that survives as part of the façade of the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torcello
Torcello ( la, Torcellum; vec, Torceło) is a sparsely populated island at the northern end of the Venetian Lagoon, in north-eastern Italy. It was first settled in 452 CE and has been referred to as the parent island from which Venice was populated. It was a town with a cathedral and bishops before St Mark's Basilica was built. History After the downfall of the Western Roman Empire, Torcello was one of the first lagoon islands to be successively populated by those Veneti who fled the ''terra ferma'' (mainland) to take shelter from the recurring barbarian invasions, especially after Attila the Hun had destroyed the city of Altinum and all of the surrounding settlements in 452. Although the hard-fought Veneto region formally belonged to the Byzantine Exarchate of Ravenna since the end of the Gothic War, it remained unsafe on account of frequent Gothic (Sarmatian) invasions and wars: during the following 200 years the Lombards and the Franks fuelled a permanent influx of soph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fondaco Dei Turchi
The Fondaco dei Turchi (Venetian: ''Fontego dei Turchi'', tr, Türk Hanı) is a Veneto-Gothic style palazzo, later on named as the Turks' Inn, on the Grand Canal of Venice, northeast Italy. It was described by Augustus Hare in the 19th century as "a Byzantine palace of the 9th century, and one of the earliest buildings, not ecclesiastical, in Venice. .... A few years ago it was one of the most unique and curious buildings in Europe, and the most important specimen of Italo-Byzantine architecture, but it was modernised and almost rebuilt by the ... government in 1869".''Venice'', 1884, p. 76 , Smith Elder, Londongoogle books/ref> Early history The palace was constructed in the first half of the 13th century by Giacomo Palmier, an exile from Pesaro. The Venetian Republic purchased it in 1381 for Niccolò II d'Este, the Marquess of Ferrara. During its early history, the palazzo also served as a residence to many visiting dignitaries. Turkish quarters From the early 17th centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Marco, Venice
The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Church, Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello (church), San Pietro di Castello. It is dedicated to and holds the Relic#Christianity, relics of Mark the Evangelist, Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Piazza San Marco, Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the Fall of the Republic of Venice, fall of the republic in 1797, it was the chapel of the Doge of Venice, Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark ''de supra' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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