Portrait Of A Lady (Titian, Chicago)
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Portrait Of A Lady (Titian, Chicago)
''Portrait of a Lady'', formerly known as ''Portrait of Giulia Gonzaga'', is an oil painting by, or possibly after, Titian. It is dated, broadly, to the period 1525–1565. The painting is in the collection of the Art Institute of Chicago. Description The attribution of this picture is uncertain, although it has long been associated with Titian. It is related to ''La Bella'' and '' Girl in a Fur''. It has usually been entitled ''Portrait of Giulia Gonzaga'', but the identification with the Italian noblewoman of that name is no longer accepted; it is now entitled simply ''Portrait of a Lady''.Lloyd 1993, p. 246. Condition The painting is in poor condition, and was cleaned of earlier inpainting in the 1960s. Some paint and ground has been lost in the upper background and in the sitter's hair. The surface of the paint is abraded in places in the background, on the left side of the sitter's face, and on her bosom. Provenance * Private Collection, Italy. * Sold by Böhler and ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Art Institute Of Chicago
The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's ''A Sunday on La Grande Jatte'', Pablo Picasso's ''The Old Guitarist'', Edward Hopper's '' Nighthawks'', and Grant Wood's '' American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and one of the largest art history and architecture libraries in the country—the Ryerson and B ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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La Bella
''La Bella'' is a portrait of a woman by Titian in the Palazzo Pitti in Florence. The painting shows the subject with the ideal proportions for Renaissance women. ''Los maestros de la pintura occidental'', Taschen, 2005, page 176, . In parallel the stringent composition corresponds to Titian's real portraits. The work can be dated by a letter about "that portrait of that woman in a blue dress" in May 1536. Description The portrait represents a young beauty in a blue dress with decollete and rich gold ornaments against a dark background. She points with her left hand to a zibellino draped over her right forearm. The woman corresponds perfectly to all the ideals of beauty of the time with possibly the only exception of "only medium" blond hair. In parallel, the stringent composition as a three-quarter figure and the rich clothing correspond to Titian's courtly portraits of the 1530s. The head shows similarities with three eroticised paintings by Titian from the same period, alth ...
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Girl In A Fur
''Girl in a Fur'' is a 1536–1538 painting by Titian, now in the Kunsthistorisches Museum in Vienna. He painted the same model in ''La Bella'' and ''Venus of Urbino''. See also * List of works by Titian This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. Lis ... Bibliography *Ferraro, Joanne M. (2001) ''Marriage Wars in Late Renaissance Venice. Studies in the History of Sexuality'', 99-0528821-X. Oxford: Oxford University Press. Libris 4615160. *Goffen, Rona (1997) ''Titian's Women''. New Haven, Connecticut: Yale University Press. Libris 4770583. *Loos, Viggo (1948). ''Tizian''. Stockholm: Wahlström & Widstrand *Zuffi, Stefano (1999). ''Titian''. London: Dorling Kindersly. 1538 paintings Genre paintings by Titian Paintings in the Kunsthistorisches Museum Portraits of women ...
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Giulia Gonzaga
Giulia Gonzaga (1513 – 16 April 1566) was an Italian ruler and letter writer of the Renaissance. She was the countess regnant of Rodigo as the heir of her late spouse between 1528 and 1541. Biography Giulia was born in Gazzuolo (near Mantua) in 1512 the daughter of Ludovico Gonzaga, lord of Sabbioneta and Bozzolo, and Countess Francesca Fieschi. In 1526 (at age 14) she was married to count Vespasiano Colonna (1480–1528), count of Fondi and duke of Traetto (present-day Minturno). After her husband died in 1528 three years after their marriage, he left her his domain, the County of Rodigo and stated the she was to be ruling count of this county until her death or until she remarried. Giulia organized her palace as a center of culture, attracting the attention of many of her contemporaries as much for these activities as for her famous beauty, though she refused to marry again. She had a liaison with Cardinal Ippolito de' Medici of Florence, who died in Itri (southern Laz ...
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Underpainting
In art, an underpainting is an initial layer of paint applied to a ground, which serves as a base for subsequent layers of paint. Underpaintings are often monochromatic and help to define color values for later painting. Underpainting gets its name because it is painting that is intended to be painted over (see overpainting) in a system of working in layers. There are several different types of underpainting, such as veneda, verdaccio, morellone, imprimatura and grisaille.''Underpaint.'' In: The different types have different colourings. Grisaille is plain grey. Verdaccio is a grey tending towards yellow or green that brings out more luminous tones. While imprimatura uses earth tones. Underpainting has several advantages over working from a plain canvass. The neutral colours of the underpaint will not distract if they are not completely covered. It also aids the painter in getting a correct tone. Comparing colours to a white background is very different from the colouring of the f ...
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Museo Cerralbo
The Cerralbo Museum (Spanish: ''Museo Cerralbo'') is a State-owned museum located in Madrid, Spain. It houses the art and historical object collections of Enrique de Aguilera y Gamboa, Marquis of Cerralbo, who died in 1922. History Enrique de Aguilera y Gamboa, the Marquis of Cerralbo, opened the place as private gallery in 1893. After the Spanish State accepted to inherit the collection in 1924, the building opened to students and researchers. The Marquis' collection was split, with a part moved to the National Archaeological Museum and the rest remaining at the building, which was constituted as a proper museum in 1944. The building was built in the 19th century, according to Italian taste, and it was luxuriously decorated with baroque furniture, wall paintings and expensive chandeliers. It retains to a large extent its original aesthetics. The building was protected as '' historical-artistic monument'' in 1962. Collection With more than 24,900 pieces, the original colle ...
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List Of Works By Titian
This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. List of works by year References

{{Lists of paintings Lists of works of art, Titian Paintings by Titian, * Portraits by Titian, * ...
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Portraits By Titian
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Paintings In The Art Institute Of Chicago
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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