Portrait Of A Clad Warrior (Savoldo)
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Portrait Of A Clad Warrior (Savoldo)
The ''Portrait of a Clad Warrior'', also known as ''Portrait of Gaston of Foix'', is an oil on canvas painting by the Italian High Renaissance painter Giovanni Girolamo Savoldo, dating to c. 1529 and housed in the Louvre Museum, in Paris. History and description The subject was traditionally identified with the French military leader Gaston of Foix, Duke of Nemours, or as a self-portrait, although there is no documentary evidence for either hypothesis. The identification with Gaston de Foix is devoid of documentary evidence, as well as certainly improbable, since it would have been a posthumous portrait lacking the composure more suited to this purpose. The painting depicts a man wearing military armor in a small room with two mirrors. In a narrow space, the man is portrayed leaning against a shelf, while he also leans forward towards the viewer, settling along a deep diagonal, which ends with his outstretched left arm, indicating the reflected image. The presence of the triple ...
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Giovanni Girolamo Savoldo
Giovanni Girolamo Savoldo, also called Girolamo da Brescia (c. 1480–1485 – after 1548), was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy. He is noted for his subtle use of color and chiaroscuro, and for the sober realism of his works, which are mostly religious subjects, with a few portraits. His portraits are given interest by their accessories or settings; "some even look like extracts from larger narratives". About 40 paintings by Savoldo are known in all, six of them portraits; only a handful of drawings by him are known. He was highly regarded in his own lifetime; several repetitions of works were commissioned from him, and copies of his work made by others. He slipped from general awareness, however, and many of his works were assigned to more famous artists, especially Giorgione, by the art trade. Awareness of his oeuvre revived in the 19th century, though the dating of many paintings remains contr ...
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Louvre Museum
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement o ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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High Renaissance
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started around 1495 or 1500 and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the army of Charles V, Holy Roman Emperor, or about 1530 (see next section for specific art historians' positions). The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In recent years, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works. Origin of term The term ''High Renaissance'' was first used by Jacob ...
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Gaston Of Foix, Duke Of Nemours
Gaston de Foix, duc de Nemours (10 December 1489 – 11 April 1512), nicknamed The Thunderbolt of Italy, was a famed French military commander of the Renaissance. Nephew of King Louis XII of France and general of his armies in Italy from 1511 to 1512, he is noted for his outstanding military feats in a career which lasted no longer than a few months. The young general is regarded as a stellar commander well ahead of his time. An adept of lightning fast forced marches as well as sudden and bold offensives that destabilized contemporary armies and commanders, De Foix is mostly remembered for his brilliant six-month campaign against the Holy League in the War of the League of Cambrai. He met his end in said conflict, at the age of 22, during the Battle of Ravenna (1512), the last of his triumphs. Born in Mazères, County of Foix, he was the second child but only son of John of Foix, Viscount of Narbonne and Marie d'Orléans. His older sister was Germaine of Foix, Queen consort o ...
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Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ...
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Paragone
Paragone ( it, paragone, meaning ''comparison''), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. While other art forms, such as architecture and poetry existed in the context of the debate, painting and sculpture were the primary focus of the debate. The debate extended beyond the fifteenth century and even influences the discussion and interpretation of artworks that may or may not have been influenced by the debate itself. A comparable question, generally posed less competitively, was known as ''ut pictura poesis'' (a quote from Horace), comparing the qualities of painting and poetry. The debate The debate began around the 15th century. Leonardo da Vinci's treatise on painting, observing the difficulty of painting and supremacy of sight, is a notable example of literature on the subject. Bendetto Varchi further sparked the conversation bet ...
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Portrait Of Andrea Odoni
The ''Portrait of Andrea Odoni'' is an oil-on-canvas painting by the Italian High Renaissance painter Lorenzo Lotto dated 1527, now in the Royal Collection of the United Kingdom. It hangs in the Picture Gallery in Buckingham Palace, London. The style is typical of Lotto's Venetian period, with denser tones, a softer chromatic range and atmospheric effects at the boundaries. The painting is signed and dated by Lotto. Sitter Andrea Odoni (1488–1545) was a successful merchant in Venice, the son of an immigrant to the city from Milan. He was therefore a member, though much wealthier than most, of the ordinary ''cittadini'' rather than the patrician class who are the subject of most Venetian portraits. He inherited a collection of art and antiquities from his uncle, and considerably expanded it. His house, which Pietro Aretino implied was somewhat ostentatious, was described by Giorgio Vasari as "a friendly haven for men of talent". There has been considerable debate about the ...
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1529 Paintings
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Paintings In The Louvre By Italian Artists
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Portrait Paintings In The Louvre
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Paintings By Girolamo Savoldo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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