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Portland Recording Studios
The IBC Recording Studios were independent recording studios located at 35 Portland Place in London, England. In the 1960s and 1970s, the studios become internationally famous after being used by recording artists like the Kinks, the Who, Bee Gees, Cream and others. History In 1930, Leonard Plugge established the International Broadcasting Company (IBC) as a commercial rival to the BBC, with IBC's studios utilized for radio production work. In the years following World War II, IBC's work gradually shifted from radio production to music production, and in 1962, Plugge sold the studios to BBC conductor Eric Robinson and musician George Clouston. Bolstered by the success of clients like the Who, IBC was regarded as one of the top recording studios in London in the late 1960s. In July, 1978, IBC was bought by musician Chas Chandler, who renamed them Portland Recording Studios. The address was also home to George Peckham's cutting rooms (Porky Prime Cuts) and Radiotracks Studios, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Studio
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound echoes that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or dialogue replacement in film, television, or animation, foley, or to record their accompanying musical soundtracks. The typical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadraphonic
Quadraphonic (or quadrophonic and sometimes quadrasonic) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space. The system allows for the reproduction of sound signals that are (wholly or in part) independent of one another. Four channel quadraphonic surround sound can be used to recreate the highly realistic effect of a three-dimensional live concert hall experience in the home. It can also be used to enhance the listener experience beyond the directional limitations of ordinary two channel stereo sound. Quadraphonic audio was the earliest consumer product in surround sound. Since it was introduced to the public in the early 1970s many thousands of quadraphonic recordings have been made. Quadraphonic sound was a commercial failure when first introduced due to a variety of technical issues and format incompatibilities. Four channel audio formats can be more expensive to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Faith
Terence Nelhams Wright (23 June 1940 – 8 March 2003), known as Adam Faith, was an English singer, actor, and financial journalist. A teen idol, he scored consecutive No. 1 hits on the UK Singles Chart with "What Do You Want?" (1959) and "Poor Me" (1960). He became the first UK artist to lodge his initial seven hits in the top 5, and was ultimately one of the most charted acts of the 1960s. He was also one of the first UK acts to record original songs regularly. Faith also maintained an acting career, appearing as Dave in the teen exploitation film ''Beat Girl'' (1960), the eponymous lead in the ITV television series '' Budgie'' (1971–1972) and Frank Carver in the BBC comedy drama ''Love Hurts'' (1992–1994). Early life and education Terence Nelhams Wright was born on 23 June 1940 at 4, East Churchfield Road, Acton, Middlesex (now London), England, son of coach driver Alfred Richard Nelhams and cleaner Ellen May (née Burridge), formerly wife of Cecil G. Wright, from whom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Action
The Action were an English band of the 1960s, formed as the Boys in August 1963, in Kentish Town, North West London. They were part of the mod subculture, and played soul music-influenced pop music. Career The band was formed as the Boys in August 1963, in Kentish Town, North West London. The original members were Reg King (lead vocals), Alan 'Bam' King (rhythm guitar, vocals), Mike "Ace" Evans (bass guitar, vocals) and Roger Powell (drums). They had a brief spell as a bar band in Germany, and then as a backing band for Sandra Barry, (sometimes referred to as Sandra Barry and the Boyfriends) playing on her single "Really Gonna Shake" in 1964. After the stint with Barry, Pete Watson was recruited as lead guitarist, and in 1964 they changed their name to The Action. Shortly after their name change, they signed to Parlophone with producer George Martin. "Land of a Thousand Dances" b/w "In My Lonely Room" was well received by critics, but sold poorly. None of The Action's single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lansdowne Studios
Lansdowne Studios was a music recording studio in Holland Park, London, England, which operated between 1958 and 2006. Background The studio was located at Lansdowne Road, Holland Park, within Lansdowne House, a Grade II listed eight-storey building which was originally constructed in 1902–04 by Scottish architect William Flockhart, for South African mining magnate Sir Edmund Davis. The building contained apartments and artists' workshops. Among the artists who had studios in the building in the early decades of the 20th century were Charles Ricketts, Charles Haslewood Shannon, Glyn Philpot, Vivian Forbes, James Pryde, and Frederick Cayley Robinson, who are commemorated on a blue plaque on the building. "Lansdowne House", ''Buildington.co.uk'' Retrieved 23 May 2020 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Preston
Sidney Denis Preston (''né'' Prechner, 16 November 1916 – 21 October 1979) was a British record producer, recording studio owner, radio presenter and music critic. He was particularly influential in the British jazz and associated skiffle scenes from the 1940s to the 1960s. Preston worked independently; he was not contracted to a particular record label and would often risk cutting a record before pitching for a deal. He has been described as "Europe's first independent record producer", and as "probably the most important figure to emerge from the British jazz business". Neil Ardley described him as "a rare Diaghilev like figure" who steered many of the key figures of the British jazz scene into the studio when nobody else would record them. Biography He was born Sidney Denis Prechner on 16 November 1916 in Stoke Newington, London, the son of Louis Prechner and Sarah ''née'' Hobsbaum. He changed his surname to Preston by deed poll in 1946. His cousin was the histori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Charting singles Meek produced for other artists include "Johnny Remember Me" (John Leyton, 1961), "Just Like Eddie" ( Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), "Have I the Right?" (the Honeycombs, 1964), and "Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyn Johns
Glyn Thomas Johns (born 15 February 1942) is an English musician, recording engineer and record producer. Biography Early history Johns was born in Epsom, Surrey, England. He had three siblings, two older sisters and a younger brother, Andy. When Johns was 8 years old his mother enrolled him in the parish church choir where he eventually became head chorister. Johns expressed a fondness for his experience in the church choir commenting that it led to his further involvement in music and a career he had never expected to be involved in. Aside from the choir, his mother's brother, Robert, and the choirmaster/organist at St. Martin's Parish Church, Felton Rapley, also influenced and encouraged his interest in music. Career in recording Johns produced and/or engineered with artists such as Led Zeppelin, the Rolling Stones, the Beatles ( ''Get'' ''Back'' sessions), the Who, Eagles, Bob Dylan, Linda Ronstadt, Johnny Hallyday, the Band, Eric Clapton, the Clash, Ryan Adams, the Ste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonnie Donegan
Anthony James Donegan (29 April 1931 – 3 November 2002), known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising to prominence with a hit recording of the American folk song "Rock Island Line" which helped spur the broader UK skiffle movement. Donegan had 31 UK top 30 hit singles, 24 were successive hits and three were number one. He was the first British male singer with two US top 10 hits. Donegan received an Ivor Novello lifetime achievement award in 1995 and in 2000 he was made an MBE. Donegan was a pivotal figure in the British Invasion due to his influence in the US in the late 1950s. Life Donegan was born in Bridgeton, Glasgow, Scotland, on 29 April 1931. He was the son of an Irish mother and a Scots ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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