Porta Spagnola
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Porta Spagnola
Porta Spagnola (Italian for ''Spanish Gate''), also known as the Porta di Terra (''Land Gate'') is a city gate in Augusta, Sicily. It was built between 1681 and 1682 as part of the city's fortifications. History The fortifications of Augusta were constructed in the 1670s and 1680s to designs of the Flemish military engineer Carlos de Grunenbergh. On 13 May 1680, the city council granted a loan of 30,000 scudi for the construction of the Porta Spagnola, which was built between 1681 and 1682. The gate is the only entrance into the historic centre of Augusta, and it was built across an isthmus which was subsequently excavated, turning the city into an island. The design of the gate is attributed to Grunenbergh himself. The gate was located a few hundred metres away from another gate known as the Porta Madre di Dio, which no longer exists. Porta Spagnola was damaged in an earthquake on 13 December 1990, and it was restored in 2005. Architecture The gate is topped by a marble coa ...
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City Gate
A city gate is a gate which is, or was, set within a city wall. It is a type of fortified gateway. Uses City gates were traditionally built to provide a point of controlled access to and departure from a walled city for people, vehicles, goods and animals. Depending on their historical context they filled functions relating to defense, security, health, trade, taxation, and representation, and were correspondingly staffed by military or municipal authorities. The city gate was also commonly used to display diverse kinds of public information such as announcements, tax and toll schedules, standards of local measures, and legal texts. It could be heavily fortified, ornamented with heraldic shields, sculpture or inscriptions, or used as a location for warning or intimidation, for example by displaying the heads of beheaded criminals or public enemies. Notably in Denmark, many market towns used to have at least one city gate mostly as part of the city's fortifications, but during ...
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Griffin
The griffin, griffon, or gryphon (Ancient Greek: , ''gryps''; Classical Latin: ''grȳps'' or ''grȳpus''; Late Latin, Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a legendary creature with the body, tail, and Hindlimb, back legs of a lion; the head and wings of an eagle; and sometimes an eagle's talons as its front feet. Because the lion was traditionally considered the king of the beasts, and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. Indeed, as Pliny the Elder wrote, "griffins were said to lay eggs in burrows on the ground and these nests contained gold nuggets." In medieval heraldry, the griffin became a Christian symbol of Divinity, divine power and a g ...
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Buildings And Structures In The Province Of Syracuse
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Buildings And Structures Completed In 1682
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Baroque Architecture In Sicily
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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1682 Establishments In The Kingdom Of Sicily
Year 168 ( CLXVIII) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Paullus (or, less frequently, year 921 ''Ab urbe condita''). The denomination 168 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius and his adopted brother Lucius Verus leave Rome, and establish their headquarters at Aquileia. * The Roman army crosses the Alps into Pannonia, and subdues the Marcomanni at Carnuntum, north of the Danube. Asia * Emperor Ling of Han succeeds Emperor Huan of Han as the emperor of the Chinese Han Dynasty; the first year of the ''Jianning'' era. Births * Cao Ren, Chinese general (d. 223) * Gu Yong, Chinese chancellor (d. 243) * Li Tong, Chinese general (d. 209) Deaths * Anicetus, pope of Rome ...
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Porta Ligny
Porta Ligny or Porta Ligne was the main city gate of the island of Ortygia in Syracuse, Sicily. It was constructed in 1673 and demolished in 1893. History Porta Ligny was constructed in 1673 and it was named after Claude Lamoral, 3rd Prince of Ligne and Viceroy of Sicily. It formed part of the fortifications of Syracuse, which at the time were being upgraded by the Flemish military engineer Carlos de Grunenbergh, and it led towards an inner gate known as the Porta Reale or Porta Carlo V (also demolished). The fortifications were damaged during the 1693 Sicily earthquake, and some alterations were made to the gate during the subsequent repair work, which was also directed by Grunenbergh. The gate and its surrounding fortifications were demolished in 1893, in accordance with an 1890 master plan drawn up by the engineer Pandolfo. Architecture The gate consisted of a portal flanked by Solomonic columns, and it was topped by two marble coats of arms; the one of Claude Lamoral i ...
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Francisco De Benavides
Francisco IV de Benavides y Dávila, (1 November 1640, Madrid – 1716), Viceroy of Sicily, 1678–1687, Viceroy of Naples, 1687–1696, 9th Count of Santisteban del Puerto since March 1666, was the second son of Diego de Benavides, 8th Count of Santisteban (1607–1666). Biography His mother was Antonia Dávila y Corella, first wife out of three, totalling some 9 males/females, being 10th Countess of Cocentaina and the daughter of : Spanish aristocrat Jerónimo Ruiz de Corella, between other things, General of the Artillery radicated in the Duchy of Milan, Italy while her mother, a "Manrique", came from a family holding several marquisates and counties in Spain. The title of Count of Santisteban del Puerto was awarded by king Henry IV of Castile on 21 September 1473 to Diego Sánchez de Benavides while the Grandee of Spain, was awarded to this Francisco IV de Benavides y Dánila, 9th Count by king Charles II of Spain on 8 July 1696. Moreover, on 20 August 1738 the 10 ...
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Charles II Of Spain
Charles II of Spain (''Spanish: Carlos II,'' 6 November 1661 – 1 November 1700), known as the Bewitched (''Spanish: El Hechizado''), was the last Habsburg ruler of the Spanish Empire. Best remembered for his physical disabilities and the War of the Spanish Succession that followed his death, Charles's reign has traditionally been viewed as one of managed decline. However, many of the issues Spain faced in this period were inherited from his predecessors and some recent historians have suggested a more balanced perspective. For reasons that are still debated, Charles experienced extended periods of ill health throughout his life and from the moment he became king at the age of three in 1665, the succession was a prominent consideration in European politics. Historian John Langdon-Davies summarised his life as follows: "Of no man is it more true to say that in his beginning was his end; from the day of his birth, they were waiting for his death". Despite this, his successors inhe ...
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Deo Optimo Maximo
''Deo optimo maximo'', often abbreviated D.O.M. or Deo Opt. Max., is a Latin phrase which means "to the greatest and best god", or "to God, most good, most great". It was originally used as a pagan formula addressed to Jupiter. Its usage while the Roman Empire was a polytheistic state referred to Jupiter, the chief god of the Roman pantheon polytheists: Iovi Optimo Maximo (I.O.M.). When the Roman Empire adopted monotheism in the form of Christianity as the state religion, the phrase was used in reference to the Christian God. Its use continued long after the fall of the Roman Empire as Latin remained the ecclesiastical and scholarly language in the West. Thus the phrase, or its abbreviation, can be found on many Renaissance-era churches and other buildings, especially over sarcophagi, particularly in Italy and Malta. It is also inscribed on bottles of Bénédictine liqueur. See also *List of Latin phrases *Takbir The Takbir ( ar, تَكْبِير, , "magnification f God) is ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Escutcheon (heraldry)
In heraldry, an escutcheon () is a shield that forms the main or focal element in an Achievement (heraldry), achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge (heraldry), charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region and by era. Since shields have been regarded as military equipment appropriate for men only, British ladies customarily bear their arms upon a Lozenge (heraldry), lozenge, or diamond-shape, while clergymen and ladies in continental Europe bear their arms upon a Cartouche (design), cartouche, or oval. Other shapes are also in use, such as the roundel (heraldry), roundel commonly used for arms granted to Aboriginal Canadians by the Canadian Heraldic Authority, or the Nguni shield used in Coats of ar ...
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