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Porcelain (song)
"Porcelain" is a song by American electronic musician Moby. It was released as the sixth single from his fifth studio album '' Play'' on April 25, 2000. Written by Moby, who also performs vocals on the recording, "Porcelain" is a melancholic song with lyrics reflecting on the breakup of a relationship. It features a lush musical backing that incorporates reversed strings and various synthesized elements. While Moby initially expressed disdain over the song and its production, he was eventually talked into including it on ''Play''. One of the most successful singles from ''Play'', "Porcelain" became a top five hit in the United Kingdom and entered various other national record charts. Contributing to the song's commercial exposure was its use in several forms of media, including a notable placement in the 2000 film '' The Beach''. Music critics have highlighted "Porcelain" as a standout track on ''Play'', and it has also been included on several year-end and all-time lists of the ...
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Moby
Richard Melville Hall (born September 11, 1965), known professionally as Moby, is an American musician, songwriter, singer, producer, and animal rights activist. He has sold 20 million records worldwide. AllMusic considers him to be "among the most important dance music figures of the early 1990s, helping bring dance music to a mainstream audience both in the United States and the United Kingdom". After taking up guitar and piano at age nine, he played in several underground punk rock bands through the 1980s before turning to electronic dance music. In 1989, he moved to New York City and became a prolific figure as a DJ, producer and remixer. His 1991 single " Go" was his mainstream breakthrough, especially in Europe, where it peaked within the top ten of the charts in the Netherlands and the United Kingdom. Between 1992 and 1997 he scored eight top 10 hits on the ''Billboard'' Dance Club Songs chart including " Move (You Make Me Feel So Good)", " Feeling So Real", and " James ...
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Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ...
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Exodus (1960 Film)
''Exodus'' is a 1960 American epic historical drama film about the founding of the State of Israel. Produced and directed by Otto Preminger, the screenplay was adapted by Dalton Trumbo from the 1958 novel of the same name by Leon Uris. The film stars an ensemble cast including Paul Newman, Eva Marie Saint, Ralph Richardson, Peter Lawford, Lee J. Cobb, Sal Mineo, John Derek and George Maharis. The film's soundtrack music was written by Ernest Gold. Preminger openly hired screenwriter Trumbo, who had been on the Hollywood blacklist for over a decade for being a Communist and forced to work under assumed names. Together with ''Spartacus'', also written by Trumbo, ''Exodus'' is credited with ending the practice of blacklisting in the US motion picture industry. Plot After the Second World War, Katherine "Kitty" Fremont, a widowed American nurse, is sightseeing in Cyprus following a tour of duty for the U.S. Public Health Service in Greece. Her guide mentions the Karaolos int ...
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Exodus (soundtrack)
''Exodus'' is a soundtrack album by Ernest Gold with the Sinfonia of London from the 1960 film ''Exodus'' directed by Otto Preminger. The main theme from the film (" Theme of ''Exodus''") has been widely remixed and covered by many artists. The most popular version was an instrumental by Ferrante and Teicher, which reached number two on the ''Billboard'' Hot 100 in 1960. It was kept of out the number one spot by Wonderland by Night by Bert Kaempfert. This version became a gold record. Cover Versions Versions of "Theme of ''Exodus''" were recorded by Eddie Harris, Edith Piaf, Mantovani, Peter Nero, Connie Francis, Tova Porat, the 1960s British instrumental band The Eagles, and The Duprees, who sang the theme with lyrics written by Pat Boone. Hard rock guitarist Leslie West performed the song with his earliest band The Vagrants and also in subsequent bands. The band The Skatalites recorded a ska-version of the theme, which was covered by Bad Manners on the 1982 album Forging Ah ...
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Ernest Gold (composer)
Ernst Sigmund Goldner (July 13, 1921 – March 17, 1999), known professionally as Ernest Gold, was an Austrian-born American composer. He is most noted for his work on the film ''Exodus'' produced in 1960. Early life Gold was born in 1921 in Vienna, the son of Elisabeth (Stransky) and Gustav Goldner. Gold came from a musical family. His father played the violin, and his mother sang. His father also studied under Richard Heuberger. Gold said that he learned to read music before he had learned to read words. He studied the violin and the piano when he was six years old and began composing music at eight. By age 13, he had written an entire opera. As a child, he said he wanted to go to Hollywood and be a composer. Gold would go to movie theaters as a teenager not only to watch the films but also to listen to the musical score. Among prominent film composers of the time he admired Max Steiner. In 1938, Gold attended the Viennese Akademie für Musik und darstellende Kunst, but he mov ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Warner Chappell Music
Warner Chappell Music, Inc. is an American music publishing company and a subsidiary of the Warner Music Group. Warner Chappell Music's catalogue consists of over 1.4 million compositions and 65,000 composers, with offices in over 40 countries. History The company was founded in 1811 as Chappell & Co., a British music publishing company and instrument shop that specialized in piano manufacturing on London's Bond Street. In 1929, Warner Bros. acquired M. Witmark & Sons, Remick Music Corporation and Harms, Inc. Tamerlane Music was acquired in 1969. Warner Chappell Music was formed in 1987 in San Antonio, Texas, when Warner Bros. Music Chairman Chuck Kaye led the company to purchase Chappell & Co. from PolyGram (now Universal Music Group) (UMG). In 1988, Warner-Chappell acquired Birch Tree Group, publisher of ''Happy Birthday to You'' and the Frances Clark piano method books. In 1990, Warner Chappell acquired Mighty Three Music, the publishing company of Thom Bell and Gamble an ...
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Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ...
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Mixolydian Mode
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern counterpart.) The modern diatonic mode is the scale forming the basis of both the rising and falling forms of Harikambhoji in Carnatic music, the classical music form of southern India. Greek Mixolydian The idea of a Mixolydian mode comes from the music theory of ancient Greece. The invention of the ancient Greek Mixolydian mode was attributed to Sappho, the poet and musician. However, what the ancient Greeks thought of as Mixolydian is very different from the modern interpretation of the mode. The prefix ''mixo''- (μιξο-) means "half", referring to its resemblance to the Lydian mode. In Greek theory, the Mixolydian ''tonos'' ...
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Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ...
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