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Pontalba (opera)
''Pontalba'' is an opera in two acts composed by Thea Musgrave. Musgrave also wrote the libretto which is loosely based on the life of Micaela Almonester, Baroness de Pontalba, a prominent figure in 19th-century New Orleans. The opera was commissioned by New Orleans Opera to celebrate the two hundredth anniversary of the Louisiana Purchase. It premiered on 2 October 2003 at the Mahalia Jackson Theater in New Orleans conducted by Robert Lyall with Yali-Marie Williams in the title role. Background and performance history In 2001 New Orleans Opera commissioned Thea Musgrave to compose a new opera for the 2003 celebrations of the Louisiana Purchase bicentennial. On the suggestion of the company's General Director Robert Lyall, Musgrave chose Micaela Almonester, Baroness de Pontalba as her subject. Born in New Orleans and a wealthy heiress in her own right, Micaela Almonester married her mentally unstable French cousin, Célestin de Pontalba in 1811 and eventually moved to France where ...
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Thea Musgrave
Thea Musgrave CBE (born 27 May 1928) is a Scottish composer of opera and classical music. She has lived in the United States since 1972. Biography Born in Barnton, Edinburgh, Musgrave was educated at Moreton Hall School, a boarding independent school for girls near the market town of Oswestry in Shropshire, followed by the University of Edinburgh, and in Paris as a pupil of Nadia Boulanger from 1950 to 1954. In 1958 she attended the Tanglewood Festival and studied with Aaron Copland. In 1970 she became Guest Professor at the University of California, Santa Barbara, a position which confirmed her increasing involvement with the musical life of the United States. She married American violist and opera conductor Peter Mark in 1971. From 1987 to 2002 she was Distinguished Professor at Queens College, City University of New York. Among Musgrave's earlier orchestral works, the Concerto for Orchestra of 1967 and the Concerto for Horn of 1971 display the composer's ongoing fascinat ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Cultural Depictions Of American Women
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical b ...
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Operas Set In The 19th Century
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ...
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Operas By Thea Musgrave
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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2003 Operas
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Novello & Co
Wise Music Group is a global music publisher, with headquarters in Berners Street, London. In February 2020, Wise Music Group changed its name from The Music Sales Group. In 2014 Wise Music Group (as The Music Sales Group) acquired French classical music publisher Éditions Alphonse Leduc. Éditions Alphonse Leduc publishes classical music by French composers including Jacques Ibert, Henri Dutilleux, Olivier Messiaen, Francis Poulenc, and Joseph Canteloube. It also publishes operatic works by Italian composers Gioachino Rossini and Vincenzo Bellini, and works by Muzio Clémenti, Johannes Brahms, and Pyotr Tchaikovsky. In March 2017, The Music Sales Group acquired disco publisher Bleu Blanc Rouge from Belgian record producer and songwriter Jean Kluger. In April 2018, Music Sales sold its physical and online print divisions, including Musicroom, to Milwaukee-based publisher Hal Leonard for $50 million. Hal Leonard will continue to distribute Wise Music's publishing catalogue wo ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ...
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Robert Breault
Robert Breault (born 1963) is an American operatic tenor. Born in Michigan, he holds a B.M. degree (magna cum laude) from St. Norbert College (1985) from which he received a distinguished alumni award in 1997. In addition, he holds a M.M. (1987), and a D.M.A. (1991) from the University of Michigan where he studied voice with soprano Lorna Haywood. His early training also included two years of study at the San Francisco Merola Opera Program, and an internship with Michigan Opera Theatre. He lives in Salt Lake City, Utah, where he teaches voice and serves as director of opera at the University of Utah School of Music. Performances He is known for his work with opera companies that include New York City Opera, San Francisco Opera, Michigan Opera Theatre, Opera Theatre of St. Louis, Florentine Opera, Arizona Opera, Portland Opera, Fort Worth Opera, Edmonton Opera, Opera Hamilton, Opéra de Nice, Atlanta Opera, Arizona Opera, Chautauqua Opera, Madison Opera, New Orleans Opera, ...
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